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Our most sophisticated synthesizer ever - the other of the easiest make use of. If youre trying to find the best, look no further.
SaxLab had not been only the very first dedicated saxophone synthesizer, we're also sure its still one of the most expressive one.
We also provide a variety of more specific sound libraries for Spectral. Crafted by some on the worlds leading sound designers.
If you know that essentially the most ear-catching sounds originated from morphing, not blending, then MorphoX will be the instrument available for you.
Easily create something completely beautiful from your existing Samples with quite a few unique sample manipulations and in-depth modulation options.
The reaction to our fifteen years of synth-building experience. Spectral is easy make use of yet still boasts endless sonic possibilities. If youre informed about Subtractive Synthesis, youll feel right in your house because you can choose an oscillator waveform, filter shape - each of which can be edited comprehensive and modulated in numerous sophisticated ways - and continue from there. But Spectral delivers a great deal more options than youd expect, in the clarity and simplicity of that user interface. Spectral includes 850 factory sounds and many additional libraries can be purchased.
Requirements AU or VST capable DAW Display minimum 1280 x 800 Mac OSX 10.7 to 10.11 or Windows 7 to 10
A dream be realized for sound designers, and also a potent resource for virtually any well equipped studio Jim Aikin for Keyboard 2/2014 To describe the filter being a Multi-Mode-Filter has to be massive understatement Ulf Kaiser for KEYS 3/2014 Editors Choice of 2014 of Professional Audio, Germany Editors Choise and 9/10 rating Musictech magazine, 2014 With Spectral LinPlug made a mighty synthesis powerplant which is not difficult to handle Beat 04/2014 6/6 rating
LinPlug is not exactly the team, its each of the helping hands whorrrre somewhat a part of LinPlug and our Instruments in alphabetic order: Andy Becksa, Anthony Lydick, Arksun, Branislav Paki
Our most sophisticated synthesizer ever - and something of the easiest make use of. If youre trying to find the best, look no further.
SaxLab wasn't only the 1st dedicated saxophone synthesizer, we have been sure its still probably the most expressive one.
We offer a variety of more specific sound libraries for Spectral. Crafted by some in the worlds leading sound designers.
If you know that essentially the most ear-catching sounds originate from morphing, not blending, then MorphoX would be the instrument to suit your needs.
Easily create something completely new from your existing Samples with many unique sample manipulations and in-depth modulation options.
The response to our many years of synth-building experience. Spectral is easy to make use of yet still boasts endless sonic possibilities. If youre knowledgeable about Subtractive Synthesis, youll feel right in the home because you can choose an oscillator waveform, filter shape - because both versions can be edited thorough and modulated in several sophisticated ways - and go on from there. But Spectral delivers a great deal more options than youd expect, due to the clarity and simplicity of the company's user interface. Spectral incorporates 850 factory sounds and numerous additional libraries can be obtained.
Requirements AU or VST capable DAW Display minimum 1280 x 800 Mac OSX 10.7 to 10.11 or Windows 7 to 10
A dream become a reality for sound designers, and also a potent resource for virtually any well equipped studio Jim Aikin for Keyboard 2/2014 To describe the filter to be a Multi-Mode-Filter would have been a massive understatement Ulf Kaiser for KEYS 3/2014 Editors Choice of 2014 of Professional Audio, Germany Editors Choise and 9/10 rating Musictech magazine, 2014 With Spectral LinPlug made a mighty synthesis powerplant which is not hard to handle Beat 04/2014 6/6 rating
LinPlug is not just the team, its all of the helping hands who will be somewhat a part of LinPlug and our Instruments in alphabetic order: Andy Becksa, Anthony Lydick, Arksun, Branislav Paki
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This isn't any free software, it is deemed an archive for customers
Please utilize tabs on the inside to choose.
Big!Tone Ambient Excursion 2
Big!Tone Ambient Excursion 1
Big!Tone Ambient Signature 2
Big!Tone Ambient Signature 1
Mac : Just download each of the parts and open the file extension. It will mount the disk image with regular installer. Run it as being usual.
PC : Just download every part and run the installer exe it's going to merge the various components and install in a step.
This isn't free software, it is really an archive for customers
Please makes use of the tabs on the medial side to choose.
Big!Tone Ambient Excursion 2
Big!Tone Ambient Excursion 1
Big!Tone Ambient Signature 2
Big!Tone Ambient Signature 1
Mac : Just download each of the parts and open the file extension. It will mount the disk image with regular installer. Run it as being usual.
PC : Just download every part and run the installer exe it'll merge the various components and install a single step.
Rob Papen can be a trademark of Rob Papen Sound Design Music. Albino can be a trademark of Rob Papen Sound Design Music and LinPlug Virtual Instruments GmbH. LinPlug can be a trademarks of LinPlug Virtual Instruments GmbH. VST is often a registered trademarks of Steinberg Media Technologies GmbH.
The Albino 3 will be the unique consequence of a collaboration between Virtual Instrument designer Peter Linsener and Dutch sound designer Rob Papen. The Albino 3s key features include good quality presets in an array of styles, an easy-to-use interface, highly flexible oscillators, four types
APPENDIX B: LFO/ARPEGGIATOR SYNC 71 APPENDIX C: DELAY SYNC 71 APPENDIX D: MODULATION SOURCES AND 72 ODULATION 74 ODULATION ESTINATIONS APPENDIX E: USING TUN 77 77 REATING MICROTUNING FILES WITH.78 PECIFYING THE EFERENCE REQUENCY OF A ICROTUNING Rob Papen Albino
Albino3 as well as the Albino 3 presets can be placed inside the right directory for virtual instruments in your Mac. The next time you start out your host software the Albino 3 is going to be listed inside AURTASVST Instrument list. Common to Mac and PC After youve installed and opened the entire version on the Albino 3, navigate to the instruments rear panel.
Whats New in Albino 3 In comparison with its predecessor the Albino 2, the Albino 3 posesses a host of latest features designed to make your music-making better and enjoyable. These the latest features are listed below: Each preset is now able to made up of 4 individual layers.
Features The Albino 3 posesses a range of features designed to you could make your music- making more cost-effective and enjoyable. These features are described below: Sound Presets include 4 separate Layers for rich, complex sound synthesis. 4 oscillators per Layer, 4 types. Oscillator modules include Analog- type, Digital-type, Noise-type and Audio Input-type.
Several parameters are placed on the trunk panel in order that they are not changed accidentally during use. Controller hardware faderbox or synth settings is usually saved and restored. Dial operation is switchable between circular and linear modes. Rob Papen Albino
The block diagram below shows the signal flow inside the Albino 3 synthesizer: An Albino 3 Preset is comprised of one to four individual Layers. Each Layer is divided into 7 sections: Oscillator, Filter, Effects, Envelope, Modulation Matrix/LFO, Arpeggiator and Master.
LFOs is usually routed to your available modulation destination. Hopefully, this chapter has given which you brief summary of how the Albino 3 works. More detailed information may be found inside following chapters.
Controls Users have the option of controlling all Albino 3 dials in a choice of a circular or maybe a linear manner depending around the Dial Mode setting about the Albino 3s rear panel begin to see the Main area of this manual for more info about the Albinos rear panel.
Front Panel. The Layer section might appear. It is possible to load Albino 1 and a couple Presets into an Albino 3 Layer. In this situation, the Presets are loaded as single Layers and also the name on the Layer is removed from the name on the Preset.
Location. As mentioned previously, Albino 1 and Albino 2 Presets in addition to Albino 3 Layers might be loaded to the Albino 3 utilizing the File controls found from the Layer section. Four controls can be obtained: Browse Previous, Browse Next, Load and Save.
Note that Layers will also be loaded while using the File controls within the Master section. In this example, Layers are loaded as Albino 3 Presets in order that all Layers are going to be initialised on their default settings. If you might be
Oscillators The Albino 3 contains 4 oscillators grouped into 2 pairs Osc 1/Osc 2, Osc 3/Osc 4. Each oscillator pair is the similar to the other apart from Oscillator 1 contains a different Oscillator type Audio Input. To change oscillator pairs click within the buttons to your left in the Oscillator section.
Digital Oscillator The Albino 3s Digital oscillator outputs a waveform that can be a combination of two basic waveforms. These waveforms are made of harmonic sine waves employing a unique additive process which ensures an easy, top quality output signal. The type of waveform is determined by clicking around the Wave item on either side in the Waveform Display.
A special feature on the Albino 3 is that it allows polyphonic unison. That is, the detuning of Oscillators without worrying about loss of polyphony. The Spread dial is needed to set the Albino 3s amount of polyphonic unison. When moved from your leftmost position the dial gradually detunes voices to make a thick and fat sound.
100 to 100 cents is obtainable. The Semi control sets the oscillator help out semitones. A array of - 11 to at least one semitones is accessible. The Oct control sets the oscillator help out octaves. A choice of - 2 to 7 octaves can be acquired. Rob Papen Albino
A special feature on the Albino 3 is that it allows polyphonic unison. That is, the detuning of Oscillators with no loss of polyphony. The Spread dial is needed to set the Albino 3s amount of polyphonic unison. When moved in the leftmost position the dial gradually detunes voices to generate a thick and fat sound.
Noise Oscillator The Albino 3s Noise oscillator module offers three kinds of noise waveform: White, Pink and Brown. The type of waveform is placed by rotating the waveform dial. For more information about these waveforms please understand the Glossary a part of this manual.
Albino 3. This ensures that it is possible to make use of the Albino 3 as being a signal processing unit. All on the Albino 3s modules can be found so external audio may be modulated, filtered and processed from the Effects section.
musical as well as ensure that they'll use very little CPU resources. The Albino 3 has 2 filter modules, each of which may be set to one in the four filter types stated earlier. To turn a filter on or off, find the
The Envelope Direction button is needed to set sometimes a positive or negative envelope shape. This may be used for a variety of effects including opening the filter every time a note is released this really is impossible which has a non-inverted envelope. Rob Papen Albino
Env is utilized to set the amount to which the filters envelope effects the signal. Setting Env to 0.00 shows that the envelope doesn't have effect about the filter. Setting Env to a single.00 implies that the filter is modulated with the envelopes extensive range. Rob Papen Albino
Scream Filter The Scream Filter is usually a new addition for the Albino 3. This filter incorporates a much more aggressive sound than either the Silk or perhaps the Cream filters, particularly when the resonance is appeared. Watch out when utilizing this filter given it can get really nasty! The Scream filter has 7 types.
Comb Filter The Comb Filter is usually a new addition towards the Albino 3. This filter introduces gaps from the frequency spectrum, rather like the teeth using a comb. These gaps repeat in constant frequncy steps. If, for instance, you determine the filters Cutoff frequency to 400 Hz, you might introduce gaps just like those that is generated by a notch filter at 0 Hz !, 400 Hz, 800 Hz, 1200 Hz, 1600 Hz, and many others.
it is impossible that has a non-inverted envelope. The Vel Velocity control is employed to set the amount to which the filters cutoff frequency is modulated because of the note-on velocity on the MIDI input signal. Rob Papen Albino
The Albino 3s Amp section is located for the right from the Filter section. This section contains controls for routing the filters outputs along with general controls for setting the synths amplitude. The output coming from all four filters may be sent to either Effect 1, Effect 2, Effect 3, Effect 4 or even Effects 1 and 3 simultaneously by clicking about the output buttons towards the right on the filter module.
Filter 1 to Filter 2 this control needs to be set to your middle position. The Vel Velocity control is employed to set the amount to which the amplitude is modulated through the note-on velocity with the MIDI input signal. Rob Papen Albino
Envelope label. In general, the ADSFR envelope type sounds holistic due to its exponential segments while 5 Stage uses linear slopes therefore gives a different sound. ADSFR Envelope Rob Papen Albino
The dials might be set to deliberately under-track and even reverse-track. This enables you to create sounds which are very smooth and in many cases across their range, or that drastically change across their range as could be the case with Rob Papen Albino
45% within 596 ms or 0.596 seconds and raises with a sustain degree of 92% within 4.625 seconds. Note that the four level is usually the Sustain level as well as the 5 a serious amounts of level would be the release time and also the release level. The release level should normally be 0. Rob Papen Albino
When set to Sync mode, papers controls operate in units of fractions of your bar, when a value of 16 represents one bar. This is useful if you need to synchronise and envelope segment while using songs current tempo. Rob Papen Albino
Modulation Matrix click within the MX button within the four LFO buttons. The Arpeggiator is chosen from the Arp button towards the bottom. The LFO, Modulation Matrix and Arpeggiator controls are described in greater detail below. Quad LFO Rob Papen Albino
You may apply an envelope on the LFO while using the Delay, Attack and Decay dials. The Delay parameter sets how long in seconds prior to LFO begins modulating the signal. A Delay setting of 0 ensures that the LFO begins operating immediately. Rob Papen Albino
The Albinos Modulation Matrix permits you to create 16 user-defined modulation routings. 47 modulation destinations can be found for modulation by 26 modulation sources see Appendix D for just a listing and description of modulation sources and destinations. Rob Papen Albino
Remember, without while using Modulation Matrix the following might be modulated directly inside Envelope section: the oscillators amplitude by an envelope, the envelope rate because of the pitch in the note played, the envelope rate through the velocity with the note played Rob Papen Albino
You could build a complete library of your personal creative arpeggios. The respective parameters on the Albino Arpeggiator are: Mode Mode defines the way the Arpeggiator functions with there are several options available: Rob Papen Albino
The small Ret Retrigger switch towards the right from the clock parameter defines whether a whole new chord will restart the Arpeggiator or otherwise not. If you have a pause between two chords being played, the Arpeggiator will restart while using first Rob Papen Albino
by way of example a 1/32th on the 1/16th step. The more you turn the dial to your left the shorter the note is played. The effect is most prominent with sounds which have a short release time. Rob Papen Albino
This is usually extended around 4 octaves, again we recommend you recently try it to see the obvious effect. Rob Papen Albino
Effects The Albino 3 has four independent stereo effects units: Effect 1, Effect 2, Effect 3 and Effect 4. All four effects units are indifferent. Each effects unit contains twelve modules: Delay, Chorus, Chorus 2, Phaser, Flanger, Filter, Reverb, Stereo Delay StDelay, Gator, Wah Wah, Compressor and LoFi.
Finally, you can utilize Sync menu to sync the delay time using the current tempo see Appendix C for the array of possible sync settings. When modulation is applied a stereo effect is produced because both channels are modulated in opposite directions. Rob Papen Albino
A unique feature on the Albino Chorus is its Spread parameter that's turned on or off while using Spread button. Basically, Spread helps make the chorus sound fatter by having random deviations on the Time and Rate parameters. The degree of randomness depends for the spread Time and Rob Papen Albino
The Feed Feedback control is needed to set the quantity of internal feedback employed from the phaser. More internal feedback produces increasingly pronounced resonant peaks. The Inv Invert button permits you to invert the signal that can be used to produce the phasing effect. Rob Papen Albino
The Time control is needed to set the length from the effects delay line, simulating the delay between original tape machine 1 along with the delayedwet signal tape machine 2. Rob Papen Albino
Rate control. Filter This effect module is yet another monophonic filter that incorporates saturation/distortion. It might be used to produce some very special distortion/overdrive sounds. Rob Papen Albino
The Sync control can be used to synchronise the filters cutoff frequency modulation rate together with the songs current tempo. The level parameter allows you to adjust the output level from the filter/saturation. This may be required when using higher Saturation or Resonance settings. Rob Papen Albino
Damp setting, the less higher frequencies are contained inside the processed signal. The Dif Diffusion control can be used to set the volume of diversion stages which are applied on the input signal. As the value with the Dif control is Rob Papen Albino
The L Time and R Time dials can be used for setting the right and left channel delay times in milliseconds. This can cover anything from 1 ms to 1300 ms. Rob Papen Albino
thus the feedback for that shorter time is increased. When the lower Feedback Couple button is pressed the feedback is just not automatically adjusted. Gator Rob Papen Albino
In it only one on the two all over the place channel buttons could be switched on while doing so. Rob Papen Albino
Faster Decay times imply the wah effect returns to its default value more rapidly, while slower Decay times signify the wah effect returns to its default value slower. Rob Papen Albino
The Albino 3s compressor has been created to be as easy make use of as possible. It has five controls: Ratio, Threshold, Attack, Release and Vol Volume.
Lofi The Albino 3 s LoFi is usually a distortion effect that combines bit-depth and sample-rate reduction with smoothing algorithms allowing the resolution on the signal for being decreased, thereby making the sound rougher and noisier. This effect processor comes with a filter. This effect has the next controls: Bits, Cutoff, Filter Type, Res Resonance,
Divider inside signal path. The Auto-Vol control allows a compressor/expander being switched in the signal path. This lessens the overall effect with the LoFi making the sound less harsh and much more musical. Rob Papen Albino
Volume. Each of these sub-sections is described in more detail below. Precision The Precision control may be used setting the accuracy on the Albino 3s signal generation. When the Precision control is scheduled to lower than 100% small inaccuracies are introduced in to the waveform at various points inside the Albino 3s signal chain.
Albino 3 from another MIDI controller either hardware or software. All you will need to do is switch for the ECS light click it once, decide on a Albino 3 parameter using the mouse and after that send some MIDI messages to your Albino 3 by you MIDI source.
Preset. By default the Preset Browser points for the factory presets installed with Albino 3. Presets may be changed in three other ways. You can load a brand new Preset together with the file controls, which work by clicking the Prev/Next arrow buttons located below the Preset name.
L then 2 or more Layers have been in use. Glide The Glide or portamento section allows you setting the Albino 3s portamento parameters. Glide continuously changes the pitch from note to your next, connecting the notes and allowing you to smoothly glide from one for the other.
When the next note is released the 1st note sounds again. This makes a pedal tone effect. Volume Control The Volume control sets the Albino 3s overall output volume. Volume could be set in a range between - oodB to 6dB. Rob Papen Albino
Rear Panel The Rear Panel with the Albino 3 is accessed by clicking for the Albino 3 logo towards the bottom right with the Albino 3s front panel. Several master controls are actually located here for making the front panel less crowded, and also making sure that they aren't changed accidentally as the Albino 3 was in use.
Scale: See Appendix E for the complete description of how to utilize TUN files within the Albino 3. Finally, a corner panel also contains your Albino 3s serial number and version number. To switch back on the Front Panel select the Albino 3 logo about the Rear Panel. Rob Papen Albino
CPU processing power. Each additional oscillator, filter, effect and modulator that's included in a tool adds towards the CPU load. As a result, its advisable to switch off any unused units inside the Albino 3 to save CPU resources.
A signal processing device that suppresses or filters out specific parts of the signals frequency spectrum. Numerous sorts of filter are utilized in audio synthesis. These include Low Pass, High Pass, Band Pass and Notch. The tone Rob Papen Albino
it looks like rushing water or perhaps the surf and it is quite relaxing. Its often used in ambience in electronic music, and to be a test signal for tuning sound reinforcement systems many equalisers and audio spectrum analysers have built-in pink noise generators. Rob Papen Albino
100 to 200 Hz, that segment with the frequency spectrum will support the same energy being a segment from 5000 to 5100 Hz as well as 20, 000 to 20, 100 Hz. Compared to other varieties of noise, white noise incorporates a bright sound. Rob Papen Albino
Off, 1/2, 1/2T, 1/4, 1/4, 1/4T, 1/8, 1/8, 1/8T, 1/16, 1/16, 1/16T, 1/32, 1/32, 1/32T. Note: T is short for Triplet and stands for just a dotted note. In the truth of a dotted note, the note duration is equal to a single.five times its original undotted value. Rob Papen Albino
Decay, EnvF1 Release, EnvF2 Attack, EnvF2 Decay, EnvF2 Release, EnvAmpAttack, EnvAmpDecay, EnvAmpRelease, Main Filter Bal, Main Amplitude, Main Pitch Modulation Sources Note played Exp The note being messed around with exponential response. The modulation value follows the frequency from the played note bipolar. Rob Papen Albino
MIDI CC 4 unipolar. Expression Contr. MIDI CC 11 unipolar. CC16 Controller MIDI CC 16 bipolar. CC17 Controller MIDI CC 17 bipolar. CC18 Controller MIDI CC 18 bipolar. CC19 Controller MIDI CC 19 bipolar. LFO 1 LFO 1 bipolar. Rob Papen Albino
In order to generate the classic vibrato effect it is better to make use of Main Pitch because the modulation destination as this can be applied on the whole voice. Osc 1, 2, 3, 4 Symmetry Pulsewidth Symmetry respective Oscillator waveform, employed to thicken a solid or Rob Papen Albino
Key Lin which might be used for making the LFO improve your performance with higher Balance Balance of both Filters that may be, which is more prominent, only usable if are Filters are turned on and be given a signal from your Oscillators. Rob Papen Albino
Filters are activated and be given a signal in the Oscillators. Main Amplitude Overall amplitude of oscillators. Often employed for tremolo. Main Pitch Overall pitch of most oscillators. Often used in vibrato. Rob Papen Albino
Scala may be used to build the TUN format microtuning-files necessary to explore microtunings with this particular instrument. The Scala homepage is /huygensf/scala/Rob Papen Albino
A440 Hz, but once one has specified another pitch base for any microtuning in the event the TUN file is produced in Scala, including C261.6256 Hz, the data within the TUN microtuning-file will provide a brand new pitch reference. Rob Papen Albino
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Пользуйтесь Друзья, желаю успехов в творчестве!
Сайт не распространяет и не хранит электронные версии произведений, а лишь предоставляет доступ к создаваемому пользователями каталогу ссылок на торрент-файлы, которые содержат только списки хеш-сумм
Опупенно! Не хватило терпения пересмотреть, что есть! Маст хев!
Опупенно! Не хватило терпения пересмотреть, что есть! Маст хев!
А представь сколько нужно было терпения этот постер делать, за ночь глаза опухли
Но зато результат на лицо - данная тема вас радует, а это главное для меня. Совесть меня замучила что не у всех есть такой пак.
Пользуйтесь и творите во благо!
полезность пака сомнительная. т.к. собраны в основном Factory Presets,.т.е. те, что идут с самими плагами плюс какие-то самопальные настройки.
полезность пака сомнительная. т.к. собраны в основном Factory Presets,.т.е. те, что идут с самими плагами плюс какие-то самопальные настройки.
Рто как посмотреть, РІРѕС‚ ты наверное РєРѕРіРґР° смотрел, РѕРґРЅРё только factory Рё видел, Рё ничего более.
Я лично, имея внушительную коллекцию пресетов для многих доступных в инете плугов, в данном сборнике, когда приобрёл его, нашёл много нового, а уж самопальные они или нет не берусь доказывать. Даже если и самопальные - не значит, что плохие!!!
Vengeance вон тоже банки пресетов выпускает Сидит Шляйс, может с ним ещё пара сподвижников и колбасят пресеты, а потом на распродажу - чем не самопал? Самопал только распиареный до жути!!!, да ещё и бабла за них лупит не мерено, а можешь ты сказать, что все их пресеты кристально чистого качества? Я так не скажу.
Так что, уважая твоё мнение, останусь при своём - в данной коллекции уйма нормальных пресетов.
Круто! Спасибо за пак, качаю: Надеюсь кто-нибудь встанет на раздачу.
У!!! Вот это подарок к новому году!
Спасибище!!! Р- с праздниками!!!
SASEM тебя так же, всем успехов в новом, Творческом году!!!
Объясните убогому!! Чем эти прнсеты открывать?
Объясните убогому!! Чем эти прнсеты открывать?
В списках Hardware, VST и VSTi написаны списки названия пресетов и имена самих плагинов, собственно для которых и есть эти пресеты. Вот и окрывай пресеты в соответствии с именем в плагинах. Надеюсь ты теперь понял чем их открывать.
На панели Waves плагинов, всех без исключения, существует кнопка Load, если ты заметил, через неё
Zany 335, ну ты выдал. Молочаго. Качаю-Раздаю. Спасибо за такой труд.
Даа!!! Действительно хорошая коллекция. Главное чтобы пригодилась. Я сторонник того, чтобы накручивать свои, но ведь никто не мешает корректировать под себя уже накрученные звуки. Глядишь и свой банк когда-нибудь будет. Спасибо тебе большое Zany 335.
Я тут обрадовался, качнул эту коллекцию. Да только рано радовался. Попробовал открыть кое-чего из папкт VSTi, к примеру Cameleon 5000 Camel Audio - и архиватор выдал: неизвестный формат или ошибка в архиве!!
Вообще, кто-нибудь из вышеписанных восторженных юзеров пытался хоть что-нить распаковать, открыть?
К слову, я эту коллекцию уже как года 3 скачиваю в разных видах, с разных сайтов, но везде одно и тоже - как только пытаюсь извлечь кое-что из папки VSTi, либо требуется пароль для архива, которого никто так и не дает, либо неизвестный формат или ошибка в архиве!!!!
А в ответ - тишина. А что, админам тоже нет дела до этой лажи?
tashi-gyal, админам до этого совершенно никакого дела нет и быть не может.
А модератор проверил оформление этой раздачи, претензий к оформлению не было, поставил проверено. Скачивать каждую раздачу, чтобы проверить ее функциональность, он не обязан. Пишите в личку либо автору раздачи, либо вышеписанным юзерам, раз здесь не отвечают.
хотелось бы конечно, услышать глас народа. Особенно тех, кто пытался сделать тоже что и я
все и продолжают ну откроете вы едва ли 50% стоит ли игра свеч?
tashi-gyal, не пиши, пожалуйста, по 10 сообщений подряд. Редактируй свое последнее сообщение и добавляй в него новые мысли.
Рвсе-таки, кто-нить смог открыть Cameleon и др. из папкти VSTi?
У меня тоже некоторые архивы битые, но не так их и много. Выложил образ, один в один, с диска, что когда-то приобрёл в инет-магазине, так что, как говорится - чем богаты, тому и рады.
Больше ничем помочь не могу.
Низкий поклон Автору за плагины Zany 335.
Otlichno, spasibo za hardware presets!
k sozheleniju v JP80x0 X-plorations Soundset Vol2, JP80X0 X-plorations Soundset Vol3 netu samih failov bibliotek. mozhet najdutsja?
У меня их нет, но может кто-нибудь и откликнется, в чем немного сомневаюсь
Низкий поклон вам за такой клад!
скачал и как теперь их установить в кубейс?
Ultimate Plugin Preset Collection - MoKuM!!!
Доп. информация: Размер: Распакованый 2 GB, Упакованный RAR 529 Mb
Разделы: VST, VSTi, Virus, JP8000, Pulse, Q, Powercore01 и много других железных синтезаторов.
BiduleGroupKerrydanSyncGraphEnvv1.0
Kurzweil K2000, K2500, K2600
Kurzweil ANL-30 Analog Synth Collection, K2000 Series-HIGH
KurzweilAnalogDiskCollectionK2000, K2500, K2600
Virus-Vengeance Incubation.V1
Virus-Vengeance Incubation.V2
Virus-Vengeance Incubation.V3
soundline vol.6 absynth sound vol1 addon
ADVENTUS 1.5 Default Bank
Delta2OptimisedGakAlphaPresets.1
LinPlug Cronox VSTiv3.03PRESETUPDATES-PLZ
1.5.SYX-NGF-MoKuM
Discovery-TOTC.K-v-R-BestSpec-H2BH
Drumatic v2. 2 LikwidDrUmBaG
DX-7 SendSysX 32 bit V1.21-Florian Bomers
1.0-Signal
Tim.C-HarpTimeNewDefaultBank
IndustryPatchArenaVol.1SoundFX
KontaktC. KarakitsosVirtualAnalog
KontaktC. KarakitsosWavestation
LM-4 Samuel MONTASSIER - NBK V2.1
Exs.E-Lab-The Phuture Sound of House-MoKuM
Arturia Moog Modular V v1.0 Presets
AudioWhores Synth1 v1.07a bank
soundbank05 Rydsound, Synthhunter Toast
SynthationV-StationEssentialsv1.0
V-StationbestspecTyranno Music Vol.1 01Bank1b
V-StationNovation.K-station Factory 236 FXP
V-StationNovation.K-station Factory Presets
Chemestry Vol.1 Vol. 2 Psycobyophysics
BestSpec 09.22.05
BestSpec 09.18.05
BestSpec 09.20.05
Пользуйтесь Друзья, желаю успехов в творчестве!
Сайт не распространяет и не хранит электронные версии произведений, а лишь предоставляет доступ к создаваемому пользователями каталогу ссылок на торрент-файлы, которые содержат только списки хеш-сумм
Опупенно! Не хватило терпения пересмотреть, что есть! Маст хев!
Опупенно! Не хватило терпения пересмотреть, что есть! Маст хев!
А представь сколько нужно было терпения этот постер делать, за ночь глаза опухли
Но зато результат на лицо - данная тема вас радует, а это главное для меня. Совесть меня замучила что не у всех есть такой пак.
Пользуйтесь и творите во благо!
полезность пака сомнительная. т.к. собраны в основном Factory Presets,.т.е. те, что идут с самими плагами плюс какие-то самопальные настройки.
полезность пака сомнительная. т.к. собраны в основном Factory Presets,.т.е. те, что идут с самими плагами плюс какие-то самопальные настройки.
Рто как посмотреть, РІРѕС‚ ты наверное РєРѕРіРґР° смотрел, РѕРґРЅРё только factory Рё видел, Рё ничего более.
Я лично, имея внушительную коллекцию пресетов для многих доступных в инете плугов, в данном сборнике, когда приобрёл его, нашёл много нового, а уж самопальные они или нет не берусь доказывать. Даже если и самопальные - не значит, что плохие!!!
Vengeance вон тоже банки пресетов выпускает Сидит Шляйс, может с ним ещё пара сподвижников и колбасят пресеты, а потом на распродажу - чем не самопал? Самопал только распиареный до жути!!!, да ещё и бабла за них лупит не мерено, а можешь ты сказать, что все их пресеты кристально чистого качества? Я так не скажу.
Так что, уважая твоё мнение, останусь при своём - в данной коллекции уйма нормальных пресетов.
Круто! Спасибо за пак, качаю: Надеюсь кто-нибудь встанет на раздачу.
У!!! Вот это подарок к новому году!
Спасибище!!! Р- с праздниками!!!
SASEM тебя так же, всем успехов в новом, Творческом году!!!
Объясните убогому!! Чем эти прнсеты открывать?
Объясните убогому!! Чем эти прнсеты открывать?
В списках Hardware, VST и VSTi написаны списки названия пресетов и имена самих плагинов, собственно для которых и есть эти пресеты. Вот и окрывай пресеты в соответствии с именем в плагинах. Надеюсь ты теперь понял чем их открывать.
На панели Waves плагинов, всех без исключения, существует кнопка Load, если ты заметил, через неё
Zany 335, ну ты выдал. Молочаго. Качаю-Раздаю. Спасибо за такой труд.
Даа!!! Действительно хорошая коллекция. Главное чтобы пригодилась. Я сторонник того, чтобы накручивать свои, но ведь никто не мешает корректировать под себя уже накрученные звуки. Глядишь и свой банк когда-нибудь будет. Спасибо тебе большое Zany 335.
Я тут обрадовался, качнул эту коллекцию. Да только рано радовался. Попробовал открыть кое-чего из папкт VSTi, к примеру Cameleon 5000 Camel Audio - и архиватор выдал: неизвестный формат или ошибка в архиве!!
Вообще, кто-нибудь из вышеписанных восторженных юзеров пытался хоть что-нить распаковать, открыть?
К слову, я эту коллекцию уже как года 3 скачиваю в разных видах, с разных сайтов, но везде одно и тоже - как только пытаюсь извлечь кое-что из папки VSTi, либо требуется пароль для архива, которого никто так и не дает, либо неизвестный формат или ошибка в архиве!!!!
А в ответ - тишина. А что, админам тоже нет дела до этой лажи?
tashi-gyal, админам до этого совершенно никакого дела нет и быть не может.
А модератор проверил оформление этой раздачи, претензий к оформлению не было, поставил проверено. Скачивать каждую раздачу, чтобы проверить ее функциональность, он не обязан. Пишите в личку либо автору раздачи, либо вышеписанным юзерам, раз здесь не отвечают.
хотелось бы конечно, услышать глас народа. Особенно тех, кто пытался сделать тоже что и я
все и продолжают ну откроете вы едва ли 50% стоит ли игра свеч?
tashi-gyal, не пиши, пожалуйста, по 10 сообщений подряд. Редактируй свое последнее сообщение и добавляй в него новые мысли.
Рвсе-таки, кто-нить смог открыть Cameleon и др. из папкти VSTi?
У меня тоже некоторые архивы битые, но не так их и много. Выложил образ, один в один, с диска, что когда-то приобрёл в инет-магазине, так что, как говорится - чем богаты, тому и рады.
Больше ничем помочь не могу.
Низкий поклон Автору за плагины Zany 335.
Otlichno, spasibo za hardware presets!
k sozheleniju v JP80x0 X-plorations Soundset Vol2, JP80X0 X-plorations Soundset Vol3 netu samih failov bibliotek. mozhet najdutsja?
У меня их нет, но может кто-нибудь и откликнется, в чем немного сомневаюсь
Низкий поклон вам за такой клад!
скачал и как теперь их установить в кубейс?
S cala is usually a powerful program for experimentation with musical tunings, for example just intonation scales, equal and historical temperaments, microtonal and macrotonal scales, and non-Western scales. It supports scale creation, editing, comparison, analysis, storage, tuning of electronic instruments, and MIDI file generation and tuning conversion. All this can be integrated into 1 application using a wide assortment of mathematical routines and scale creation methods. Scala is ideal for your exploration of tunings and becoming informed about the concepts involved. In addition, an incredibly large library of scales is freely intended for Scala and is usually used for analysis or music creation.
G reat care is taken to produce Scalas functions and operations very general. The selection of parameter values that commands accept is done as general as you can. Often various forms of input are allowed. No arbitrary restrictions are designed. Scales are kept in a flexible format. Intervals might be entered and saved as either ratios or cents values and also be intermixed inside of a scale.
C onstructing scales on your own is one of Scalas strengths. Kinds of scales that could be made with Scala include: equal temperaments, well-temperaments, Pythagorean meantone scales, Euler-Fokker genera, Fokker periodicity blocks, harmonic scales, Partch diamonds, Polychordal scales, Dwarf scales and Wilson Combination Product Sets. In addition, some command files is roofed to build other scales for example triadic scales, circular mirrorings, circulating temperaments, etc., also to serve as examples.
Graphical interface. It incorporates the command line interface with the old console version but in addition provides dialogs for almost all functions. The remaining functions is usually used by typing Scala commands.
Plays scale tones through soundcard. Several screens allow different messing around with tones of an scale through the soundcards MIDI synthesizer or external MIDI instrument.
Command line interface that recognises 800 commands for scale analysis and manipulation. They are case insensitive and most might be abbreviated. In addition, the command syntax includes powerful features comparable to those of any programming language.
Extensive on-line help. The built-in help function describes every command in more detail and can also include useful home elevators other related topics. The help text is at HTML so that you can view it which has a browser and print it. In addition, the tip from the day function provides many useful hints and introduces features.
Extensible functionality through command scripts. You can create a script file containing Scala commands with any text editor, after which execute it inside Scala.
Can capture screen output to text files. Exporting scale data with music software, including Csound, is easy. A list of lexical functions is provided to convert program data to text.
Exports tuning data with a variety of synthesizers having an internal tuning table. You can save tuning data inside a MIDI file or send it instantly to your instrument or sound card. Supported tuning dump formats include a few:
Big Tick Angelina, Rainbow and Rhino softsynths
Dave Smith Instruments Prophet 6, Prophet 12 and Pro 2
HERCs series, Abakos Pro softsynths
Korg M1, M1R octave tuning dump
LinPlug Albino 2, Alpha 2, CronoX, MorphoX, Octopus, Organ 3, SaxLab and Spectral softsynths
Manytone ManyStation, ManyGuitar, ManyOne softsynths
MIDI Tuning Standard both bulk tuning dump and single-note tuning change, 3 byte, supported in Timidity and Audio Compositor, E-mu: Proteus 3, UltraProteus, Audity/Proteus 1000 and 2000 series, Virtuoso 2000, Proteus FX, Orbit, Planet Phatt, B3, Carnaval, Ensoniq: ASR-X, MR Rack, MR-61, MR-76, ZR-76, Turtle Beach: Multisound, Monterey, Maui, Tropez, Rio
Mutagene Mukoco, Macomate 88
Native Instruments Reaktor via semitones file, frequency file or NTF file
Roland V-Synth Version 2.0
Roland Virtual Sound Canvas, SC-8850
U-He Zebra2, ACE, DIVA and Bazille
VAZ Plus, 2001 and Modular softsynths
VirSyn Cube, Poseidon and TERA 2 softsynths
Wusik Station, Wusik 8000 and Ravernator
Xen-Arts IVOR, XenFont and Xenharmonic FMTS
Several software synthesizers like AlsaModularSynth, Tobybear Helios, MAZ Sound VSampler, Orion Pro, VirSyn Cube, Cantor, TERA 2, rgc:audio z3ta, Cakewalk Dimension Pro and Rapture, Oblivion VSTi and ZynAddSubFX have adopted the Scala scale file format to be a means to tune them as opposed to via a special tuning dump file. Theres another do-it-yourself hardware synth: PreenFM2 frequency modulation sound generator
Other instruments may be supported through modification of an outside data file, should the system exclusive data format is not hard.
Not all synthesizers have microtuning support within the form of the tuning table, or one with plenty resolution, and thus cannot be directly tuned by Scala. Hopefully more future synthesizers are going to be equipped which has a full keyboard variable tuning capability. Be careful to follow through before you buy.
Flexible keyboard mapping. For scales containing more or a lot less than 12 tones per octave, it is possible to assign scale degrees for the standard piano keyboard by employing a keyboard mapping. Scala supplies a good example set of keyboard mappings for scales of numerous sizes you can quickly get used to your needs.
Can retune existing MIDI files. You can convert an ordinary MIDI file being in any tuning via pitch bend commands or maybe a MIDI Tuning Standard tuning specification.
Can relay real-time MIDI. You play with a MIDI keyboard into a soundcard or external MIDI instrument and also have the tuning changed via pitch bend commands. This way you dont need a device with microtuning support to be able to play in a very given tuning.
Can create MIDI files from the microtonal score. The score is usually a text file which is usually created having an editor or generated from the MIDI file by Scala. The format is described in Scala sequence extendable. The tuning is completed either with pitch bend commands or MIDI Tuning Standard real-time single-note changes.
Recognises over 2000 musical modes. You can check any scale to determine if it approximates a pre-existing mode.
More than 550 note naming systems built-in. Notes could be named and shown in a very consistent way with microtonal accidentals.
Recognises over 700 chords. You can check the occurrence of these chords in almost any scale.
Recognises a lot more than 450 rational intervals.
Recognises a lot more than 3900 regular temperaments. You can check the name by providing a generator and period.
More than 4500 scales available. Download these free of charge from this website, view the Download page.
Reliable. Scala is written within the programming language Ada.
Available on multiple platforms: Windows, GNU Linux, MacOS X 10.4 or more and Unix, understand the Download page.
Click around the pictures to have a larger image.
Suggestions for improvements are usually welcome. Contact the author within the event of questions or problems.
Scala is freeware without warranty and might not be sold, modified, or distributed easily obtainable in combination with commercial products. It may only be distributed united package containing all of the files mentioned here and totally free.
Tutorial for creating TUN files with Scala AnaMark, VAZ Plus, 2001, Modular; Big Tick Angelina, Rainbow, Rhino; LinPlug Albino2, Alpha2, CronoX, Octopus; Cameleon5000; VirSyn Cube, Tobybear Helios, TERA 2, Wusik WusikStation, Zebra 2.0, etc. softsynths
S cala is usually a powerful software program for experimentation with musical tunings, including just intonation scales, equal and historical temperaments, microtonal and macrotonal scales, and non-Western scales. It supports scale creation, editing, comparison, analysis, storage, tuning of electronic instruments, and MIDI file generation and tuning conversion. All it is integrated into one particular application having a wide assortment of mathematical routines and scale creation methods. Scala is ideal for that exploration of tunings and becoming accustomed to the concepts involved. In addition, an exceptionally large library of scales is freely readily available for Scala and might be used for analysis or music creation.
G reat care has become taken to generate Scalas functions and operations very general. The choice of parameter values that commands accept is produced as general as you can. Often various forms of input are allowed. No arbitrary restrictions are manufactured. Scales are trapped in a flexible format. Intervals is usually entered and saved as either ratios or cents values and stay intermixed inside a scale.
C onstructing scales over completely from scratch is one of Scalas strengths. Kinds of scales that could be made with Scala include: equal temperaments, well-temperaments, Pythagorean meantone scales, Euler-Fokker genera, Fokker periodicity blocks, harmonic scales, Partch diamonds, Polychordal scales, Dwarf scales and Wilson Combination Product Sets. In addition, a couple of command files is protected to build other sorts of scales including triadic scales, circular mirrorings, circulating temperaments, etc., and also to serve as examples.
Graphical program. It incorporates the command line interface with the old console version but provides dialogs for almost all functions. The remaining functions may be used by typing Scala commands.
Plays scale tones using the soundcard. Several screens allow different using tones of the scale through the soundcards MIDI synthesizer or external MIDI instrument.
Command line interface that recognises 800 commands for scale analysis and manipulation. They are case insensitive and most might be abbreviated. In addition, the command syntax includes powerful features just like those of any programming language.
Extensive on-line help. The built-in help function describes every command in more detail and can also include useful info on other related topics. The help text is within HTML so you're able to view it having a browser and print it. In addition, the tip with the day function provides many useful hints and introduces features.
Extensible functionality through command scripts. You can create a script file containing Scala commands with any text editor, then execute it inside Scala.
Can capture screen output to text files. Exporting scale data for some other music software, including Csound, is easy. A number of lexical functions is provided to convert program data to text.
Exports tuning data to some variety of synthesizers having an internal tuning table. You can save tuning data inside a MIDI file or send it instantly to your instrument or sound card. Supported tuning dump formats include a few:
Big Tick Angelina, Rainbow and Rhino softsynths
Dave Smith Instruments Prophet 6, Prophet 12 and Pro 2
HERCs series, Abakos Pro softsynths
Korg M1, M1R octave tuning dump
LinPlug Albino 2, Alpha 2, CronoX, MorphoX, Octopus, Organ 3, SaxLab and Spectral softsynths
Manytone ManyStation, ManyGuitar, ManyOne softsynths
MIDI Tuning Standard both bulk tuning dump and single-note tuning change, 3 byte, supported in Timidity and Audio Compositor, E-mu: Proteus 3, UltraProteus, Audity/Proteus 1000 and 2000 series, Virtuoso 2000, Proteus FX, Orbit, Planet Phatt, B3, Carnaval, Ensoniq: ASR-X, MR Rack, MR-61, MR-76, ZR-76, Turtle Beach: Multisound, Monterey, Maui, Tropez, Rio
Mutagene Mukoco, Macomate 88
Native Instruments Reaktor via semitones file, frequency file or NTF file
Roland V-Synth Version 2.0
Roland Virtual Sound Canvas, SC-8850
U-He Zebra2, ACE, DIVA and Bazille
VAZ Plus, 2001 and Modular softsynths
VirSyn Cube, Poseidon and TERA 2 softsynths
Wusik Station, Wusik 8000 and Ravernator
Xen-Arts IVOR, XenFont and Xenharmonic FMTS
Several software synthesizers like AlsaModularSynth, Tobybear Helios, MAZ Sound VSampler, Orion Pro, VirSyn Cube, Cantor, TERA 2, rgc:audio z3ta, Cakewalk Dimension Pro and Rapture, Oblivion VSTi and ZynAddSubFX have adopted the Scala scale file format being a means to tune them as an alternative to via a special tuning dump file. Theres fashionable do-it-yourself hardware synth: PreenFM2 frequency modulation sound generator
Other instruments might be supported through modification of a data file, when the system exclusive data format is easy.
Not all synthesizers have microtuning support inside the form of the tuning table, or one with plenty of resolution, and for that reason cannot be directly tuned by Scala. Hopefully more future synthesizers will probably be equipped which has a full keyboard variable tuning capability. Be careful to go here before you buy.
Flexible keyboard mapping. For scales containing more or below 12 tones per octave, you can certainly assign scale degrees to your standard piano keyboard by employing a keyboard mapping. Scala supplies an illustration set of keyboard mappings for scales of numerous sizes that you could quickly adjust to your needs.
Can retune existing MIDI files. You can convert a typical MIDI file being in any tuning via pitch bend commands or perhaps a MIDI Tuning Standard tuning specification.
Can relay real-time MIDI. You play over a MIDI keyboard into a soundcard or external MIDI instrument and enjoy the tuning changed via pitch bend commands. This way you dont need a device with microtuning support so as to play inside a given tuning.
Can create MIDI files coming from a microtonal score. The score is often a text file which may be created through an editor or generated from the MIDI file by Scala. The format is described in Scala sequence data format. The tuning is completed either with pitch bend commands or MIDI Tuning Standard real-time single-note changes.
Recognises in excess of 2000 musical modes. You can check any scale to determine if it approximates a current mode.
More than 550 note naming systems inbuilt. Notes might be named and shown within a consistent way with microtonal accidentals.
Recognises greater than 700 chords. You can check the occurrence of these chords in every scale.
Recognises a lot more than 450 rational intervals.
Recognises over 3900 regular temperaments. You can check the name by offering a generator and period.
More than 4500 scales available. Download these without cost from this website, begin to see the Download page.
Reliable. Scala is written from the programming language Ada.
Available on multiple platforms: Windows, GNU Linux, MacOS X 10.4 or older and Unix, understand the Download page.
Click for the pictures to obtain a larger image.
Suggestions for improvements will almost always be welcome. Contact the author inside event of questions or problems.
Scala is freeware without warranty and might not be sold, modified, or distributed easily obtainable in combination with commercial products. It may only be distributed as you package containing every one of the files mentioned here and without cost.
Tutorial for creating TUN files with Scala AnaMark, VAZ Plus, 2001, Modular; Big Tick Angelina, Rainbow, Rhino; LinPlug Albino2, Alpha2, CronoX, Octopus; Cameleon5000; VirSyn Cube, Tobybear Helios, TERA 2, Wusik WusikStation, Zebra 2.0, etc. softsynths
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At Zevera we dont like restrictions. Thats why we created applications for everyone platforms. Whatever device you're using, we have you covered!
haas effect and after side compressor and side cut. This will likely be more natural for mixing
Side lowcut is defined to lowcut delay in haas effect also and once you dont want stereo on low and rehearse haas it's going to not smear on low freq.
Changed knob type on Flip F-Tfalse-true so that it starts with it inactive false. Stereo will flip everywhere you look when you drag it fifty percent and over
2 patches for distortion guitars experiment with a gain approximately 15 percent to 25 percent in your amp software, and go following that My chain for implementing these is- compression slight - distortion vst slight- noise gate - Gtr amp plugin - WOS III - compression - EQ.
Until the modular system can be acquired, we have now to stick with all the chain modules. And because everyone loves to have my main drums tuned to your root note i adore using drum synth. like e-kick and e-snare in bitwig. Because they sound too basic for my likings, i created some chains to polish them quot;a lttle bit quot;. You quot;can quot; layer some oldschool drum samples or loops at the top to give them more character but you are meant to deliver a clean, generic heavy foundation on your dance drum kit.
The Kick is tuned from F to C just turn macro 1, also the Snare from 160hz to 320hz
quot;Polarity Ultimate Kick-Snare quot; are two modules for bitwig which induces easy tweakable edm/dubstep/drum amp; bass kicks and snares. Demo video below, release soon, price: without any course.
Youtube Video: /watch?vFTnh2qdjHEg
KVR Thread:?t450342
All my sounds I created for my track Oxymoron for KVR OSC81.
Because I couldnt find any init patch, I simply made one, but since it is unattainable to export and import single patches/programms at Ultra Analog I have to share it like a bank. I also put a vst preset in to the zip file so that you also can position the init patch to your vst preset folder. The bank has to become put in to the bank folder in your harddrive disk. You find it should you simply click on manage in the GUI then on show files on the preset browser. Note that I put off the filters along with the LFO with the init preset, you should activate pretty much everything first by hitting this very, very, tiny green button/light.
These instruments were set up in my OSC 81 entry.
Primarily component of The Penultimate Trilogy these IRs seems to become made for what this, among essentially the most affordable convolution reverb, was created for
Use it in appropriate relation of any chosen scale and tonality that grounds a composition in process, these IRs works as something very a lot like sympathetic strings and introduce in to a send/return loop as youd having a reverb, it can submerge your arrangement into an incredibly pleasant mood of enhanced harmony
This is usually a GUI skin for Poise VSTi drum sampler. It is called Decadence. It is inside of your 7-zip archive. Put the Decadence folder on the inside of Poises Skins folder and it's going to be accessible within Poise.
I am contributing 15 custom patches that I made with MUX, the monster, modular VSTi synthesizer by MUTools. Many of these were chosen on my track, Muckety MUX, which I submitted being an entry on the KVR One Synth Challenge 80. The set includes synth sounds and electronic drum patches. Enjoy!
Demo of Progressive Xtra sound library for Firebird - 8 soundbanks, 1024 patches in whole:
REVALVER 4 - - A multi module/multi amp combine bank, see to put further details:?f45 amp;amp;t41410
REVALVER 4 - - A multi module/multi amp combine bank, see to put further details:?f45 amp;t41410
8 patches in the Land of Chimera sound bank. The full set contains 80 patches and might be found at - /product/land-of-chimera-hive/
16 Dark Ambient and Industrial-esque patches for Dmitry Sches Diversion. The full sound bank incorporates 40 patches and is also freely sold at - /patches
Alternative display images with the DUNE Black and White skins, in which the grid within the main display may be removed. Use these should you prefer a totally unicolored display background.
Now includes 5 patches including piano, bells, and 3 others. Enjoy:
SkinPack containing the DUNE Black and DUNE White skins.
For Alphas retirement, I have uploaded a collection of 50 patches specifically for the total version. I spent time with your,
they are new and different from your presets. Since patches attract sales, I am hoping a few within the fence will start.
Peter as well as the Linplug team are fantastic guys; and another of the few, while pillars of KVR. They deserve our support.
about 30ish presets, mainly psytrance stuff and odd little doodles while I was looking into the synth.
Ill update as I make more with time.
Synth, Pad, Piano. Fxp format Native achievable test version
I am contributing 15 custom patches that I made with Lokomotiv, the easy, but powerful VSTi synthesizer by Archetype Instruments. Many of these were utilized on my track, Gruesome Foreshadowing, which I submitted being an entry for the KVR One Synth Challenge 79. The set includes synth sounds and electronic drum patches. Enjoy!
Here are a few patches for Lokomotiv, created over the KVR One Synth Challenge for September 2015.
Note that this is usually a work in progress. Some on the kicks containing filter resonance fail to work immediately needlessly to say, however are very powerful after they do!
This a skin for Poly-Ana which has a flat/2D design no 3D elements except maybe the keyboard every time a note is played.
The ZIP file includes two folders with all the skin at 2 different reolutions 1512x801 and 1200x636. For the bigger version a corresponding display must be used Full HD 1920 x 1080. The skin incorporates a custom mod source selection wheel but works best while using drop-down menus.
The folder for that 2 different versions within the ZIP file include sub-folders using the quot;skin quot; folder and also a folder together with the Knob files created in JKnobman.
The skin was made with Poly-Ana v1.3 Beta 6 so this or perhaps a later version needs to be used.
Free Bundle, seven plugins forming a total fully functional system.
If youve created any banks, patches, drum kits, sample-sets, etc. that youd like to obtain featured here, please chose the KVR page with the product you're uploading a bank for and head over to its Banks Patches tab.
Please don't report.7z files as corrupt or unable being opened should you havent tried decompressing them using 7-Zip first Windows, Mac and Linux.