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Design stunning visuals with HitFilm 2 Ultimates arsenal of compositing tools. Import 3D models, camera solve with mocha HitFilm, extract professional green screen keys and work with both 2D and 3D. This is Ultimate power. HitFilm 2 ultimate free -in support for making use of 3D models inside HitFilm, with lights, shadows, motion blur and depth of field. Its an innovative workflow.
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Editing, disc authoring, and visual effects.
Included with Vegas Pro 13 Suite is HitFilm 3 Pro. This powerful visual effects software merges professional 3D compositing and more than 180 effects with live rendering for the Vegas timeline. Featuring an industry-leading toolkit along with a world class particle simulator, HitFilm 3 Pro provides you with total control and customization of one's built-in effects, including color correction and grading tools.
Send the valuables in a Vegas Pro event straight from the Vegas Pro timeline to an alternative HitFilm 3 Pro project. Add visual effects and compositing in HitFilm and useful changes which automatically updates the media back Vegas Pro. Seamless integration results in an amazingly efficient and powerful post-production workflow.
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Academy Award-winning planar tracking is provided by the special version of mocha from Imagineer Systems. Solve 3D camera moves and automatically track masks, saving you hours of your energy.
Advanced chroma key combines with sophisticated 2D and 3D layering to produce greenscreen composites so realistic your audience won't ever even know.
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Sony Vegas Pro 13 is really a powerful, affordable editing program. Mark Holder, Videomaker
Sony Vegas is one in the most affordable NLE packages around for that Windows user. Jeremiah Hall, DoddleMe
An update to Vegas Pro 13 software was posted on June 11, 2015.
Superb media handling with wide codec support. Well suited for 4K editing. A nice variety of audio and video plug-ins. Oliver Peters, Digital Video
The software incorporates the editing features and effects that you'd expect from your professional editing application and several that exceed normal. Odin Lindblom, VizWorld
Sony Creative Software inspires artistic expression which consists of award-winning distinctive line of products for digital video, music, DVD, and audio production.
Sound Forge, ACID, and Vegas software have defined digital web content writing for a generation of creative professionals, amateurs, and enthusiasts.
2003-2015 Sony Creative Software, Inc. All Rights Reserved.
Editing, disc authoring, and visual effects.
Included with Vegas Pro 13 Suite is HitFilm 3 Pro. This powerful visual effects software merges professional 3D compositing and more than 180 effects with live rendering about the Vegas timeline. Featuring an industry-leading toolkit and also a world class particle simulator, HitFilm 3 Pro provides total control and customization of the built-in effects, including color correction and grading tools.
Send the items in a Vegas Pro event from the Vegas Pro timeline to an alternative HitFilm 3 Pro project. Add visual effects and compositing in HitFilm and useful changes which automatically updates the media back Vegas Pro. Seamless integration produces an amazingly efficient and powerful post-production workflow.
HitFilm 3 Pro contains over 180 professional effects including fire and lightning, gunfire, 3D camera projection, lens flares, heat distortion, invisibility, cloning, glitches and grunge, titling and textures. Enhance your cinematography through an endless toolbox of amazing effects.
Its an easy task to import 3D models to HitFilm 3 Pro and animate your scenes. Because everything works in true unified 3D space, your models help the cameras to accurately simulate depth of field, motion blur, multiple light types, full self-shadowing and shadow casting onto other layers.
HitFilm 3 Pro incorporates a world-class particle simulator including amazing 3D physics, dynamic forces, and multiple collision deflectors. Plug in 3D models as textures to build fleets of ships, sprawling cityscapes, asteroid fields or maybe a hail of arrows.
HitFilm 3 Pro also includes 130 premium plugins which work directly inside Vegas, and never having to switch products. Expand your toolkit and transform your workflow choices.
Academy Award-winning planar tracking is provided by way of a special version of mocha from Imagineer Systems. Solve 3D camera moves and automatically track masks, saving you hours of their time.
Advanced chroma key combines with sophisticated 2D and 3D layering to make greenscreen composites so realistic your audience won't ever even know.
Create awe-inspiring particle clouds in HitFilm 3 Pro depending on 2D shapes or 3D geometry, then warp them into organic forms. You can even mix within an audio clip to automate the animation, or apply them straight away to 3D objects.
All on the products within the Vegas Pro family make it easier to import and edit movies, images, and music so that you can jump right in and begin creating your future video or audio masterpiece. Whether youre a newcomer, a highly skilled filmmaker, or possibly a professional broadcast producer, there is really a Vegas Pro strategy to meet your needs. See the entire Vegas family comparison.
Sony Vegas Pro 13 is often a powerful, affordable editing program. Mark Holder, Videomaker
Sony Vegas is one with the most affordable NLE packages around for your Windows user. Jeremiah Hall, DoddleMe
An update to Vegas Pro 13 software was posted on June 11, 2015.
Superb media handling with wide codec support. Well suited for 4K editing. A nice variety of audio and video plug-ins. Oliver Peters, Digital Video
The software incorporates the editing features and effects that you'd expect from your professional editing application and several that exceed standard. Odin Lindblom, VizWorld
Sony Creative Software inspires artistic expression having its award-winning distinct products for digital video, music, DVD, and audio production.
Sound Forge, ACID, and Vegas software have defined digital article marketing for a generation of creative professionals, amateurs, and enthusiasts.
2003-2015 Sony Creative Software, Inc. All Rights Reserved.
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ManualTrackfor mocha AE, Plus, and Pro
Adjust Trackfor mocha AE, Plus, and Pro
mocha Plus formerly mocha AE could be the Planar Tracking and masking utility that supports Adobe After Effects, Premiere Pro, Apple Final Cut Pro, Motion, HitFilm and Boris FX.
mocha Plus 4.1 surpasses the bundled versions by having new features, including a 3D Camera Solver and lens correction tools for After Effects. New support includes mask export to Adobe Premiere Pro a receptive spline support for After Effects.
Purchase for 245 or upgrade only for 195!
Your registeredcopy on the Adobe bundled mocha AE CC or FXhome bundled mocha HitFilm,qualify for your reduced upgrade path of 195.
When other trackers fail, users utilize mocha s dependable tracking.
mocha s 2.5D planar motion tracking engine accurately follows translation, scale, rotation, skew and perspective. Unlimited tracking layers handle reflections, obstructed and blurred objects, even areas with low detail. The AdjustTrack module and overlay tools help solve tracking challenges with pixel-perfect accuracy.
Create animated roto masks with less keyframes.
X-spline and Bezier creation tools are purposely intended for artists to simply create detailed roto shapes. When related to mocha s planar tracking, roto shapes inherit motion and perspective, dramatically reducing manual keyframe work. Advanced tools for shape editing include per-point edge feathering, join layers tool, transform tool, group layers and even more making mocha the best system for rotoscoping.
Copy and paste masks into Adobe Premiere Pro CC.
Premiere Pro editors may now use mocha masks to isolate color correction, blurs and even more. mocha s advanced tracking and roto tools create accurate masks with minimal keyframing. Export mutli-layered masks to AE, Premiere and FCP without rendering.
Camera tracking for 3D visual effects.
Solve 3D match moving capabilities with planar ease. Unlike feature based tracking, mocha solves the 3D camera according to user-selected planes. This fast and easy-to-use option is ideal for set extensions, 3D text and particle tracking. Additionally the 3D solver is usually used to assist other 3D tracking applications on difficult shots with low detail or significant foreground occlusions.
Calibrate, correct and take off lens distortion.
This simple and easy easy-to-use interface allows users to calibrate the distortion designed by camera lenses. Unwanted lens distortion might be removed or matched for realistic compositing. Export towards the free mocha Lens plug-in for After Effects or export distortion map data for Nuke, Flame, Fusion and even more.
Support for post-production and visual effects software: Adobe After Effects, Premiere Pro, Apple Final Cut Pro, Motion, HitFilm 2 Ultimate, Boris FX and Red Giant.
support for Boris BCC plug-ins enables trackingimportinto Avid Media Composer Sony Vegas Pro.
The mocha Plus Quick Start Guide! Imagineers Planar Tracker technology provides 2D tracking data by tracking planes as opposed to points. The key that will get the most out from the Planar Tracker should be to learn to discover planes of motion in your shot which coincide while using object that you need to track or roto. Sometimes it are going to be obvious maybe you may need to break your object into different planes of motion. For instance in the event you were tracking a tabletop using a vase on top of it, you wish to draw the spline to protect yourself from the flower arrangement inside center on the table the vase is not around the same plane since the table and can make your track less accurate.
Think of one's objects just as if they are low poly models and track the planes most relevant to your data you would like.Since There Are No Point Trackers in mocha, splines can be used both tracking and rotoscoping. This can be a different method from standard 1-point, feature, or multi-point tracking tools. If you try to work with mocha like older tracking technology, you will not likely get successful tracks.
Take efforts and learn the software by scanning this section, watching our videos, and looking at the documentation. We are positive that you will improve your workflow. Its time to have mocha included in your toolbox!
Try to merely use what you may need, useindividual shots in lieu of an entire edit. Working with long files could be time consuming with the artist which enable it to slow down tracking the way it searches for more frames.
2. Select the preferred spline tool, either X Splines or Beziers.
In general X splines be more effective for tracking and roto, especially with perspective motion. X-Splines have one control handle for each and every point, this will make X-Splines faster to utilize for some people. The shapes still export as bezier splines to your software that mocha supports. All splines may be feathered with inner and outer edges.
3. Draw spline about the planar area that you intend to track.
You could be fairly loose using your spline as the Planar Tracker is intelligent enough to discard the pixel movement which doesn't move similarly enough. Scrub over the timeline and discover the largest, sharpest, and many parallel on the camera area to start with tracking from; draw your shape there to begin with.
You may use backwards and forward tracking from wherever it really is that you might have drawn your spline. You can often obtain a great result with default settings, however if youre receiving a lot of drift, try helping the Min % Pixels Used.Remember to turn layer cogs AKA: gears off if you are done tracking, as those cogs show you which layers are used for tracking!
The Surface Tool represents the corner pin data in which you want an inserted image to get, and the center point on the surface tool becomes your transform data after you export from mocha. Generally, it isbetter to alignthe surface roughlyto the vicinity you are trackingso you may easily find out how your track is certainly going!
Adjust track is really a four point correction that animates over the top of your respective track. Adjust track is often a more advanced section which might be found here.
7. Export the completed track to whatever format you may need.
You can perform this via copy and paste for After Effects and Nuke, or you are able to save and load this data for everyone other programs.
When you paste or load your mocha tracking data in the final composite or edit, ensure that you are pasting or loading crucial computer data in for the first frame with the clip, otherwise your data will not likely line up. Frame rate, dimensions and pixel aspect ratio have to be correct. Make sure these values match the settings as part of your compositor or editor and inside mocha, otherwise your tracking datawill not match whenever you export it. If your transform data doesn t matchup within your compositing program associated with preference, you might want to delete your imported anchor points or recheck your settings. Find more export instructions here.
1. Roto follows principle workflow with the first 6 basic tracking steps.
However, you might need to follow everything in individual planes. This means that you would like to rotoscope people and animals paper doll style. Split everything up at its movable joint for optimum results and much less keyframes.
2. Draw a fresh, better rotoscoping shape.
Once you could have a good track as outlined within the Basic Tracking section above, you are going to need to tracethe edges of theobjects thatyou must rotoscope in greater detail.Complex rotoshapes are certainly not good candidates for tracking.
3. Link your rotoscoping fit around your original track.
In the layer properties, you are able to use the dropdown menu called link in order to to attach your finer, more descriptive roto fit around your original track. The new shape can move along with all the originaltracking layer.
4. You can also just track and roto in the same time.
This method only works well with simple shapes. This will not be recommended for complex roto shapes like heads, hair, and wrinkled shirts. However, buildings, walls, smooth organic objects, and then inorganic objects may be tracked and rotoscoped by doing this.
You will still only have to adjust where mocha shapes slip off your object. Make sure to animate for the bounce or squash and stretch areas as a way to minimize keyframes, as if you would in traditional animation.
6. Export the rendered mattes or perhaps the shape data in whatever format you may need.
You are capable of doing this via copy and paste for After Effects and Nuke, or you may save and load this data for many other programs.
When you paste or load your mocha shape data into your final composite or edit, be sure you are pasting or loading your shape data in on the first frame in the clip, otherwise your data will not likely line up. Frame rate, dimensions and pixel aspect ratio need to be correct. Make sure these values match the settings within your compositor or editor and inside mocha, otherwise yourshape data will never match whenever you export and import it. Find much more about matte export here.
This tool selects points with the spline and edges on the surface tool for manipulation.
In general X splines are more effective for tracking, especially with perspective motion. X-Splines just have one control handle for any point, this will make X-Splines faster to make use of for some people. The shapes still export as bezier splines to your software that mocha supports. All splines is usually feathered with inner and outer edges.
Adds another X Spline towards the same tracking layer to incorporate or subtract information. Subtraction of tracking areas happens where shapes overlap, and addition happens where shapes tend not to overlap.
We provide Bezier Splines as they may be versatile and may be the industry spline standard. Beziers have two control handles for each and every point for the spline. The shapes still export as Bezier splines to the software that mocha supports. All splines could be feathered with inner and outer edges.
Adds another Bezier Spline towards the same tracking layer to provide or subtract information. Subtraction of tracking areas happens where shapes overlap, and addition happens where shapes don't overlap.
The Surface Tool represents the corner pin data in which you want an inserted image being, or even the center point from the surface tool becomes your transform data after you export from mocha.
The grid follows the track and surface tool, and lets you know in greater detail exactly what your track has been doing. It cannot be exported.
The bounding box can make either multiple points from multiple splines from the same layer, or multiple layers. Translation, Scale and Rotation and Distortion is actually handled by choosing the correct area in the box.
A planar surface isn't going to necessarily have to get flat: We have a Planar Tracker which specifically tracks planes of movement, but this just isn't limited to tables, walls along with other flat objects. Distant background is known as flat from the camera high is no parallax. Faces might be tracked very successfully about the eyes and bridge from the nose. Rocky ground, rumpled cushions, clumps of bushes, human torsos and curved car bodies are nothing but good candidates. The key is low parallax or no obvious moving depth. When in doubt, try quickly tracking a place to see if it'll work, as you'll be able to quite often trick the planar tracker into thinking something is planar.
You may change tracking parameters or spline shape inside middle of any track: If the track is slipping on account of skew or perspective, turn those parameters off with the problem area additionally, on again as soon as you re out on the trouble spot. You can also boost the amount of pixels you happen to be tracking within the middle from the track and even change the shape from the spline or what you happen to be tracking within the middle in the track. Don t be worried to change something to get the top track.
Always look for occlusions: Moving objects or folks that slowly move around in front with the area you're trying to monitor need for being avoided. Also be aware of obvious or perhaps barely there, consistently moving reflections or shadows; mocha will notice them even in the event you dont!
Use shots rather than entire scenes: The mocha workflow is made around a project structure. It is good practice only to work one shot per project file to lessen layer management and keep the project streamlined. Don t load all your rendered out edit into mocha, that is only going to slow you down.
Scrub your time-line: When starting a fresh project, move through your footage several times to see what your very best self options are for tracking. You will save your lot of your energy by making note of obstructions and possible troublesome areas in advance.
Use edges: When tracking surfaces you may usually receive a much better track should you include the edges and not simply the interior associated with an object. This is because mocha can define the gap between the background as well as the foreground and lock on better. For example, in case you are tracking a greenscreen, it can be better to draw your shape round the entire screen in lieu of just the internal tracking markers. In some cases this means it is possible to avoid tracking markers altogether and time savings on cleanup later.
Draw more shapes: Remember you're not on a one shape in a very layer. Use a mixture of shapes to provide further areas or cut holes in existing areas to increase your search. If necessary, make yet another layer to follow and mask out foreground obstructions before tracking the object you will need.
Use the grid while tracking: Its common to work with the surface as well as the grid to fall into line your corners once you track, but it may be much more advantageous to setup your surface prior to track leave the grid on to loose time waiting for any subtle drift while you're tracking. This way you'll be able to stop your track early to repair any issues and reduce expenses time looking to find them later.
Figuring out tracking order: When you track a layer, the mattes associated with a active layers higher than the layer itself are subtracted on the matte with the layer and as such influence the location being tracked. To keep your tracking predictable, it's recommended that you continue your tracking layers around the top from the stack if you don't specifically wish to make use of other layers to subtract from your tracking section of layers beneath it. To monitor exactly what the tracker sees like a tracking area, choose the Track Matte button inside the view control. With this layer order, providing your track objects on the foreground for the background, you might always have holdouts with the tracks in it.
Tracking multiple objects: You can track multiple layers simultaneously, but you will need to be sure the shape order doesn't interfere together with your tracks. Remember: any layers above other layers prevents layers underneath them from tracking where they intersect. We will not recommend you track in excess of two or three layers during a period.
In the tip, there is not any magic bullet: While m ocha is often a very flexible tracker all of which will save a lot of your energy, you may eventually, and also occasionally, come across a piece of footage that just will not likely track. Large or continuous obstructions, extreme blur, low contrast details and sudden flashes can all cause drift or untrackable situations. If something just isn t tracking it doesn't matter what you try, think about employing mocha to trace as much as possible then go on to manual work. You can often have a lot more done fixing shots manually , or using Adjust Track in mocha as opposed to trying to tweak your shapes and parameters over well as over again to obtain everything done automatically.
Between mocha AE, mocha Plus, and mocha Pro, we have a large amount of options for our users! Notsure what version of mocha you will need?
You can find more to do with what software mocha supports and which features come in which version of mocha here.
If you will still need more help, look at our full documentation here, or contact support here.
Mac : Mac OS X 10.7 or maybe more on Intel Windows: Windows 8, Windows 7, Windows XP Professional SP2 or more, Windows Vista Business or Ultimate, onx64.
Resolution Frame Rate Independent HD, 4K, 48fps, etc
Layer Manager: color spline, color fill, group layers, multi-select
Boris FX: BCC Continuum Track Format: supports Adobe Premiere, After Effects, Avid Media Composer, Symphony Sony Vegas Pro
Sharks in Space, Earthquakes, and Zombies! Behind the Scenes with The Asylum: VFX and mocha Pro
VFX Artist Profile: Roni Rodrigues BlueBolt, UK Jupiter Ascending The Imitation Game
Cinematic Masterpiece, Birdman, Gets the Award-Winning Rodeo FX Treatment
VFX Artist Profile: Jack Grundy TMNT, Game of Thrones more
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ManualTrackfor mocha AE, Plus, and Pro
Adjust Trackfor mocha AE, Plus, and Pro
mocha Plus formerly mocha AE could be the Planar Tracking and masking utility that supports Adobe After Effects, Premiere Pro, Apple Final Cut Pro, Motion, HitFilm and Boris FX.
mocha Plus 4.1 goes past the bundled versions with the help of new features, including a 3D Camera Solver and lens correction tools for After Effects. New support includes mask export to Adobe Premiere Pro a wide open spline support for After Effects.
Purchase for 245 or upgrade for under 195!
Your registeredcopy with the Adobe bundled mocha AE CC or FXhome bundled mocha HitFilm, qualify to the reduced upgrade path of 195.
When other trackers fail, users consider mocha s reliable tracking.
mocha s 2.5D planar motion tracking engine accurately follows translation, scale, rotation, skew and perspective. Unlimited tracking layers handle reflections, obstructed and blurred objects, even areas with low detail. The AdjustTrack module and overlay tools help solve tracking challenges with pixel-perfect accuracy.
Create animated roto masks with less keyframes.
X-spline and Bezier creation tools are purposely made for artists to simply create detailed roto shapes. When related to mocha s planar tracking, roto shapes inherit motion and perspective, dramatically reducing manual keyframe work. Advanced tools for shape editing include per-point edge feathering, join layers tool, transform tool, group layers plus much more making mocha the optimal system for rotoscoping.
Copy and paste masks into Adobe Premiere Pro CC.
Premiere Pro editors is now able to use mocha masks to isolate color correction, blurs plus much more. mocha s advanced tracking and roto tools create accurate masks with minimal keyframing. Export mutli-layered masks to AE, Premiere and FCP without rendering.
Camera tracking for 3D visual effects.
Solve 3D match moving capabilities with planar ease. Unlike feature based tracking, mocha solves the 3D camera determined by user-selected planes. This fast and easy-to-use option is ideal for set extensions, 3D text and particle tracking. Additionally the 3D solver may be used to assist other 3D tracking applications on difficult shots with low detail or significant foreground occlusions.
Calibrate, correct and take lens distortion.
This simple and easy and easy-to-use interface allows users to calibrate the distortion created by camera lenses. Unwanted lens distortion might be removed or matched for realistic compositing. Export on the free mocha Lens plug-in for After Effects or export distortion map data for Nuke, Flame, Fusion and much more.
Support for post-production and visual effects software: Adobe After Effects, Premiere Pro, Apple Final Cut Pro, Motion, HitFilm 2 Ultimate, Boris FX and Red Giant.
support for Boris BCC plug-ins enables trackingimportinto Avid Media Composer Sony Vegas Pro.
The mocha Plus Quick Start Guide! Imagineers Planar Tracker technology provides 2D tracking data by tracking planes as opposed to points. The key for you to get the most out on the Planar Tracker is always to learn to get planes to move in your shot which coincide using the object that you intend to track or roto. Sometimes it are going to be obvious sometimes you may should break your object into different planes of motion. For instance in the event you were tracking a tabletop having a vase on top of it, you wish to draw the spline to protect yourself from the flower arrangement inside the center from the table the vase is not around the same plane because the table and can make your track less accurate.
Think of one's objects as though they are low poly models and track the planes most relevant for the data you would like.Since There Are No Point Trackers in mocha, splines can be used as both tracking and rotoscoping. This can be a different method from standard 1-point, feature, or multi-point tracking tools. If you try to make use of mocha like older tracking technology, you will never get successful tracks.
Take a serious amounts of learn the software by looking over this section, watching our videos, and considering the documentation. We are positive that you will improve your workflow. Its time to obtain mocha combined with your toolbox!
Try just to use what you may need, useindividual shots in lieu of an entire edit. Working with lengthy files may be time consuming to the artist which enables it to slow down tracking because it searches for more frames.
2. Select your selected spline tool, either X Splines or Beziers.
In general X splines are better for tracking and roto, especially with perspective motion. X-Splines only have one control handle for any point, as a result X-Splines faster make use of for many individuals. The shapes still export as bezier splines to the software that mocha supports. All splines might be feathered with inner and outer edges.
3. Draw spline throughout the planar area that you need to track.
You is usually fairly loose with the spline as the Planar Tracker is intelligent enough to discard the pixel movement it doesn't move similarly enough. Scrub throughout the timeline in order to find the largest, sharpest, and many parallel towards the camera area to start tracking from; draw your shape there to start out with.
You can make use of backwards and forward tracking from wherever it really is that you could have drawn your spline. You can often receive a great result with default settings, but when youre obtaining a lot of drift, try raising the Min % Pixels Used.Remember to turn layer cogs AKA: gears off when you find yourself done tracking, as those cogs explain to you which layers are employed for tracking!
The Surface Tool represents the corner pin data in places you want an inserted image being, or even the center point on the surface tool becomes your transform data once you export from mocha. Generally, it isbetter to alignthe surface roughlyto the spot you are trackingso you'll be able to easily find out how your track will be!
Adjust track is really a four point correction that animates over the top within your track. Adjust track can be a more advanced section that may be found here.
7. Export the completed track to whatever format you may need.
You are capable of doing this via copy and paste for After Effects and Nuke, or you may save and load this data for many other programs.
When you paste or load your mocha tracking data into your final composite or edit, be sure you are pasting or loading your details in in the first frame in the clip, otherwise your data will never line up. Frame rate, dimensions and pixel aspect ratio need to be correct. Make sure these values match the settings with your compositor or editor and within mocha, otherwise your tracking datawill not match once you export it. If your transform data doesn t matchup as part of your compositing program associated with preference, you might need to delete your imported anchor points or recheck your settings. Find more export instructions here.
1. Roto follows principle workflow in the first 6 basic tracking steps.
However, you are going to need in order to everything in individual planes. This means that you may need to rotoscope people and animals paper doll style. Split everything up at its movable joint for optimum results and much less keyframes.
Once you might have a good track as outlined inside the Basic Tracking section above, you'll need to tracethe edges of theobjects thatyou should rotoscope in greater detail.Complex rotoshapes aren't good candidates for tracking.
3. Link your own rotoscoping contour around your original track.
In the layer properties, you'll be able to use the dropdown menu called link to follow to attach your finer, more in depth roto fit around your original track. The new shape will move along together with the originaltracking layer.
4. You can also just track and roto for the same time.
This method only works best for simple shapes. This will not be recommended for complex roto shapes like heads, hair, and wrinkled shirts. However, buildings, walls, smooth organic objects, and then for any inorganic objects might be tracked and rotoscoped using this method.
You will simply have to adjust where mocha shapes slip off your object. Make sure to animate around the bounce or squash and stretch areas to be able to minimize keyframes, just like you would in traditional animation.
6. Export the rendered mattes and the shape data in whatever format you'll need.
You can perform this via copy and paste for After Effects and Nuke, or you'll be able to save and load this data for many other programs.
When you paste or load your mocha shape data in the final composite or edit, make certain you are pasting or loading your shape data in in the first frame from the clip, otherwise your data won't line up. Frame rate, dimensions and pixel aspect ratio have to be correct. Make sure these values match the settings with your compositor or editor and inside mocha, otherwise yourshape data won't match once you export and import it. Find more to do with matte export here.
This tool selects points on the spline and edges with the surface tool for manipulation.
In general X splines be more effective for tracking, especially with perspective motion. X-Splines simply have one control handle for each and every point, this will make X-Splines faster to make use of for some people. The shapes still export as bezier splines to your software that mocha supports. All splines might be feathered with inner and outer edges.
Adds another X Spline to your same tracking layer to incorporate or subtract information. Subtraction of tracking areas happens where shapes overlap, and addition happens where shapes will not overlap.
We in addition provide Bezier Splines as they may be versatile and will be the industry spline standard. Beziers have two control handles for each point within the spline. The shapes still export as Bezier splines to your software that mocha supports. All splines might be feathered with inner and outer edges.
Adds another Bezier Spline to your same tracking layer to incorporate or subtract information. Subtraction of tracking areas happens where shapes overlap, and addition happens where shapes will not overlap.
The Surface Tool represents the corner pin data in which you want an inserted image to become, or even the center point in the surface tool becomes your transform data whenever you export from mocha.
The grid follows the track and surface tool, and lets you know in more detail exactly what your track is performing. It cannot be exported.
The bounding box can choose either multiple points from multiple splines inside same layer, or multiple layers. Translation, Scale and Rotation and Distortion is actually handled by choosing the correct area on the box.
A planar surface isn't going to necessarily have being flat: We have a Planar Tracker which specifically tracks planes to move, but this isn't limited to tables, walls as well as other flat objects. Distant background may be known as flat from the camera for you is no parallax. Faces is usually tracked very successfully throughout the eyes and bridge in the nose. Rocky ground, rumpled cushions, clumps of bushes, human torsos and curved car bodies are great candidates. The key is low parallax or no obvious moving depth. When in doubt, try quickly tracking a location to see if it is going to work, as you are able to quite often trick the planar tracker into thinking something is planar.
You can transform tracking parameters or spline shape inside middle of your track: If the track is slipping on account of skew or perspective, turn those parameters off with the problem area and so on again as soon as you re out on the trouble spot. You can also raise the amount of pixels you might be tracking from the middle from the track and even change the shape with the spline or what that you are tracking within the middle in the track. Don t be scared to change something to get the most beneficial track.
Always look for occlusions: Moving objects or people who slowly transfer front in the area you might be trying in order to need being avoided. Also check for obvious as well as barely there, consistently moving reflections or shadows; mocha will notice them even in the event you dont!
Use shots as an alternative to entire scenes: The mocha workflow is created around a project structure. It is good practice to simply work using one shot per project file to reduce layer management and also to keep the job streamlined. Don t load your complete rendered out edit into mocha, that is only going to slow you down.
Scrub your time-line: When starting a brand new project, proceed through your footage a couple of times to see what your better options are for tracking. You will save your lot of their time by making note of obstructions and possible troublesome areas in advance.
Use edges: When tracking surfaces you might usually obtain a much better track in case you include the edges and not merely the interior associated with an object. This is because mocha can define the main difference between the background and also the foreground and lock on better. For example, in the event you are tracking a greenscreen, it's better to draw your shape round the entire screen as an alternative to just the internal tracking markers. In some cases this means you may avoid tracking markers altogether and time savings on cleanup later.
Draw more shapes: Remember that you are not limited by one shape within a layer. Use a mix of shapes to provide further areas or cut holes in existing areas to improve your search. If necessary, make yet another layer to monitor and mask out foreground obstructions before tracking the object you may need.
Use the grid while tracking: Its common to utilize the surface and also the grid to align your corners as soon as you track, but it may be much more advantageous to put together your surface when you track by leaving the grid on to loose time waiting for any subtle drift while you might be tracking. This way you may stop your track early to mend any issues and cut back time searching for them later.
Figuring out tracking order: When you track a layer, the mattes of a typical active layers over the layer itself are subtracted through the matte with the layer and as such influence the vicinity being tracked. To keep your tracking predictable, it really is recommended that you retain your tracking layers around the top with the stack until you specifically wish to utilize other layers to subtract on the tracking part of layers beneath it. To monitor the tracker sees as being a tracking area, choose the Track Matte button inside view control. With this layer order, given that your track objects in the foreground on the background, you may always have holdouts for that tracks to their rear.
Tracking multiple objects: You can track multiple layers immediately, but you will need to be sure the shape order won't interfere together with your tracks. Remember: any layers above other layers prevents layers underneath them from tracking where they intersect. We will not recommend you track a lot more than two or three layers during a period.
In the finish, there isn't any magic bullet: While m ocha is really a very flexible tracker all of which will save a lot of your energy, you may eventually, and also occasionally, encounter a piece of footage that just is not going to track. Large or continuous obstructions, extreme blur, low contrast details and sudden flashes can all cause drift or untrackable situations. If something just isn t tracking regardless of you try, consider utilising mocha to trace as much as possible then proceed to manual work. You can often receive a lot more done fixing shots yourself or using Adjust Track in mocha in lieu of trying to tweak your shapes and parameters over and also over again to obtain everything done automatically.
You can find a little more about what software mocha supports and which features are usually in which version of mocha here.
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Mac : Mac OS X 10.7 or older on Intel Windows: Windows 8, Windows 7, Windows XP Professional SP2 or older, Windows Vista Business or Ultimate, onx64.
Resolution Frame Rate Independent HD, 4K, 48fps, etc
Layer Manager: color spline, color fill, group layers, multi-select
Boris FX: BCC Continuum Track Format: supports Adobe Premiere, After Effects, Avid Media Composer, Symphony Sony Vegas Pro
Sharks in Space, Earthquakes, and Zombies! Behind the Scenes with The Asylum: VFX and mocha Pro
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Support for 60p, 4K and 3D Projects
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Upgrade to Sony Vegas Pro 13 Suite from any previous version of Vegas Pro with this particular software download. Sony Vegas Pro 13 Suite is often a collection on non-linear editing, effects, audio editing, and DVD authoring tools. In addition to Sony Vegas Pro 13, the suite features DVD Architect Pro 6, Sound Forge Pro 11, Vegas Pro Production Assistant 2, iZotope Nectar Elements, HitFilm 2 Ultimate, 25 Production Music Tracks, and NewBlue Video Essentials VI.
Sony Vegas Pro 13 professional video editing software supports nearly any video resolution around 4096 x 4096, and features native timeline support for a massive amount popular SD, HD, 60p, as well as several 4K codecs. Vegas runs exclusively on 64-bit versions of Windows 7, 8 or 8.1, and may take selling point of OpenCL-enabled graphics cards GPUs for accelerated workflow, reduced render times, as well as the ability to playback high-resolution formats at full quality, in real-time. In addition, integrated proxy support means it is possible to scale down video quality to match the limitations of less powerful systems, for instance laptops, to the sake of editing, while still finalizing completely quality. Interoperability with NLEs means you are able to import project files or XML versions into Sony Vegas Pro 13 and retain most, if not completely, from the edit decisions made inside third-party NLE. You can also export Vegas projects so they may be continued or carried out in other editing or finishing software.
Vegas Pro 13 features extensive integrated audio editing tools, and includes DVD Architect, a standalone application for DVD and Blu-ray Disc creation. These tools, at the same time as color correction and effects compositors, and wide plug-in support, back Vegas Pro 13s claim to become a complete post production solution, not really a video editing application. Vegas Pro 13 also incorporates timeline tools for editing and troubleshooting stereoscopic 3D footage, and means that you can preview 3D projects in top quality using 3D SDI or HDMI I/O hardware and monitors.
To match the collaboration challenge on video productions, Vegas Pro Connect has an alternative to written spreadsheets and notes, offering online and offline review workflows. The app incorporates a comprehensive review system inside a gesture-driven control surface
Shoot XDCAM footage on compatible Sony camcorders and make use of the Sony Wireless Adapter to send out proxies to versions in the high-quality original for the cloud. Editors back in the shop can download and edit together with the proxies even though the high-resolution files will be in transit from your field. When the high-resolution files arrive, automatically relink the edited project for many years for rendering
Archive all media associated having a project, or only the media used around the timeline, including nested Vegas Pro 13 projects
Seven dynamic video effects from FXHOME are integrated into the Vegas Pro 13 application. They are:
Bleach Bypass: Simulates the cruel, high contrast look of bleach bypass film processing
Witness Protection: Can be used to disguise specific elements inside the frame, for example faces, license plates and information, by positioning a fairly easy shape
Double-click with the edit point to view the timeline in a very detailed A-B Roll view. The adjacent frames on the events for the edit point appear clearly on top of the tracks for reference, and unused media inside events appears inside the timeline. With the edit point/event edge highlighted in red, it is possible to trim it together with the mouse or numeric keypad. Set a Loop Region round the edit point out dynamically add or remove frames from either side in the edit point as you move the media plays to generate a highly precise, interactive editing experience
Import and export a massive amount project files back and forth Vegas Pro. Convert between your file and AAF for Avid ProTools 10, XML for Apple Final Cut Pro 7, Final Cut Pro X, DaVinci Resolve 10, for Adobe Premiere Pro CC and After Effects CC
Vegas Pro natively supports frame sizes as much as 4096 x 4096; the 4K image standard for digital cinema projection DCI is 4096 x 2160 pixels. This degree of resolution provides more detail and adaptability to pan and crop when delivering in HD. Plus its suitable for compositing and video effects work mainly because it provides a high-quality final output. Vegas Pro natively supports Sony XAVC and XAVC S files also as RED ONE and RED EPIC files
Better playback and faster renders are possible by subtracting advantage in the processing power locked up inside the GPU. Vegas Pro 13 leverages the GPU for video effects, transitions, compositing, pan/crop, track motion, and encoding. An optimized hardware configuration which uses a compatible GPU device dramatically improves timeline performance. Enjoy higher resolution previews with multiple effects, and crank encoding quickens by as much as six times over previous versions to popular formats like AVC. Vegas Pro 13 uses OpenCL-supported devices from AMD, Nvidia, and Intel to unleash this power
Vegas Pro has a no transcode, no rewrap approach with Panasonic P2 AVC-Intra and DVCPRO source material. Vegas Pro eliminates the transcode and rewrap method that other applications require, so editors can help to save valuable production time, minimize storage requirements, and preserve the pristine quality from the original source material. Other natively supported codecs and formats include XAVC, XAVC S, XDCAM, XDCAM EX, NXCAM, HDCAM-SR, AVCCAM, RED R3D, AVCHD, and AVC-based MOV files from popular DSLR cameras. For 3D web content writing, Vegas Pro also supports stereoscopic 3D MVC and MPO files from Sony camcorders
Establish a hierarchical relationship between timeline events during editing. Move Child events independently in their Parent event, or move the Parent event and move most of its Child events simultaneously to maintain the family in perfect synchronization
Create high-performance, edit-friendly Smart Proxy clips from the Project Media window and get faster playback over a wider various hardware. Media automatically and dynamically switches from your original to your proxy based for the Preview playback settings. Original media files will almost always be available for your final render. You can also set a preference to automatically create proxy files if you add Ultra HD 4K media in your project
Specify shots since you play back assembling your project and switch between around 32 video sources having a keyboard command or maybe a click of your respective mouse. Vegas Pro keeps all unused shots. Easily expand a multicamera track into component events to have a complete picture of the project to help you refine the edits
S-log technology enables cameras including the Sony PMW-F3 to capture images with extended dynamic range and tonal reproduction. Through OpenColorIO technology, Vegas Pro 13 supports S-log through the Academy Color Encoding System ACES color space standard. Based around the creative goals and display devices available, Vegas Pro 13 applies the correct LUT Look-up Table throughout the editing process. You can then edit the encoded project to a great deal of formats with ACES-defined color space standards too as other popular non-ACES standards
Use Bezier drawing tools to quickly create rectangular and oval-shaped masks which isolate or mask out portions within your media and make interesting video composites. Or, use powerful mask customization tools to build complex and precise masks associated with a shape imaginable
Mask an effect as an alternative to the image itself. This is particularly helpful for quickly blurring or pixelating a place of a movie, to disguise a logo, license plate, or even a persons face
Match colors between clips from the highly versatile and powerful Lab color space. Choose a preset through the Preset drop-down list or make use of the controls to find the image you would like to match. Capture both source and target images independently in the Trimmer window, the clipboard, a file on the computer, any area of one's computer screen, or perhaps the Video Preview window
Vegas Pro supports OpenFX plug-ins including many from third-party developers in order to access your ever-expanding assortment of filters and effects. The extension for GPU rendering with OpenGL textures allows third-party OpenFX plug-ins designed to use OpenGL to leverage the power with the GPU more efficiently within Vegas Pro. You can also utilize position controls and effects handles right inside the Video Preview window with plug-ins which include OpenFX on-screen interoperability
Vegas Pro 13 works on the multi-layer, top-down paradigm for compositing and masking, with the capacity to assign tracks as Parent or Child tracks. Apply Compositor Effects including Bump Map, Height Map, and Displacement Map to build stylized lighting and textured looks. Vegas Pro 13 supports an impressive selection of compositing modes including Add, Subtract, Dodge, Burn, Source Alpha, Multiply Mask, Lighten, Darken, Cut, Screen, Overlay, Hard Light, Difference, and Difference Squared. The 3D Compositing mode enables tracks for being moved and rotated location in 3D space, as well as the results may be used inside a stereoscopic 3D project
Manipulate colors from the powerful Lab color space. The LAB Adjust tool uses exactly the same technology as being the Color Match plug-in and takes advantage in the perceptually uniform Lab color standard to produce dramatic and precise control of the color characteristics of one's content. In addition, the Video Scopes: Lab Histogram view can show the L, a and b channel distributions in the images inside the Lab color space, a device that may also be used very effectively together with the Color Match plug-in
The Video Effects Plug-in SDK, based around the Open Effects Association platform, has an optimized programming environment for third-party plug-in developers. This helps promote a regular flow of new plug-ins for Vegas Pro
The Video Preview window offers an extensive number of 3D viewing options, including channel specific, top/bottom, side-by-side, a blend of both, or anaglyphic display. Professional editors are able to use an SDI or HDMI connection that has a line-alternate 3D display to offer a high-end preview experience
Use the powerful Stereoscopic 3D Adjust filter to take care of for camera misalignments and adjust the screen depth with the target mind place it exactly in which you want it inside the 3D field. Utilize the stereoscopic editing tools to alter stereoscopic 3D screen edge violations. You can also shift the horizontal offset in most 2D effects and transitions to be able to adjust the perceived depth on the effect
Utilize the integrated tools for basic 3D adjustments to transform your 3D project. Typical corrections include horizontal and vertical offsets, zoom discrepancies, keystone, and rotation. Tools turnover video horizontally and vertically as well as automatically crop images make certain professional 3D results
Create 3D motion effects with precise treating Z depth, plane intersection, compositing, and much more. The Parent Motion feature permits you to move and rotate multiple tracks in 3D space as being a unit. Create 3D motion adjustments to real a serious amounts of preview them instantly
Use the regular Vegas Pro track compositing techniques to intermix 2D elements, like backgrounds, titles, graphical elements, or keyed video, with 3D content using the regular Vegas Pro track compositing methods. Give these factors depth from the 3D output using precisely the same horizontal offset adjustment tools useful for 3D media
Vegas Pro 13 incorporates a suite of 5.1 multichannel mixing tools. Automate the surround panning on tracks and buses to blend DVD and Blu-ray Disc soundtracks, directly inside Vegas Pro environment. Apply 5.1-channel audio effects to your master bus for enhanced treating surround mixes. Export projects as discrete tracks for post-encoding, or encode right to Dolby Digital surround with all the Sony Creative Software Dolby Digital-certified AC-3 Pro encoder. In addition, the DVD Architect Pro software imports AC-3 files for multichannel 5.1 DVD and Blu-ray Disc creation
Vegas Pro software props up the popular VST plug-in format. Apply signal and effects processing to individual audio events, all events over a track, and buses. Choose from over 30 included real-time signal and effects processing tools as well as any VST plug-ins with your system. Automate effects with envelope control for every single parameter. Vegas Pro software includes essential effects for example Wave Hammer Compression, EQ, and noise gate at the same time as reverb, chorus, and delay. Surround effects to the master bus include EQ, dither, and Wave Hammer Surround compression tools
Incorporate audio effects in the event level, track level, bus level, and master output stage, for optimum flexibility when you use multitrack projects
Vegas Pro 13 software takes benefit from multicore and hyper-threading computer systems to maximise available hardware resources. By leveraging the entire capabilities with the hardware and reducing direct CPU load render times are going to be faster and latency reduced
Vegas Pro 13 software supports high-resolution 24-bit/192 kHz audio tracks. In addition, the power to edit with the sample level means that you can execute ultra-precise adjustments to your audio between your video frames, to get rid of random pops and clicks as well as to re-establish sync
Record, monitor, and mix audio from external devices via input buses. Use the real-time rendering option to combine audio from external audio devices for your final render
Record track envelope and keyframe parameters in real time using a mouse or external control surface hardware. Choose between touch and latch record modes and utilize automatic post-record keyframe thinning. Automation parameter control is readily available for both stereo and 5.1 tracks and buses, also as for video track envelopes
Categorize your media with customizable tags. Apply a Media Tag to your entire clip or with a region of an clip. Vegas Pro automatically organizes each tagged clip into appropriately named Media Bins. Quick Search enables instant filtering of media according to a single text field. The Search Media dialog facilitates more complicated searches with multiple conditions, and helps to make the bins it makes smart. Smart Bins update automatically whenever you change media tags or add new media that the search criteria
Features built-in support for XAVC and XAVC S files together with the same drag-and-drop, no transcode simplicity that Vegas Pro users have experienced for some other popular formats. For optimal performance with 2K and 4K XAVC or XAVC S content, make use of the smart proxy HD workflow for full frame rate playback on the wide number of hardware configurations, from compact laptops to advanced multi-core workstations
Use the Device Explorer to capture media from nearly any video or audio device to the Vegas Pro application. To add media for your project, simply drag it through the Device Explorer for the Project Media window, the timeline, or Trimmer window. The powerful browse operation makes simple to use to navigate to media on XAVC, XAVC S, AVCHD, XDCAM EX, NXCAM, RED, and P2 cameras
Use RAW photo files within your Vegas Pro projects. Download the Microsoft Camera Codec Pack for Windows 7 and Windows Vista to look at and edit RAW photo files from the wide assortment of DSLR cameras natively about the timeline
Capture legacy standard definition formats like Digital Betacam and high-definition formats including HDCAM and DVCPRO 100 video tapes and convert these phones MPEG-2 50 Mbps 4:2:2 files which conform towards the Sony XDCAM standard. Capture live feeds as XDCAM MXF files and edit them in Vegas Pro, or archive them for future use. The Sony MXF data format is roughly one-fourth the bit rate of other HD compression technologies for example Avid DNxHD or Apple ProRes, so its extremely effective in terms of disk drive storage. Despite its small file size, a MXF file still makes a 4:2:2 image with a full 1920 x 1080 raster
Vegas Pro 13 are now able to render AVC/MP4 files with streaming support; and is appropriate for most streaming servers
Author menu-based and single-title DVD and Blu-ray Disc projects with preset backgrounds, motion menus, buttons, and effects. In addition to these presets, you are able to import your personal layered Photoshop PSD files for usage as backgrounds, buttons, and graphics. Enable your DVD content to play in a loop, hold, or time out with the end of your scene
The Preview window means that you can preview your project with a simulated television screen using a virtual handy remote control. Use the buttons for the remote control to navigate and play assembling your project
To start projects quickly, use one from the available high-definition 16:9 menu templates
DVD Architect Pro software supports todays popular car stereo formats including AVI, MPEG-1, MPEG-2, and AVCHD in order to make a DVD or Blu-ray Disc that may play on virtually any DVD/BD player or DVD/BD-capable computer
Add keyframes to your DVD Architect Pro timeline to animate objects for instance buttons and graphics. You can also use keyframes to regulate pan/crop attributes over time
Add some control hotspot over video and control its placement, duration, and link. This creates an interactive experience for end users to enable them to navigate to alternate media related to your specific scene in your disc
DVD Architect Pro software props up ability to build and run scripts in final DVD designs. With scripting, you are able to build robust interactivity in your projects
Import Vegas Pro markers into DVD Architect Pro as chapter points for quick scene creation. Apply a brand to each region inside your Vegas Pro project, export the names as being a text file, and import it into DVD Architect Pro as frame-accurate subtitles
Send the belongings in a Vegas Pro event right from the Vegas Pro timeline to an alternative HitFilm 2 Ultimate project. Add visual effects and compositing in HitFilm Ultimate 2 and beneficial changes, which automatically update the media in Vegas Pro
Work with complex 3D models including, Cinema4D, and 3ds Max files. Individual elements of a model is usually animated independently, and 3D models interact with each one of HitFilms core systems - lights, shadows, cameras, motion blur and depth of field - for highly realistic rendering results
HitFilm 2 Ultimate includes over 120 professional effects for blurring, sharpening, distorting, warping, color correcting, and stylizing your videos. Combine multiple effects to style sophisticated visuals to supply your projects an exceptional feel
Create futuristic camouflage and wizard invisibility cloaks with all the versatile displacement effect, or use split screen and masking to clone your actors
Unique generators present you with fine treating the elements, including fire, smoke, blood, lightning, electricity, film damage, and 3D muzzle flashes
Create stunning visuals using the HitFilm 2 Ultimate arsenal of 2D and 3D compositing tools. Combines traditional 2D layer compositing with the advanced 3D workspace and complex animation controls
HitFilm 2 Ultimate includes over 30 plug-ins for color correction and advanced grading. Export premium quality HD video from HitFilm 2 Ultimate, or send the project to Vegas Pro for finishing and mastering
Record approximately 32 simultaneous channels of 64-bit/192 kHz audio. In the mastering suite, choose from among twelve included iZotope DSP modules and access mastering chain processing tools for sparkle and punch, repair and restoration plug-ins, and precise format conversion tools designed to offer you optimal sonic integrity preservation
Sound Forge Pro 11 includes a completely redesigned recording interface that keeps you anchored from the workspace continually while you shape and monitor incoming audio, arm and record takes, research your work, and prepare for that next pass
More than just an easy strip that displays your exact location, this feature also serves as being a locator and auditioning tool. Double-click inside the bar to center your cursor within a time range defined through the waveform display, or click-drag to audition looping segments with customizable pre-roll and loop duration times
Schedule recordings with a recurring basis, along with your choice of start time, duration, and end time
Open sound files and make use of the Event Tool to split waveforms into discrete sections which might be moved and manipulated anywhere about the timeline. Events may be trimmed, slipped, faded/crossfaded, copied, plus much more. Event-based editing is suitable for assembling takes and creating audio CD layouts
Open a sizable file in Sound Forge Pro 11 and transfer selections from a size to SpectraLayers Pro 2 for precise editing, then bring the results back for the source file in Sound Forge Pro 11 - all automatically sufficient reason for sample-accurate precision. Send multiple files to SpectraLayers Pro 2 for deep layering, remixing, and sound design work, and after that return your finished products returning to Sound Forge Pro 11 additional editing, processing, and finalization
Open, edit, and save multichannel data from XDCAM, field recorders, and surround mixes, with sample accurate precision
Create your personal loops to be used in ACID software. Use grid lines to visually divide audio selections into equal parts depending on time signature. Refine your loops inside Loop Tuner, then embed basic ACIDization metadata to acquire a jump on making your individual loops and samples
The Sound Forge Pro 11 program is fully customizable. Waveform and envelope colors, markers, and default window heights might be customized to match your workflow
Design Sound Forge Pro 11 editing environments to increase your productivity. Create and save multiple interface layout configurations for single- and dual-monitor systems. Easily recall a window layout for specific editing tasks including audio editing, CD layout, multichannel file editing, and much more
Sound Forge Pro 11 carries a comprehensive number of native signal and effects processes including normalization, Wave Hammer compression and limiting, graphic and multiband dynamics, noise gating, graphic/paragraphic/parametric equalization, envelope generation, phasing, flanging and chorus, reverb, tremolo and vibrato, distortion, pitch modifiers, the astounding Acoustic Mirror convolution reverb, the Gapper/Snipper effects processor, plus much more
Sound Forge Pro 11 includes iZotopes Mastering and Repair Suite, a assortment of processing plug-ins that you may use without delay when mastering projects. In addition, Sound Forge Pro 11 includes two other post-processing tools that specialize in data format integrity preservation: iZotope 64-bit SRC sample rate conversion and iZotope MBIT dither bit-depth conversion
Sound Forge Pro 11 incorporates a floating Plug-In Chain window for conducting non-destructive signal and effects processing operations. Dock the chain and luxuriate in direct access to each component with the processing environment. Manage plug-in order, presets, interface controls, envelope automation and bypass controls, and retain unique plug-in configurations for each open data window
Features the Noise Reduction 2, a number of plug-ins built to help solve a lots of common problems
Based on psychoacoustic models and signal processing theory, lastique features stable timing, interchannel phase coherence, and sample-accurate stretching. Achieve formant-preserving pitch shifting that avoids the well-known pitfalls that will occur when pitching up or down. Choose from various stretching methods which are tailored for your source audio, and adjust settings while previewing
Use the Phase Scope in Sound Forge Pro 11 to locate phase cancellation on the list of channels in a audio file. Meter types include Lissajous - XY Plot, Lissajous - Rotated, Polar - Linear Plot, and Polar - Circular Plot. The mono compatibility meter helps detect correlations or differences involving the channels of your file that could cause phase cancellation when downmixing to mono
View frequencies and overtones of various channels within the audio file. The Spectrum Analysis tool shows multiple graphs depending on how many channels are selected. Observe fundamental frequencies and overtones with your recordings. Monitor audio and effects changes, take multiple snapshots, and overlay views to match and match frequencies. Toolbar buttons include ways for FFT size and normal or sonogram view
Features 100 presets in ten sophisticated plug-ins. Enhance effects you may apply on your project include Chroma Key Pro, Color Replace, Cut Away, Garbage Matte, Picture Gird, Picture-in-shape, Saturation EQ, Saturation Modifier, Selective Touch UP, and Title. All of these plug-ins utilize OpenFX architecture
The Nectar Elements plug-in by iZotope performs one-click voice/narration signal and effects processing. Load task-specific Style presets like Voice Over or Dialogue, and adjust dedicated controls for instance Presence, Drive, and Grit to customize your sound. Nectar Elements makes vocal treatment a snap
Enhance the functionality of Vegas Pro software using the batch processing and workflow automation tools seen in Vegas Pro Production Assistant 2. Automating frequent tasks and operations, the Production Assistant was created to help save time and includes tools to automatically insert crossfades between clips, add and customize lower thirds, create photo and video montages from the media, and much more. Batch processing converts multiple files to multiple output formats with the capability to add user-definable processes in the conversion, including image overlay, aspect ratio adjustment, broadcast color correction, audio normalization, interlace flicker reduction, playback rate adjustment, and even more
Vegas Pro 13 Suite includes 25 royalty-free music selections from your Sony Sound Series: Production Music library, single, 600 assortment of commercial soundtracks in a number of genres, including Ambient/Cinematic, Country, Electronica, Jazz, News, Pop, Rock, Urban, and World music
Opens: AA3, AAF, AIF, ASF, AU, AVC, AVCHD, AVI, BMP, BWF, CDA, DIG, DLX, DPX, DV, EXR, FLAC, GIF, H.264, HDP, IVC, JPEG, M2T, M2TS, MVC, MOV, Sony MXF XDCAM and HDCAM SR, MP3, MP4, M4A, MPEG-1 and MPEG-2 video, MPO, OGG, OMA, Panasonic MXF DVCPRO, AVC-Intra PCA, PNG, PSD, QT, R3D, SFA, SND, TIFF, TGA, VOX, W64, WAV, WDP, WMA, WMV, XAVC Intra MXF, XAVC S
AA3, AC3, AIF, ATRAC, AVC, AVCHD, AVI, DPX, EXR, FLAC, H.264, HDP, MOV, MP3, MPEG-1 and MPEG-2 video, MP4, M2T, Sony MXF XDCAM and HDCAM SR, MVC, OGG, Panasonic MXF AVC-Intra, PCA, W64, WAV, WMA, WMV, XAVC Intra MXF, XAVC S
Video: MPEG-2 or AVC, 1080-60i, 1080-50i and 1080-24p
Audio: AC-3 5.1 or stereo, PCM
Video: NTSC 4:3, NTSC Widescreen, PAL 4:3, PAL Widescreen Audio: AC-3 5.1 or stereo, PCM
DVD-R DL AKA DVD-R9, DVD-R, DVD-RW, DVDR, DVDR DL AKA DVDR9, DVDRW, BD-R, BD-RE
Windows: 7, 8, or 8.1 64-bit versions only
For GPU Acceleration: OpenCL-supported Nvidia, AMD/ATI, or Intel GPU with 512 MB memory; 1 GB for 4K
USB 2.0 or later connection for importing from AVCHD, XDCAM EX, NXCAM, or DVD camcorders
Framework 4.0
Apple QuickTime 7.1.6 or later to read and writing QuickTime files
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Movie Studio 13 Suite brings four impressive Sony applications together to produce a total multimedia experience. Create video in beautiful 4K XAVC S or AVCHD, develop original music, and enhance multichannel surround sound. Take control of your respective own creativity and earn movies that matter. Weave your notions into high-quality videos that may be uploaded straight to YouTube and Facebook or burned to some DVD or Blu-ray Disc!
Show your easiest side with Movie Studio Platinum. Edit video in nearly any format, including beautiful 4K XAVC S 4x the resolution of HD. Stylize your movies with good-quality video effects, transitions, titles, and filters. Fix washed-out footage or match the colour of different clips to supply continuity from scene to scene. Share your movies on Facebook and YouTube without ever leaving the appliance! With its inviting interface, intuitive workflow, and impressive editing tools, Movie Studio 13 Platinum is the most effective way to help make your movies shine before sharing them with all the world.
ACID Music Studio offers you the freedom and suppleness to talk with music creation tools for the skill level thats good for you-no experience necessary! Sony loops go ahead and take guesswork beyond making great tracks, and our MIDI, effects processing, and audio recording tools open the door on the world of professional music production.
Sound Forge Audio Studio software would be the easiest approach to record, edit, process, render, and share audio. Key features include high-resolution 24-bit, 192 kHz support, vinyl recording and restoration tools, Vocal Eraser plug-in technology, the exclusive Audio Enhancer plug-in by iZotope, and FLAC extendable support.
Produce picture slideshows, single-movie DVDs, music compilations, and menu-based DVD and Blu-ray Disc projects immediately. Choose from a large number of ready-made templates or create your individual custom backgrounds and buttons. Add a menu and scene-selection menu to the title.
Spice increase movies with all the included 50 Sony Sound Series: Production Music soundtracks that can provide perfect scores for the movies. These professionally produced and royalty-free soundtracks work an excellent option for action sequences, wedding videos, vacation movies, and much more. Add the music for your projects then share your creations while using world.
The included Jump Start Tutorials give a quick overview with the Movie Studio 13 Platinum workflow. Youll learn how to produce complete car stereo projects from setup to final delivery. Topics also add some differences between Simple and Advanced Edit Modes and lots of sections explaining how to incorporate that extra touch with Chroma Key techniques and Color Correction tools.
Create stunning effects together with the included BorisFX, FXHOME, and NewBlueFX plug-ins.
The Movie Studio 13 Suite includes an exilerating group of video and audio effects by NewBlueFX, a major manufacturer of video and audio plug-ins. Once installed, the knowhow are available completely from the Video FX window, providing a seamless editing experience without ever leaving the appliance. These additional transitions, effects, and titling tools provide more options to enhance car stereo projects that has a professional look.
Two powerful Boris Continuum Units every editor needs. Create seamless composites and quickly handle the tedious task of chroma keying with BCC Key and Blends precise keying and matting options. Plus, save imperfect footage with BCC Image Restoration. Apply digital make-up, remove flicker, reduce noise, and correct pixels.
A variety of powerful visual effects plug-ins are included from your HitFilm collection, developed by FXHOME. Create light flares, light, TV damage, bleach bypass looks and considerably more. The plug-ins makes use of the same FXHOME technology behind HitFilm 2 Ultimate, combining professional quality with fast performance.
HD video editing, DVD creation and even more.
Order the total Movie Studio Suite and turn your house movies into Hollywood hits!
id: J06837, categoryId:site1YUL, name:Movie Studio 13 Suite, pageUrl:/video-software/sony-movie-studio-13-suite, , addToCartUrl:/video-software/sony-movie-studio-13-suite, hasFeatures:0, isAccessory:0, message:Movie Studio 13 Suite brings four impressive Sony applications together to produce a total multimedia experience. Create video in beautiful 4K XAVC S or AVCHD, develop original music, and enhance multichannel sorround sound systems. Take control of one's own creativity and produce movies that matter. Weave your opinions into high-quality videos that may be uploaded straight away to YouTube and Facebook or burned into a DVD or Blu-ray Disc! BRBRb Create stunning movies/b BR/Show your very best self side with Movie Studio Platinum. Edit video in nearly any format, including beautiful 4K XAVC S four times the resolution of HD. Stylize your movies with higher-quality video effects, transitions, titles, and filters. Fix washed-out footage or match colour of different clips to produce continuity from scene to scene. Share your movies on Facebook and YouTube without ever leaving the appliance! With its inviting interface, intuitive workflow, and impressive editing tools, Movie Studio 13 Platinum is the most effective way to you could make your movies shine before sharing them using the world. BRBRb Make original music BR//b ACID Music Studio offers you the freedom and adaptability to get connected to music creation tools on the skill level that 39;s suitable for you-no experience necessary! Sony loops consider the guesswork away from making great tracks, and our MIDI, effects processing, and audio recording tools open the door for the world of professional music production. BRBRb Record and edit audio/b BR/Sound Forge Audio Studio software could be the easiest approach to record, edit, process, render, and share audio. Key features include high-resolution 24-bit, 192 kHz support, vinyl recording and restoration tools, Vocal Eraser plug-in technology, the exclusive Audio Enhancer plug-in by iZotope, and FLAC data format support. BRBRb Create dazzling DVDs and Blu-ray Discs BR//b Produce picture slideshows, single-movie DVDs, music compilations, and menu-based DVD and Blu-ray Disc projects immediately. Choose from many ready-made templates or create your custom backgrounds and buttons. Add a menu and scene-selection menu to the title. BRBRb Add an ideal soundtrack/b BR/Spice increase movies with all the included 50 Sony Sound Series: Production Music soundtracks that could provide perfect scores for ones movies. These professionally produced and royalty-free soundtracks work ideal for action sequences, wedding videos, family holiday movies, plus much more. Add the music for your projects and share your creations using the world. BRBRb Jump Start tutorials/b BR/The included Jump Start Tutorials offer a quick overview on the Movie Studio 13 Platinum workflow. You 39;ll learn how to build complete video and audio projects from setup to final delivery. Topics also add the differences between Simple and Advanced Edit Modes and lots of sections explaining how to feature that extra touch with Chroma Key techniques and Color Correction tools. BRBRb Third party plug-ins BR//b Create stunning effects with all the included BorisFX, FXHOME, and NewBlueFX plug-ins. BRBRb BlueFX 3D Titling and Video Effects/b BR/The Movie Studio 13 Suite includes a fantastic group of video and audio effects by NewBlueFX, a respected manufacturer of car stereo plug-ins. Once installed, the equipment are available straight from the Video FX window, providing a seamless editing experience without ever leaving the appliance. These additional transitions, effects, and titling tools provide more options to enhance car stereo projects which has a professional look. BRBRb BorisFX Units/b BR/Two powerful Boris Continuum Units every editor needs. Create seamless composites and quickly handle the tedious task of chroma keying with BCC Key and Blend 39;s precise keying and matting options. Plus, save imperfect footage with BCC Image Restoration. Apply digital make-up, remove flicker, reduce noise, and connect pixels. BRBR/BorisFX Units readily available for 64-bit os's only. BRBRb FXHOME HitFilm Effects/b BR/A collection of powerful visual effects plug-ins are included on the HitFilm collection, made by FXHOME. Create light flares, light, TV damage, bleach bypass looks and considerably more. The plug-ins utilize the same FXHOME technology behind HitFilm 2 Ultimate, combining professional quality with fast performance., value:154.99, priceMin:154.99, priceMax:154.99, priceSavingsMaxPrice:0.00, priceSavingsMaxPercent:0, inventory:0, brand:Sony, reviewStarImageUrl:, reviewStarRating:0.0, reviewStarRatingInteger:0, reviewHowManyReviews:0, usedOrNew:new, discontinued:0, onOrder:0, clearance:0, canBeSold:1, accessoryCategories:, stickerText:, priceVisibility: 1
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If youve ever watched a YouTube video with someone magically throwing fireballs throughout the air, then youve likely seen the job of Adobe After Effects. Not just for filmmakers, whole process almost and its countless supported plug-ins, puts a complete toolbox inside hands of site designers, broadcasters, animators and post-production artists.
Gathering files, adding sound, color correcting and masking frames, adding text layers plus more without ever having to leave the After Effects desktop. It keeps videos manageable over a layered timeline. And there are wide ranging books and internet-based tutorials to assist you master its advanced features.
A copy of After Effects CS6 set Windows and Mac users back 999. Adobe also currently provides a subscription based version through their webpage, Adobe Creative Cloud. With membership access towards the individual program costing 19.99 a month or access towards the entire Adobe Suite for 49.99 every month which includes other popular applications like Dreamweaver, InDesign, Illustrator, Photoshop etc.
While After Effects is often a powerful tool for cinematic visual effects and motion graphics, there is usually a steep learning curve. To benefit from some on the features for example the ray-tracing and Global Performance Cache, users will be needing a powerful processor and adjusted RAM setting. And the price might not be justifiable on the casual video editing enthusiast.
There are alternative programs that perform many in the tasks that After Effects does. Here are 10 with the best alternatives for the market.
Looking to utilise your hand at video effects without excessive investment? This is a wide open source program offering features for creating 3D text effects, compositing and adding effects like smoke or rain.
The options that come with Wax are extremely limited compared to After Effects, but can be sufficient for people looking to dabble in digital video editing.
For composing action video effects like smoke and explosions or animating 3D objects, Hitfilm 2 Ultimate by Fxhome is really a great option. Costing 399, this sophisticated software boasts a sizable community of users prepared to share tips and ideas. Depending on the project, Hitfilm might not be a completely encompassing program.
Unlike After Effects, you may have to build the 3D objects in other software before you are able to use the 3D animation and rendering features. Also, Mac users are beyond luck, Hitfilm 2 is accessible only for Windows users.
If you like to help 3D modeling and effects or hifi stereo sound, have a look at eyeon Fusion. The company boasts that it really is the fastest compositor around the market today. This node-based compositor has been used in post-production focus on countless blockbuster movies.
With a sale price of 2495 per license, how's that for not for casual filmmakers.
Wondering how DreamWorks creates movie magic? They use The Foundrys Nuke for multiple animation tasks. /articles/2012/05/29/361/nuke-is-the-purrfect-partner-for-dreamworks-animation Nuke does many from the same tasks as After Effects but is really a bit more hard to learn make use of and is sold with a much larger price tag of 4840.
Its readily available for Mac, Windows and Linux.
The newest contender inside video editing world is Smoke 2013 by Autodesk. This node-based system features a vast array of features for 3D compositing, color correction and motion graphic effects.
Released in late May 2013, it can be yet to become seen should the motion graphics world will favor Smoke 2013 over After Effects. It can be acquired only for Mac users for 3495.
Looking to generate professional quality online games? 3DS Max by Autodesk is undoubtedly an industry standard for top level notch games and films. While this program is much more than After Effects in 3D character modeling, animation and rendering capabilities, After Effects is usually a better selection for compositing and camera work.
3DS Max is currently designed for Windows, Mac and Linux. Before you fork out 3675 due to this program, you really should evaluate your commitment towards the craft.
Another great 3D modeling and animation program from Autodesk is Maya. While very like 3DS Max, this program includes a few additional features like painting and fluid effects. Maya is usually focused inside the film and CG animation industries. It overlaps some on the features of After Effects but definitely has its own strengths.
The drawbacks would be the steep learning curve plus the price of 3675. Its accessible for download on Windows, Mac or Linux platforms.
Would you like to test 3D modeling and effects without having an arm along with a leg? Blender is an empty source application designed for Mac, Windows and Linux. It isn't going to share the whole feature set of After Effects, but its a robust tool. And it carries a large community of fans.
Need an easy-to-learn program for title sequences or transitions? Apple Motion 5 makes video editing basic and fun. With the click of an button you are able to experiment with preset filters and movement behaviors in real-time.
While significantly less advanced in numerous areas as After Effects, Motion contains the job done. Mac users can download it through the iTunes App Store for 49.99.
Looking to produce a movie employing your smartphone? Look no further than Corels VideoStudio Pro X6. This program supports video input from iPads and smartphones. This basic movie editor makes effects easier with customizable templates.
At 69.99, this is really a great choice for movie makers by using a Windows platform.
Video effects applications offer in-depth choices for video editing and camera work. Adobe After Effects provides a great overall package, but you'll find certainly other great options to select from.
Have or will you use Adobe After Effects? Do you think these items are a good substitute for After Effects? Please feel free to talk about your views and thoughts.
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Convert DTS HD, Dolby TrueHD audio to AC3, AAC, MP3.
Support videos like TiVo, M2TS, MOD, VRO, MXF, VP6, MKV.
Put and play video on iPad, iPod, iPhone 4, Nokia N8, Moto Xoom.
Utilize all cores to increase encoding process - 50% faster than before.
Aunsoft Video Converter allows you to convert between various formats. It may be the must-have conversion tool for video lovers, and lets you enjoy movies on computer, to help promote edit video for creation, to provide video on HDTV, and also to publish video online in web-friendly format. You can overcome your video and music on popular portable devices including iPad, Nexus One, HTC Hero, Zune, iPod, PSP, Apple TV, iPhone anytime anywhere.
Aunsoft Video Converter supports a lots of video and audio formats. It can convert TiVo to MPEG for you personally, making it simple for you to lose the output MPEG file to DVD with burning software. Then it is possible to enjoy recorded TV shows anytime you wish. It converts MKV, MTS, M2TS, TOD, MOD, TS, FLV, MXF to MP4, WMV for you to learn different videos on portable devices like iPad, iPhone 4s, Zune, PSP, XboX 360, Apple TV, WD TV, Nexus One, HTC Android Phones, HTC Legend, HTC EVO 4G, Motorola Droid X, Droid 2. And it can even enable you to convert the widely accepted Flip Video/Flip HD video from Flip Mino, Flip Ultra, Flip MinoHD, Flip Ultra HD, Flip SlideHD pocket camcorders with excellent.
With this powerful converter, you are able to also convert videos for video editing software like Adobe Premiere, Windows Movie Maker, Sony Vegas, and upload video to YouTube and MySpace to express videos.
Remember our smile, share the joy together with the world!
Convert DTS HD, Dolby TrueHD audio to AC3, AAC, MP3.
Support videos like TiVo, M2TS, MOD, VRO, MXF, VP6, MKV.
Put and play video on iPad, iPod, iPhone 4, Nokia N8, Moto Xoom.
Utilize all cores to increase encoding process - 50% faster than before.
Aunsoft Video Converter makes it possible to convert between various formats. It may be the must-have conversion tool for video lovers, and means that you can enjoy movies on computer, to help promote edit video for creation, to give video on HDTV, also to publish video online in web-friendly format. You can dictate your video and music on popular portable devices including iPad, Nexus One, HTC Hero, Zune, iPod, PSP, Apple TV, iPhone anytime anywhere.
Aunsoft Video Converter supports a great deal of video and audio formats. It can convert TiVo to MPEG available for you, making it easier for you of burning the output MPEG file to DVD with burning software. Then you'll be able to enjoy recorded TV shows anytime you need. It converts MKV, MTS, M2TS, TOD, MOD, TS, FLV, MXF to MP4, WMV for you to experiment with different videos on portable devices like iPad, iPhone 4s, Zune, PSP, XboX 360, Apple TV, WD TV, Nexus One, HTC Android Phones, HTC Legend, HTC EVO 4G, Motorola Droid X, Droid 2. And it can even permit you to convert the favorite Flip Video/Flip HD video from Flip Mino, Flip Ultra, Flip MinoHD, Flip Ultra HD, Flip SlideHD pocket camcorders with top quality.
With this powerful converter, you are able to also convert videos for video editing software like Adobe Premiere, Windows Movie Maker, Sony Vegas, and upload video to YouTube and MySpace to discuss videos.