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A complete professional recording studio on your Mac, Logic Pro X offers you everything you need to change from first inspiration to final master.
Jump-start your thoughts any way you would like. Begin with drums. Explore samples and loops. Add almost any software instrument for a arrangement. And with 64-bit architecture, youll develop the power you should handle projects associated with a size.
Drummer provides you with powerful technology for creating organic-sounding acoustic drum tracks or kicking electronic beats with remarkable ease. Using Drummer is compared to hiring a virtual session drummer or collaborating having a highly skilled beat programmer for amazing your song or dance track. Choose certainly one of 28 drummers, then provide direction. Get more fills, increased intensity, or heightened complexity to complement the song and section. Push, pull, or humanize the timing. Even direct the drummer or programmer to consider inspiration from another track in thesong.
These jaw-dropping sounds are completely customizable using Drum Kit Designer to the acoustic kits and Drum Machine Designer with the electronic drum tracks. The drummers bring their particular setups, however, you can swap out individual drums or shape the sound to check what you hear in your mind. The tonal variety and possible configurations are nearlyendless.
Alchemy, the final sample-manipulation synthesizer, is easily the most powerful instrument in Logic Pro X. It comes through an enormous library of more than 3000 sounds along with a keyword browser to quickly zero in on what youre searching for. Powerful Performance Controls invite someone to explore and spend playtime with the sounds you select. Alchemy is really a monster of the synth with multiple sound-generating engines, including additive, spectral, formant, granular, and virtual analog. Its also a strong sampler that could import EXS24 instruments. Groundbreaking morphing and resynthesis features permit you to manipulate and combine samples in extraordinary new ways. And the large number of filters, modulation routes, arpeggiation options, and effects results in limitless possibilities.
Logic Pro X has a enormous variety of plug-ins and sounds to assist you to flesh out your opinions. Put a chord from the Arpeggiator and try out new sounds. Audition one among 1800 Patches, instruments, and effects for voice, bass lines, brass, strings, woodwinds, and a whole lot. And explore a variety of more than 5600electronic and urban loops, covering many methods from HipHop to Electro House, Dubstep, Modern R B, Tech House, Deep House, andChillwave.
The Logic Sound Library includes over 2000 Patches that instantly phone sophisticated, multichannel sound and effect configurations. The bundled Patches make use of therich variety of Logic Pro X plug-ins, and every loads using a custom group of Smart Controls so you're able to easily change the sound to match your creative needs. When you think of your own great sound, save it as being a Patch. Then youvesaved your track or multichannel Track Stack and many types of the processing, Mixer routing, and Smart Controls that can come withit.
Smart Controls are innovative sound-shaping tools that permit you to make simple or elaborate creative changes and never having to dive into multiple plug-in interfaces. A single Smart Control can adjust several plug-in parameters at the same time, so its less of a challenge to create complex transformations. And Smart Control mappings is usually customized to fit your workflow just select a various themed knobs, buttons, and backplates to reflect the sort of instruments or effects beingcontrolled.
Smart Controls adapt their look and controls to check the selected Patch.
Seamless punch recording. Automatic take management. Support for pristine 24-bit/192kHz audio. Logic Pro X helps it be all very easy to do and simple to undo. With over 250 sound files available as well as the ability to run numerous plug-ins, youll have always what you should complete assembling your project. The unique Low Latency mode temporarily bypasses plug-ins that add latency, so players will give their best performance. And with Logic Remote, it is possible to engineer everything on your iPad Pro, iPad, or iPhone everywhere in theroom.
Keep your sessions better organized by consolidating multiple related tracks by way of example, the many drums or vocals in a track format called Track Stacks. Choose to develop the tracks routed to a different auxiliary for quick and convenient submixing. Use Track Stacks to generate rich, layered, or split instruments that are very easy to manage, save, and reuse. And your Track Stack is usually collapsed for simplicity or expanded any time for morecontrol.
Other track-based features add a lot more functionality. Choose a track as being the Groove Master for the song, then select another track to follow along with and conform to its timing. Use the brand new Arrangement Track to quickly move or delete the verse, chorus, bridge, or some other section of your respective song. Now that volume, pan, and send controls may be right inside the track header, you may also quickly adjust tracks before heading to the Mixer for deepercontrol.
Whether youre an aspiring film composer or simply want to lay some tracks to get a five-minute video, Logic Pro X makes scoring and sound design never been easier. Import any QuickTime movie or, when you editing with Final Cut Pro X, import XML to re-build your video project in Logic Pro X. Multiple display options enable you to view your video full screen or in a embedded window, making it very easy to visually spot your sound clips to a specific frame. Logic Pro X automatically generates specialized SMPTE-locked Scene Markers or it is possible to insert your own personal to identify key transitions inside the video. And Beat Mapping causes it to be easy to generate tempo maps that line your music nearly those transitions. When its all done, it is possible to export directly in to the movie file or send XML time for Final Cut Pro X to perform your video edit.
With the Logic Remote app, you'll be able to use your iPadPro, iPad, or iPhone to regulate LogicProX in your Mac. Play any software instrument in LogicProX out of your iPad with SmartControls right on top of the instrument youre playing, so its incredibly an easy task to shape your sound while you go. The large display on iPadPro extends your playing range on TouchInstruments, with additional keyboard keys, guitar frets, and much more. iPadPro raises the number of Mixer faders available simultaneously each which has a longer fader for additional precise mixing. And your best shortcuts are available from key command buttons now built into the Smart Control and TouchInstruments views. On iPhone, LogicRemote provides availability to transport, navigation, mixing, and automation controls inside a streamlined interface designed for just a smaller screen.
Logic Pro X helps you to polish performances immediately. Quickly make complex adjustments and edits to timing, pitch, plus more. And easily assemble the right comp from multiple takes. All using a powerful list of tools that help you focus on what you desire to do not how you can doit.
Logic Pro X goes well after dark average sequencer having an advanced number of options that enable you to record, edit, and manipulate MIDI performances in just about in any manner imaginable. Transform a loose performance into one which locks tight into your groove usingregion-based parameters for note velocity, timing, dynamics, plus more. Tighten up your MIDI performances while preserving musical details like flams or chord rolls using the unique Smart Quantize option. Note Repeat and Spot Erase enable someone to create beats or keyboard parts in real time using old-school drum machinestyle sequencing techniques. See and edit MIDI as beams inside a classic piano roll style, as levels in rows, or perhaps as standard music notation. Shape MIDI controller and pitch bend data having a breakpoint graph on each MIDI region or below the notes inside the PianoRollEditor.
Instantly convert any MIDI performance into notation or use extensive step input options to go into the music manually. Then you are able to edit those parts, knock out lead sheets, or create elaborate orchestral compositions having a complete list of music notation tools from comprehensive layout and print options to instrument transposition, drum notation, and adaptive lyric input. Staff Styles allow you to tailor the size and style, clef, transposition, along with other details for any particular instrument and save them for simple recall. Instrument Sets permit you to switch quickly between viewing, editing, and printing any subset of the ensemble. And an extensive group of features for guitar make it simple to generate tablature, insert Chord Grids from the library of more than 4000chords, or notate every hammer-on and bend for the reason that wildsolo.
Flex Time allows that you quickly manipulate the timing and tempo of your respective recording to the tightest performance possible. Easily move anyone beats in just a waveform to alter drum, vocal, guitar, or some other kind of tracks without slicing and moving regions. In one move you may fix the timing of the entire performance and see notes and beats align to your musical grid. You can slow things right down to help punch within a difficult solo, then bring everything back towards the original speed. And test out different tempos by going slower or quickening entire multitrackprojects.
Say you record a vocal performance thats under ideal. FlexPitch allows you to edit the pitch and amount of individual notes quickly. Simply flip over any note and all sorts of parameters are immediately readily available for tweaking. Use contextual controls to fine-tune or shape notes and adjust the gain. Smooth out, increase, or withdraw vibrato. And create or remove pitch slides between notes. You could also change a melody by dragging notes inside the Piano Roll Editor or have fun playing the desired part in your MIDI keyboard along with the recorded part will adapt for your performance. Pitch quantize controls help you quickly snap selected notes into a definable key andscale.
You may also use Flex Pitch creatively. Just convert an audio track a vocal track to MIDI, then explore it as a a synth or software instrument melody. And see where it takesyou.
Quick Swipe Comping allows you to swipe within the best elements of each recording to produce a seamless comp, that includes transition-smoothing crossfades. Flip a plunge to temporarily disable Quick Swipe Comping when you desire to cut, move, or delete all or part associated with a take region. Multiple comps and Autosave permit you to experiment without worrying about losing your projects. And it is possible to use Track Grouping to synchronize your selections across related tracks, for example a multi-mic recording of your vocalgroup.
Use comprehensive, offline bounce-in-place features to facilitate creative sound design or project collaboration. Twistandtransform audio, then permanently apply those effects on singleormultipleregions simultaneously, in order to edit them using the effects baked in. Easily prepare stem files for sharing, and select whether bounced files include effects or automation or offer the natural effect tail coming from a delay orreverb.
With just a couple clicks, Drum Replacer helps you to replace or double problematic drum tracks with triggered samples. You could get creative by it, too. Transform an acoustic bass drum into searching for kick or reshape or thicken a snare. Its all to easy to dial inside best setting, thanks to your graphic on the detected transients that updates automatically when you adjust the threshold. Choose from 30 drum sounds from the Sound Library or add any of the favorite recordings orsamples.
Hundreds of input channels. Dozens of mix groups. Plenty of sends and auxiliaries. Dynamic channel strip creation. Powerful automation and track management. And full surround capabilities. Logic Pro X brings everything together within a straightforward, customizable layout that causes it to be easy to give attention to any section of yourproject.
Create whatever configuration you need with tracks that support full latency compensation to help keep everything in perfect sync. Time-saving features enable you to do items like select a number of tracks every one of the vocal or drum tracks, one example is and create a single submix using a few clicks. Record busses and integrate outboard hardware for your mix. And mute solo tracks or individual regions. LogicPro X automatically creates auxiliary channels when you really need them. In fact, Logic Pro X allows you to do anything youd do in the major studio by having just yourMac.
Automation in Logic Pro X is simple yet deeply powerful. You can easily record changes to the channel strip or plug-in parameter quickly. So it is possible to ride something, such as feedback over a tape delay, much the same way you would a fader or pan. You dont have to configure anything or define parameters. Just enable automation, press Play, and produce your changes. You may also create and edit automationgraphically.
Track Groups make it an easy task to work with related tracks, like a pair of background vocal tracks or perhaps a multitrack drum recording. When youre adjusting the channel strip for just one track and you would like the changes to demonstrate up on other tracks, just assign them on the same group. The Group window causes it to be easy to access every one of the group functions and hide or rename a gaggle. And you are able to work together with the Group inspector in the actual inspector panel or break against eachother as its window. Logic Pro X even offers classic, console-style VCA faders to assist control complexmixes.
Patches enable you to pack inside the processing, mixer routing, and Smart Controls related to your tracks with single click. So it is possible to easily save and load extensive drum-recording configurations, detailed setups for multitimbral and multi-out software instruments, or even a cool layered synth sound. Then make use of them in MainStage in order to jump-start a newproject.
Dive in the details and locate powerful tools to assist you to with practically every part of the workflow.
Available through the Mac App Store for 199.99.
Just click to download andinstall.
Minimum 6GB of disk space. 49GB of optional content available via in-app download.
Full plug-in latency compensation, also for external audio and MIDI gear
Maximum project length over 6 hours at 96kHz; 13 hours at 44.1kHz
High-end dithering algorithms POW-r, Apogee UV22HR
Accents, bowing marks, fermatas, and also other symbols that affect specific notes
Trills along with ornaments, tremolo symbols
Bar lines, repeat signs, and Segno and Coda markings
67 effect plug-ins including Pedalboard, including 35 stompboxes
Custom instrument tuning system including 97 fixed tuning presets, equal-tempered, custom, and Hermode tuning
3256 Patches for Audio, Auxiliary, Software Instrument, and Outputtracks
4647 Apple Loops covering electronic genres: Hip Hop, Electro House, Dubstep, Modern RB, Tech House, Deep House, Chillwave, Vintage Breaks, Indie Disco, Disco Funk and Blues Garage
8 sends per channel strip, pre- or post-fader, or post-pan
32 groups for audio, software instrument, or MIDI channel strips
JL Cooper: CS-32, FaderMaster 4/100, MCS3
Korg: KONTROL49, microKONTROL
Mackie Designs: Baby HUI, HUI, Mackie Control, C4, Extender, MCU Pro, MCU XT Pro
Radikal Technologies: SAC-2k, SAC-2.2
Yamaha: 01V96, 01X, 02R96, DM1000, DM2000
M-Audio: Axiom, Axiom Pro, Axiom AIR, Oxygen
Support for Audio Units effect, instrument, and MIDI plug-ins
ReWire support for Propellerhead Reason, Ableton Live, as well as other compatible applications
Import/export of MIDI regions as MIDI files, export of MIDI and audio regions as Apple Loops
Play AIFF, WAV BWF, CAF, SDII, Apple Lossless, eligible MP3, and AAC noneligible files is going to be converted to PCM
Record AIFF, CAF, and WAV BWF
Bounce to AIFF, WAV Broadcast Wave, CAF, MP3, and M4A Apple Lossless, AAC
Logic Pro X provides you with a massive number of plug-ins and sounds to fuel your creativity. The Sound Library, augmented by Alchemy, is also a robust source of inspiration, on account of Patches that provide rich layers of instruments and effects and Smart Controls that enable you to easily shape anysound.
The Sound Library provides you with over 2000 inspiring production-ready instrument and effect settings. Instantly recall sophisticated multichannel sound and effect configurations. Logic Pro X Patches can be manufactured by a few of theworlds top sound designers while using abundant bunch of Logic Pro X plug-ins and powerful features like Track Stacks and Smart Controls. Choose among instrument Patches for pretty much every genre and gameplay. Here is usually a small preview section.
If you cherish the sound of classic analog and digital synths, youll find plenty inside library to inspire you. Created with Retro synth, ES2, Alchemy, as well as other Logic plug-ins, a deep variety of Patches brings that vintage vibe.
The library is stuffed with modern synth sounds designed with powerful instrument plug-ins like Alchemy and Sculpture. Electronic musicians, enjoy your selection of pulse-pounding bass, stabbing synth leads, and pumping pads.
The Vintage Keyboard plug-ins provide you with the foundation for plenty of Patches that can recall the classic sounds of Rock, Pop, Gospel, and RB. If you need a funky clav, a growling B3, or possibly a chiming Whirly, youll see them and many more all here.
The library supplies a wide choice of pristine, dynamic-sampled acoustic Patches, including pop and classical pianos, fretted instruments, world instruments, and sounds from every portion of the orchestra.
Add texture and color in your tracks that has a wealth of ever-evolving and richly layered Patches. The Logic Pro X sound library is perfectly suited to creating a soundtrack that evokes the best environment or emotion.
Work having a collection that could reach over 4600 electronic and urban loops, covering many methods from Hip Hopto Electro House, Dubstep, Modern RB, Tech House, Deep House, Chillwave, Vintage Breaks, Indie Disco, Disco Funk, and Blues Garage.
Open Drum Kit Designer and decide on a kit. You can swap pieces to construct a custom kit, choosing from your diverse assortment of snares, kicks, toms, hi-hats, and cymbals. Finesse the sound of each drum by adjusting the tuning, dampening, and gain. And enable stereo or mono room and overhead mics. Each kit is sold with its own unique mix produced by an industry hit maker. Choose a more elaborate Producer Kit also it loads which has a Patch that provides you with access towards the full multichannel mix, along with every one of the processing and routing the producer used. Once you see what sort of pros obtain signature sounds, you may go because of their techniques ortweakaway.
Next-generation sample manipulation is yours. Drive four distinct synthesis engines. Dive to a 14GB sound library and quickly have the sounds your own personal with powerful Smart Controls. Stay inside flow when you explore seemingly limitless possibilities. Build sonic textures in greater comfort. Choose from the world-class collection that has reached over 3000 presets and obtain the power to master, expand, and tweak them however youwant.
70s Analog Synth Lead uses virtual analog oscillators and filters to re-create a vintage analog lead sound.
Short Plucky Synth uses the Transform Pad to instantly jump or slowly morph between variations of the first sound.
Luscious Arp Layers uses multiple arpeggiators on different virtual analog sources in a single instrument to provide complex musical patterns.
This clip features Brassy Jazz Ensemble, twenty pieces of additive synth brass when combined sampled analog synth strings.
Multiple arpeggiators drive a range of sample sounds and synthesis techniques, including virtual analog and additive, via modulation.
The Dark Currents preset shows how complex wobble-bass parts may be created with simple notes and sweeping movements around the Transform Pad.
Future Wobble Bass combines four additive synth sounds with complex modulations, all easily controlled through the Transform Pad.
The Classic preset stacks three virtual analog sources with complex modulations to get a modern update on classic 80s analog synthleads.
A mix of presets showcases many sounds, including cavernous percussion, morphing sound files, as well as a uniquely filtered lead.
With robust synthesis options, support for sampled instruments of virtually any size, and 16 outputs for flexible mixing and sound processing, the EXS24 Sampler can make it easy to make sample-based sounds to yourproduction.
Play jaw-dropping models in the Hammond B3 organ, the Hohner Clavinet D6, and also the Fender Rhodes, Wurlitzer, and Hohner electric pianos with all of the character and quirks in the originals. Thanks in an intuitive interface design, your most critical controls are usually front and center, while the whole depth and flexibility in the real-time models are a clickaway.
Sculpture can be a unique physical modeling instrument which causes tones hardly any other synthesizer can. Byre-creating the sound of vibrating materials like wood, glass, nylon, or metal, it generates uncommon and artistic variations of strings, bells, chimes, as well as other instruments. You can customize the virtual body from the instrument to anything from guitar to cello, flute, plus more. Control the way the instrument is plucked, bowed, or elsewhere played. And use the X/Y pad to morph between materials. A deep group of modulation parameters produce movement and evolving textures. Whenyoure trying to find a completely unexpected sound, Sculpture will give you incredible sound designoptions.
A powerful list of vintage synths by using intuitive controls make it all to easy to re-create your chosen electronic sounds on the 70s and 80s. Go for analog tones like earthshaking bass, textures, screaming leads, sweeping pads, and sawtooth waves. Or use unique digital appears like bells, plucky bass, and brashleads.
A versatile synthesizer which provides sounds which range from classic analog to modern digital. The synthesis engine features three analog-modeled and wavetable oscillators, together with dual multimode analog resonant filters and extensive modulation options.
The Arpeggiator transforms simple chords into elaborate performances. Go with professionally designed presets, or shape the evolving performance by adjusting the incidence, note order, and octave range in the notes. And add swing that can help the Arpeggiator groove while using feel of one's song. Additional MIDI plug-ins give you more ways to generate and shape MIDI notes and controller data. Scale velocity, generate a rapid-fire group of notes, transpose incoming notes or conform them to some scale, andmore.
Re-create legendary sounds and craft your individual unique tones by mixing and matching 25 amp heads, five EQs, 10 reverbs, 25 speaker cabinets, and seven mics that you are able to position freely round the speaker cone. Play through tweed amps on the 50s and early 60s. Classic American silverface and blackface combos. A full selection of British stacks and combos. Ultra-high-gain metal stacks. And even rare amps that might be hard to find inside realworld.
Lay down an incredible bass track with dead-on designs of three vintage and modern bass amps and cabinets. To get an ideal tone, switch between 2 kinds of input channels. Swap out cabinets and amps. Position certainly one of three mics on different speaker cones. Or blend between amp and DI box signals, just like within the studio. You may use graphic or parametric EQs to match the bass with your mix. And easily level performance dynamics or sustain which has a compressor before or after theEQ.
Get creative with well over 35 stompboxes all meticulously crafted to reproduce the tones and responsiveness in the originals theyre modeled after. Experiment with classic delays, echoes, and reverbs. Run your signal through some in the most coveted overdrives and distortions. Try out dynamic pitch transposition or dive-bomb effects. Choose from all your chosen choruses, flangers, tremolos, along with must-have modulation boxes. Or show up the funk with vintage and modern wahs or perhaps an octaver. The Pedalboard interface can make it easy to reorder and swap your pedals and also to creatively route your signal for a huge number of combinations and virtually unlimitedsounds.
Versatile, scalable multiband EQ provides eight bands including highpass, lowpass, low and high shelving filters, and four flexible parametric filters. The frequency analyzer supplies a graphical take a look at sound to help you quickly zero in on refining your performances. Mid-Side mode splits the audio into mono center or stereo hard left/right, providing more flexibility in how you will shape your mix and widen the soundstage.
The powerful Compressor carries a fully scalable, redesigned interface inspired through the look and feel of legendary studio favorites. With the brand new Classic VCA, there is a total of seven models. And the Histogram Meter view enables you to instantly begin to see the results of your respective parameters, controls, and knob movements like neverbefore.
Make your songs and also other audio productions sound their absolute best having a complete assortment of dynamics, EQs, along with other production effects. Pristine parametric and phase linear EQs make it simple to fine-tune your audio production. Match EQ enables you to duplicate the sound from the favorite track and rub it to another. Use modern or vintage-modeled compression to erase a vocal performance. Or use limiters and multiband compression to produce a mix which will jump from yourspeakers.
Shift, shape, or completely warp the sound of a typical track employing a wide number of creative effects. Add texture using realistic reverbs that simulate numerous acoustic spaces. Build creative, complex delays or emulations of vintage tape echoes. Introduce harmonic saturation and sparkle with vintage tube modeling. Dial in fuzz and warmth with overdrive. Or capture that retro 8-bit arcade style with bit crushing. Use effects like phaser, chorus, flanger, and ring modulator to provide subtle shimmer or glassy overtones. Create warm, pulsating sweeps or icy, morphing shifts using various vintage and modern filter effects. Youll never run out of solutions to mutate and twist yoursounds.
Logic Pro 10.2 provides you with even more power to generate electronic music with Alchemy, a next-generation synthesizer. Alchemy works together with every one of the beat-making and music-production features introduced in Logic Pro 10.1 to generate all sorts of music, includingEDM and Hip Hop.
Logic Pro X now includes Alchemy, an excellent sample-manipulation synthesizer. Quickly find and shape sounds from your massive Alchemy library or build your own having a choice of synthesis engines and advanced morphing tools. Produce inspiring sounds with analog-modeled filters, multiple modulation sources, a built-in arpeggiator, as well as a broad array of effects.
The expansive Alchemy library delivers various and inspiring sounds. Find sounds for any style of music from EDM to Hip Hop plus a wide array of emerging styles. Easily concentrate on the right sound from over 3000 presets with all the keyword browser. Select category, timbre, and articulation keywords to provide up the perfect group of useful sounds. Then organize your favorites with star ratings and customkeywords.
Easily explore and have fun with sounds. Click and drag for the Transform Pad to smoothly transition between eight sound variations. All sounds provide thoughtfully designed Performance Controls that it is possible to customize to fit your creative needs. And you are able to automate controls to include intricate and compelling movement to the Alchemy track.
Alchemy can be a powerhouse synthesizer offering multiple sorts of synthesis inside same plug-in. Choose and combine around four in the synth engines, such as additive, spectral, formant, granular, and virtual analog. Add a substantial sampler that may import EXS24 instruments along with your creative potential is limitless.
Manipulate audio in powerful new ways while using unique number of tools Alchemy provides. Analyze and resynthesize samples with all the various synth engines. Create entirely new sounds by combining distinct elements from as much as four different sources. Add a thunderclap for a snare. Let a songbird introduce color and shape with a string pad. Morph seamlessly between sounds at the deep, elemental level from, say, a breakbeat to your crashing wave then a handclap by moving the puck throughout the Morph Pad. Or use discrete controls to dial within the perfect mixture of each element. Open up a wholly new sonic frontier and experience sounds youve never heardbefore.
Great-sounding filters and flexible modulation are key measures of the great synth. And Alchemy delivers on both. Sounds never stop evolving when it is possible to modulate any parameter in countless ways. Choose from over 100 modulation sources, including a number of LFOs, AHDSR and MSEG envelopes, and step sequencers. Sculpt sounds using 38 different filters in a range of colors, from modeled analog to tricks. Whether you enjoy classic synth tones full of vintage character if not more futuristic, spectral timbres, Alchemy filters just be sure you have plenty to like.
Take sounds completely to another level with integrated arpeggiation and effects. Arpeggiate every one of four sound sources independently, generating complex, multitimbral compositions from your single chord. Sweeten or transform your sounds by applying as much as 16 effects including convolution and algorithmic reverbs, modulation effects, stereo delay, compressors, EQ, along with a range of distortions to every single sound source or whole preset at a time. There are so many solutions to go. Unleash modulation on any on the effect or arpeggiator parameters in Alchemy and hear the visible difference.
Control LogicProX from any corner of your respective studio with your iPadPro, iPad, or iPhone. The large, high
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Create your personal musical compositions within a visual way, and export them in MIDI format. Logic Pro is usually a versatile program developed by Babya to enable you to create music by
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Beautiful new compressor UI. Drummer plug-in is now able to stand in for just a DJ together with a session drummer. Plenty of helpful UI tweaks. Terrific interface welcomes pros and GarageBand users alike. Brilliant iPad integration. No copy protection, unlike the majority of its competitors. Amazing value.
More existing instrument and effects plug-ins, especially EXS24, are usually in dire need of the UI makeover.
Apple Logic Pro X 10.1 is really a powerful update for an already-excellent digital audio workstation, if you own Logic Pro X, its free. The update seems designed for electronic music producers in the beginning, nevertheless the UI improvements alone are worth the download.
If it is not broken, dont remedy it just refine it. Apples pro-level audio workstation software gets its initial point release after having a dramatic makeover back 2013. The long-awaited Logic Pro X 10.1 contains another round of brilliant innovations which are worthy of note. Still just 199.99, Logic Pro X 10.1 remains a wonderful value, besides other small upgrades throughout allow it to become even easier than before to achieve complete music projects from start to finish. Unless you need Pro Tools for compatibility for some other studios, or just because youre more familiar along with it perfectly valid reasons to opt for Avid Logic Pro remains the most popular mainstream DAW along with a clear Editors Choice.
For this review, I tested Logic Pro X 10.1 on three machines: a 2.2GHz Core i7 MacBook Pro 15-inch With Retina Display Apple loaned to us, running OS X 10.10.1 Yosemite; my MacBook Pro 15-inch 2012, which I upgraded with 16GB RAM as well as an internal SSD; and also a MacBook Air 2013 that has a Core i7 upgrade. I tested this system with both a Focusrite Scarlett 18i8 audio interface each Macs built-in audio, in addition to being expected, I ran into no problems.
The system requirements havent changed much, although Logic Pro X 10.1 now demands Mavericks 10.9.5 or later. As before, Logic Pro X 10.1 is fully 64-bit; thats less of an problem nowadays than it was inside the middle of 2013 intended for third-party plug-in compatibility. Just feed it RAM and it are going to be very happy. It also opens project files way back to Logic 5 though best of luck if youve got any 10-year-old third-party instrument or effects plug-ins in those!
Since Logic Pro X 10.1 can be an App Store download, you'll be able to install it on any machine youre registered lets start work on Apple. It can top 35GB for that full download, however you can get started with much less because basic install. Theres no hardware or software copy protection, as well as your purchase is safely stored from the cloud in the event you ever must reinstall it. Having no copy protection is novel and awesome inside the realm of digital audio workstations, where Avid Pro Tools 11 uses a PACE iLok key, and Steinberg Cubase 7 requires a unique proprietary eLicenser key. Its great when you are on a MacBook Pro with just two free USB ports and USB hubs arent a remedy, because a lot of audio devices in addition to other peripherals prohibit using hubs into their user manuals.
Despite its immense power, Logic is really a simple program to begin recording with, as the main screen can incorporate everything you need from start to finish depending on how you will populate it, certainly. Basic tracks come in several kinds: audio, for recording live instruments; MIDI, for recording MIDI data from the keyboard, electronic drum set, and other input device; and instrument, which combine the 2 for use with virtual synthesizers along with other plug-in instruments.
The main view doesnt see much alteration of 10.1 aside through the Mixer, which Ill reach below. Theres no way I might get to all from the UI improvements on this review you'll find hundreds, as detailed in Apples Release Notes. Ill attempt to hit a few on the highlights, though.
First, a rapid recap: The transport is found at the top in the screen and far from any keyboards, mixing surfaces, or some other things you could have sitting at the bottom from the monitor and blocking component of the view. The Library contains all available media content; its around the left and easily collapsible. The top right portion in the screen provides the arrange window, that is where youll do most within your composing and editing. Each track within the arrange window has volume and pan controls.
Below that can be a multi-mode window that may display the mixer, a piano roll, a score editor, or even a sample editor. To the left, a track inspector window shows the mixer channel strip with the individual track, together with tracks output bus whether it's the master stereo or 5.1 surround bus, or even an aux. The right side appears a volume of windows for the tempo and time signature of assembling your project, as well because current MIDI tracks event list, that when they are combined using the piano roll or score editor, causes it to become simple to edit your tracks.
With a fresh Brush Tool, you'll be able to now paint notes using the cursor from the Piano Roll, which makes it less of a challenge to spray a lot of hi-hats across a track, to present one example. You can collapse any note rows that arent used, which will help a lot when programming drums or repeating instrument parts. New timing handles within the edges of notes enable you to easily compress or expand the timing of any group at exactly the same time.
Drummer was among Logic Pro Xs star features, also it gets a big update this occassion. For the uninitiated, Drummer is undoubtedly an artificially intelligent session player certainly one of 25, the truth is, each with some other styles, personalities, and drum kits for just a distinctive sound. You can adjust how often of fills, whether theyre while using the toms or hi-hats more inside a given section, and even how often of ghost notes and whether theyre rushing the beat a la Stewart Copeland or relaxing the groove a la John Bonham. Drummer can follow other tracks for inspiration; by way of example, the bass player can set the groove for the performance, and Drummer will need cues on the bass track to understand where to lock inside the kick drum.
Now, though, Drummer could also do electronic music is actually aplomb. You can dial up any volume of styles and kits, from house and retro to reggae and electro pop. Ten new electronic drummers sit alongside 18 other acoustic personalities, and cover dubstep, techno, along with other styles. These drummers produce awesome-sounding beats, and get rid of the need for third-party sample libraries. Meanwhile, the interface changes, when appropriate, to a thing that models a drum machine or Akai MPC-style unit. There are new step sequencing features notably Note Repeat and Spot Erase which allow it to be simple to lay down your grooves, and go with the big swells and rises and drops common in dance music.
The companion Drum Machine Designer looks and works differently as opposed to existing Drum Kit Designer. Between the both of them, youve got a large number of recorded samples for electronic drums together with acoustic kits. You can swap individual drums and cymbals around, making changes depending for the kit. For example, for acoustic drums, it is possible to adjust the tuning, add or subtract dampening, and adjust the gain as well as stereo room mics and leakage. As before, the Producer Kits include excellent-sounding, multi-channel mixes completed by legendary engineer Bob Clearmountain filled with EQ, compression, and other processing and routing and you are able to even see all from the settings to find out what he did using the stock Logic plug-ins.
Apple updated Logic Pro Xs built-in sound set with 200 new sounds, plus 10 Mellotron instruments for anybody nostalgic for that popular 1970s tape-based sampled string machine. All told, you can find over 1, 800 instrument patches, including 750 sampled instruments, plus 3, 600 downloadable loops. EXS24 is still the workhorse sampler it is often for over ten years, and gives the core workstation-style sample set, including drum kits and pianos. Logics venerable E-series plug-ins including ES1, ES2, ES P, the EVP88 electric piano and the like provide a good amount of synthesizer and keyboard sounds, although a lot of these sound a little thin when stacked against todays top plug-ins. The vintage keyboard collection receives a makeover, having a much nicer interface, full of B3-style drawbars, a vastly configurable Leslie simulator, as well as a suitcase-style electric piano.
Retro Synth now allows you to drag any waveform in the wavetable module; the plug-in will automatically hunt for pitched information and transform it right into a playable virtual instrument. All in the old Jam Packs are nevertheless available as free in-app downloads if you wish them. You may stack as much as eight voices now inside Retro Synth and you also thought your Roland JUNO-106s Unison mode sounded thick!
Perhaps the most important news, at the very least for this OCD-affected engineer: You can finally organize your individual plug-ins into folders! Instead of coping with clumsy nested menus, you'll be able to set up folders just for your plug-ins you use each of the time, and combine third-party plug-ins together with the ones which come built into Logic.
Mixing, Effects, and Other New Features
The main console offers large faders, pan along with track controls, in addition to being many inserts and sends when you need. There are analog-style VCA faders available. Instrument tracks keep everything neat and tidy, though most sequencers now offer a certain amount of that, rather than messy audio MIDI track combinations. At the top of each channel strip, the built-in console EQ really just pops the EQ plug-in, that offers eight bands, plus configurable Q settings and customizable low-pass and high-pass filters. It offers enough musicality for rounding your high-end of the electric bass or tightening within the boom of any loosely tuned kick drum.
Smart Quantize is now able to figure out in the event you meant to perform a staggered chord, like simulating a strummed guitar or rolled piano chord, and after that quantize around it so as not to ruin the texture. You could also write automation to regions, which helps it be much simpler to maneuver and arrange assembling your project without destroying recorded fader and knob movements. Speaking of mix automation, you will find new Relative and Trim modes for adjusting existing automation data; you are able to use the crooks to ride a fader and erase an edit. Theres a whole new Region Gain, which can be similar Clip Gain, among my favorite features in Pro Tools. And fades are generated in real time, as opposed to stored as separate audio recordings with assembling your shed, which greatly simplifies both file management and Flex Pitch edits.
Speaking that, Flex Pitch and Flex Time are nevertheless there, nevertheless make quick work of tuning vocals and fixing mistakes in recorded sound files; Flex Pitch in particular can be a godsend when you used to working through an entirely separate app like Melodyne or having to budget first.
Logics effects plug-ins really come alive within the compressor and reverb department. The compressors particularly shine, using Platinum transparent solid state and Opto tube-like modes, which behave differently and gives exactly the type of warmth and crunch youd expect from actual vintage hardware. The best part: Theres a totally new, scalable to 5K Retina iMac levels paneled interface for each with the modes, including a fresh dBx 160 emulation called Classic VCA. In all, you will discover over 4, 500 presets available along the various 80 bundled plug-in effects, plus roughly 1, 000 sampled convolution reverb spaces in Space Designer. Its not easy to imagine a mixing situation this equipment cant cover.
One downside: With the exception on the new Compressor, appear an existing effect or perhaps instrument plug-in, and youll see the identical old interface youve seen for any decade that includes now positively tiny controls theres a pixel-quadrupled view, even though it looks blocky. Its high time Apple had and refreshed the cluttered UIs for that entire plug-in lineup, ever since were all running 1080p or greater displays. EXS24 for example has needed an update for several years; while its optimized for playing many voices concurrently with a modern Mac running inside Logic Pro X, it could actually use a refresh, post-Kontakt 5 and MachFive 3 which, admittedly, cost countless dollars each, whereas EXS24 is free of charge with Logic.
If youve got a compatible interface think Apogee, although soon other vendors will take part in youll certainly able to manipulate the interfaces mic inputs and also other settings starting from within Logic, rather than having to move over with a clunky separate application. This didnt work together with my Scarlett 18i8, so I couldnt try it, but my fingers are crossed.
If you havent put on the extender before and also have an iPad, the Logic Remote app turns your tablet in a remote control like Logic Pro Xs major functions. For example, you'll be able to record tracks with on-screen keyboards, guitar fretboards, or another smart composition tools pulled right from GarageBand for the iPad. You can make fader moves and control the transport also, needless to say. But whats best is that the iPad becomes leading end for Logic Pro X, if you need it to be. You can overcome your entire Logic Pro X-based studio in the couch.
With version 1.2, a brand new Plug-In View helps you to access Logic or third-party AU plug-ins right in the iPad, which is often a huge improvement, in addition to reorganize or reorder the plug-ins on the given track. You could also control an audio interface from this point, assuming its compatible as detailed above, and make use of multi-touch gestures to alter Logics EQ on each track. This doesnt feel natural to me particularly, but I could see learning on such as this and it would be second nature. Given just how long ago I first started recording, Im lucky I can work a mouse as an alternative to needing hardware knobs and sliders for everything!
Finally, it is possible to import and export XML for scoring in Final Cut Pro, and in some cases export your hard work direct to SoundCloud the times of mixing down into a CD, then figuring out tips on how to duplicate it, encode it to MP3, use it online, etc. are over. Logic Pro X 10.1 also supports Mail Drop and Air Drop for sharing projects in OS X Yosemite.
With this update, Apple accomplished a lot of what it needed to accomplish to keep Logic Pro at the top on the heap. All told, Logic Pro X 10.1s cons dont really matter. Any quibbles we have with all the program and a few are to be expected, in the sheer breadth and depth of the Logic Pro offers pale compared to its incredible value. Add Logic Pro X 10.1, a tiny USB MIDI keyboard, along with a pair of headphones with a MacBook Air or MacBook Pro with an audio interface much like the wonderfully designed and also Logic-friendly Apogee Duet for Mac and iPad, and several microphones when you are recording live instruments and youve got a conveyable music studio that's simply impossible for this scale even just a couple of years ago, not to mention using the identical software professionals use with a regular basis.
Even so, it might be silly to state that Logic is clearly superior to your others for everyone musicians and engineers. All on the major DAWs have grown to be so good within the years, and experienced users their very own favorites and convey professional results with them over a regular basis. But I can tell confidently that you aren't going to have this degree of power, usability, audio quality, and customizability somewhere else for 200 bucks.
Once again, Im giving Logic Pro X an exceptionally rare five-star rating not because its perfect, as it is really not what our five-star rating means, but because its an excellent software product. If you have a Mac and havent decided using a proper recording studio program yet, or if you're aching to upgrade from a young version of Logic or perhaps GarageBand project files by which, incidentally, still open seamlessly in Logic, Logic Pro X 10.1 can be a a great bet and our Editors Choice for digital audio workstations. And the latest update causes it to be even better.
Jamie Lendino will be the managing editor of, and possesses written for and also the print magazine since 2005. Recently, Jamie ran the buyer electronics and mobile teams at PCMag, and before that, he was the Editor In Chief of Smart Device Central, PCMags dedicated smartphone site, for the entire three-year run from 2006 to 2009. Prior to PCMag, he would be a contributing editor for Laptop and His writing has appeared from the print editions of Popular Science, Electronic Musician, and Sound More
Eighteen months after Logic Pro Xs debut, Apple has unveiled the starting update to its More
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