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iRig Keys MINI 25 key universal mini keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Acoustic Acoustic guitar microphone/interface for iPhone, iPod touch, iPad, Android and Mac
iRig Pro DUO Universal dual channel audio/MIDI interface for iPhone, iPad, Android and Mac/PC
iRig Mic Lav The chainable lavalier mic with built-in monitoring for iPhone, iPad, iPod touch and Android
iRig Keys Universal keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Keys PRO The full-sized-key universal mobile keyboard for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Mic Studio Large-diaphragm digital condenser microphone for iPhone, iPod touch, iPad, Android and Mac/PC
iRig UA Universal guitar effects processor and interface for Android, PC and Mac
iRig PowerBridge Universal charging solution for many iPhone, iPad and iPod touch digital iRig accessories
iRig 2 Guitar instrument interface adapter for iPhone, iPod touch, iPad, Mac and Android
iRig Mic Field Ultra-compact audio/video stereo field mic for iPhone, iPad and iPod touch
iRig Mic HD-A Digital handheld microphone for Samsung Pro Audio, Android 5.0 and PC devices
iRig HD-A High-quality digital guitar interface for Samsung Pro Audio, Android 5.0 and PC devices
iRig Pads MIDI groove controller for iPhone, iPod touch, iPad and Mac/PC
iRig Mic HD Digital handheld microphone for iPhone, iPod touch, iPad and Mac/PC
SampleTank 3 The ultimate sound and groove workstation - Now with Custom Shop!
iRig BlueBoard Bluetooth MIDI pedalboard for iPhone, iPod touch, iPad and Mac
iRig PRO Universal audio/MIDI interface for iPhone, iPod touch, iPad and Mac/PC
iRig HD High-quality digital guitar interface for iPhone, iPod touch, iPad and Mac/PC
Ampeg SVX recreates the sounds, operation and feel from the worlds most influential brand of bass amplifiers and brings it in your desktop. Youll find the legendary sounds on the SVT-CL, the B-15, the 4Pro and BA500, all inside a convenient lightweight and easy-to-use package.
When you would imagine Ampeg, you imagine huge stadium bass toneРІ the Rolling Stones 69 tour with all the wall of SVT Classic Heads and 810 cabinets. The sound of Rock Roll РІ early Van Halen through AC/DC to Dave Matthews Band. You think the Motown sounds of James Jamerson and this fabulous round bass sound simply a B-15 Flip Top can supply РІ the sounds that DEFINED, and DEFINE, bass.
So really you think that legendary. The sounds of Ampeg amplifiers are definitely the sound of your bass revolution РІ the voice of generations of musical identity and groove definition which might be synonymous together with the fabric of the core as musicians. These include the tools we use to convey our inner groove. These are ourРІ
You hear the phrase legendary and legendary tone thrown around a great deal these days. Everyone is seeking to capture that legendary tone. But if you believe about it, exactly what does it really mean? Whats behind legendary making it so?
If you dig deep, fundamentally of everything legendary youll select one common thread РІ innovation. And at the very center of innovation may be the challenge with the norm, a spirited approach that focuses thinking on not what's but imagine if.
Thats what exactly you get using the Ampeg SVX models. 100% pure Ampeg Bass Tone. Take 175lbs of legendary earth-shaking back-breaking roadie-killing bass gear and compress it in to a mere 3-pound delicate instrument which could equally produce such raw power and emotion and youve got our imagine if thinking, and youve got the Ampeg SVX suite of Bass Amps and Bass effects. Innovative? Absolutely. Legendary? HmmmmРІ
Lets be realistic - We could say anything here. But fact the reality is, Ampeg chose us, IK Multimedia to generate digital types of their most prized gear. Frankly, that will really say everthing. However, if you are an Ampeg Fan, let's make you all warm and fuzzy inside. With the SVX package, you have the Ampeg Greatest Hits amps РІ the earth-shattering sound of Rock Roll bass on the Grandaddy of all of them РІ the SVT. The smooth groove making rolls in the B-15. The scooped edgy-ness in the 4Pro. All Tube, all legendary, all Ampeg.
These amps and cabinets have a very firm put in place music history, but furthermore have the foresight and innovation which will drive the way forward for music.
Actually, this is correct. Funny storyРІ through the first phase of testing while using Engineers at Ampeg, a particular software model was being driven over-time that it banned. Completely eliminate. Nada, nothing. Oh crap РІ we thought i was in trouble. But the lead engineer at Ampeg approved the model immediately. You see, there were a slight design flaw inside actual amplifier being modeled that will cause a power fault shutdown should the amp was driven way too hard . for too long. The software model what food was in fact so accurate which it even replicated this design flawРІ thats how accurate it's. If you believe about it, is software engineers equivalent from the no brown M Ms rider clause in a very performance contract РІ thus it looks like were playing tonight. But dont worry about it. We took took the shutdown feature out of the models in order to rock for hours. Really.
As Bass players, we live within a different, delightful world. Some would think of it as the sub worldРІ the basementРІ the underground. We choose to Foundation. And Ampeg SVX delivers the foundation in spectacular form. Youll obtain the bass sound you will need here to support it downРІ the maintain your drummer in order, also to guide the rest in the band throughout the complex musical journeys as simply a true pro bass player are able to do.
So were glad youre here. And hear. Welcome to the modern worlds of legendary bass tonesРІ Welcome to Ampeg SVX.
If youre accustomed to our other products, then youre right in the home. Ampeg SVX works the same as AmpliTube 3, AmpliTube FenderРІ, and our other guitar products. If you play bass via an amplifier instead, still, youre right in the home.
Bass РІ Tuner РІ PedalBoard as needed РІ Amp РІ Cab/Mic/Room РІ Post Effects РІ Groovealicious Euphoria.
Ampeg SVX is very intuitive since it works similar to your rig, only lighter. Make no mistake. The sounds from Ampeg SVX are authentic, true-to-the-original bass tones from your worlds most respected distinctive line of bass amplifiers. Whats different could be the packaging.
Ampeg SVX starts using the ONE effect which enables every player sound great РІ the Tuner. Then your signal runs by way of a virtual dual pedal board. You daisy-chain pedals together, combine, drag and drop. Instantly reconfigure your order of pedals just by grabbing one and dragging it to its new position inside signal chain. Ampeg SVX comes with a automatic unplug and connect feature from the pedalboards.
The B-15 looks, acts and feels like a B-15. The SVT-CL looks, acts and looks like an SVT. The 4Pro looks, acts and appears like a 4Pro. See a pattern here?
Then your signal travels towards the Bass Head. Choose from four groove making machinesРІ The SVT-CL Classic Head, the SVT-4Pro, The B-15R along with the BA500 combo, even so the preamp and power sections are actually digitally surgically separated in the cabinet. Here it is possible to tweak your tone to perfection.
Some people debate that the cabinet will be the single most important tone feature for any bass rig. With that in mind, we completely re-engineered the cupboard section, supplying you with more realistic bass response than another bass amp simulation package. The new section permits you to freely position two microphones in front with the speaker, plus add room ambience using a stereo set of condenser mics that permits you to adjust the spread and depth with the room. The result? Ultra-accurate bass response as well as the ability to mix from the perfect volume of room warmth. Boom.
If you currently have an AmpliTube package, take it easy. The Ampeg SVX suite integrates seamlessly in your current architecture. All you have to do is start your version, and Ampeg is automatically there.
If you apply the AmpliTube Custom Shop, when you purchase the Ampeg SVX package or individual amps, they automatically turn up. If you use just the Ampeg SVX package, weren't having this conversation. But you'll be able to add more gear to your Ampeg package using the Custom Shop. Plus, were constantly adding new models for the custom shop
Theres a special set up our history for your Ampeg project. You see, it turned out our first chance to actually work and communicate directly while using engineers for a company making the gear there we were simulating. In retrospect, this project really was slightly before its time. Way back in 2004, companies believed digital modeling with their gear would be a threat on their business, who's would steal the soul of the they were doing. Ampeg was different. They understood what i was doing, and the way our technologies can help you them spread the love and groove of Ampeg. And it worked. Now it is possible to get that Ampeg sound everywhereРІ inside the studio, at your house, on stage, from the street. Everywhere. Thats pretty cool, dont you think that?
In order to model an amplifier, you want, well, the amplifier. Ampeg sent us stuff. And lots than it. What came next would delight and simultaneously terrify most players: the dismantling and reconstruction of your legendary section of gear. Not reallyРІ were speaking about virtual dismantling from the gear. Take it easy.
The original amplifier, cabinet or effect will then be accurately measured as well as a virtual circuit representation of it really is coded in software, carefully matching each components value and circuit details. Then, a comparison in the electrical signals between your original along with the model helps to ensure that the models behavior matches an original circuit behavior within the gear. After this phase we begin a complex audio-engineering comparison while using original amplifier or effect for the modeled version. This is as well as a series of tweaks and fine-tuning for the circuit along with the sonic characteristics on the model. The result is an audio indistinguishable through the original when fed with assorted guitar signals and dynamics.
The creation of an single type of amp or effect takes one time than it would decide to try build a hardware version than it. All these technologies and development efforts have helped countless users receive the best sounds from their guitars and basses on countless records and productions РІ including legendary bands like AC/DC, Rolling Stones, Coldplay, GunsNRoses, Queen, Level42 plus much more. And we are passionately proud of computer.
Since 1997 while using release of T-RackS analog modeled mastering suite, IK continues to be one on the pioneers inside the digital tone generation and analog gear modeling field РІ unraveling the key DNA and true behavior of analog components and recreating them for that next generation of musicians, engineers and producers. With unique technologies like DSMРІ Dynamic Saturation Modeling, VRMРІ Volumetric Response Modeling IK designs include set the standard evidenced by our co-branding recognition through the most influential partners inside the industry for example duh Ampeg, Fender, Orange, Soldano, T-Rex, Jet City and much more.
You discover how when you hit an email on your guitar when its plugged right into a tube amp plus the gain is placed right around the verge of break-up, and theres kind of an spongy type compressed transient attack you receive from the rectifier tubes drop in voltage and recovery? Its a really smooth and musical thing that occurs - solid state gear doesnt go about doing it, and a good deal of modeling programs in existence dont have it either.
We understand it, because were first. So, thats just one single small aspect of the items DSM does.
DSM is definitely an exclusive IK Multimedia technology developed to accurately emulate the non-linear interactions between components in the analog circuit. DSM principal purpose is to increase the response realism and playability of critical analog circuit models. Musicians always felt digital emulations of high quality analog gear including tube driven guitar amplifiers to become good however, not completely satisfying because on the lack of certain playability and musicality qualities that the real thing provides.
DSM gives special and unique results when put on to circuit emulations the place that the non-linearity will be the main characteristic with the processor, like in distortion, fuzz, overdrive stomp boxes, tube guitar preamplifiers and power amps, and analog compressors and limiters. The DSM working principle will depend on a new approach never put on DSP analog modeling until recently. Analog circuits, especially Tube and Class-A discrete ones, usually are not dynamically-linear, but are actually modeled in this way by todays technology. An analog circuits character has never been constantly shaped but varies determined by lots of parameters, first of all the strength, frequency and harmonic content with the incoming signal.
DSM takes step 2. It continuously adapts the shape in the analog circuit as an alternative to applying a static snapshot. By using more technical mathematical functions, an even more articulated and musical fact is possible, making DSM suitable for modeling tube preamps and tube power amps.
Traditional emulations are required to a tradeoff between, as an example, those form of distortions that appear only if a 2x6L6 tube power amplifier is driven to its limit as well as the cleaner sound it offers when its driven normally.
DSM delivers a dynamic response that continuously morphs and follows the incoming signal; to put it differently, that follows the tunes.
This results in an accuracy that can not be found in some other modeling hardware or software today, respecting the many signal nuances the same as a real analog circuit would do using a grade of realism and musicality never achieved before.
AmpliTubeР’, AmpliTubeР’ LiveРІ, AmpliTubeР’ MetalРІ, AmpliTubeР’ X-GEARРІ, SVXРІ, StompIOРІ, StealthPedalРІ, StealthPlugРІ, SpeedTrainerРІ, DSMРІ, are trademarks or registered trademarks property of IK Multimedia Production Srl. All other product names and trademarks would be the property with their respective owners, which can be in no way associated or connected to IK Multimedia. Product names are widely-used solely for that purpose of identifying the precise products that were studied during IK MultimediaРІs sound model development as well as describing certain kinds of tones produced with IK MultimediaРІs digital modeling technology. Use of these names won't imply any cooperation or endorsement. FENDERРІ, STRATOCASTERРІ as well as the distinctive headstock designs displayed here, and all sorts of FENDER amplifiers, logos, and trade dress would be the trademarks of FMIC and used herein under license. All rights reserved. AMPEGР’ is usually a registered trademark of LOUD Technologies, Inc. used under license. Jimi HendrixРІ name used under license of Authentic Hendrix, LLC. Р’ TM Authentic Hendrix, LLC. RiffWorks, InstantDrummer, RiffCaster, RiffLink and Sonoma Wire Works are trademarks of Sonoma Wire Works. Mac plus the Mac logo are trademarks of Apple Computer, Inc., registered inside and other countries. Windows Vista plus the Windows logo are trademarks or registered trademarks of Microsoft Corporation inside the United States and/or other Audio Units logo is often a trademark of Apple Computer, Inc. VST can be a trademark of Steinberg Media Technologies GmbH.
AKGР’ is usually a registered trademark of AKG Acoustics GmbH.
AMPEGР’ is usually a trademark of LOUD Technologies, Inc.
ARBITERР’ FUZZ FACEР’ is often a registered trademark of Arbiter Group Plc.
BEYERDYNAMICР’ can be a registered trademark of Beyerdynamic GmbH Co.
BOSSР’ can be a trademark of Roland Corporation.
CELESTIONРІ can be a trademark of Celestion International Ltd.
DIGITECH WHAMMYРІ is usually a registered trademark of Harman International Industries, Incorporated.
ELECTRO-HARMONIXР’ is often a registered trademark of New Sensor Corporation.
ELECTRO-VOICEР’ can be a trademark of Electro-Voice, Inc.
FENDERР’, BASSMANР’, DELUXE REVERBР’, SUPER REVERBР’ are registered trademarks of Fender Musical Instruments Corporation.
JBLР’ is often a registered trademark of JBL Professional.
MAESTROР’ FUZZTONE is often a registered trademark of Gibson Electronics.
MARSHALLР’, 1959 JTM100РІ Super Lead, JMP100РІ are registered trademarks and trademarks of Marshall Amplification Plc.
MESA/BOOGIEР’ and RECTIFIERР’ are trademarks of Mesa/Boogie Ltd.
MOSRITEРІ FUZZRITEР’ is often a trademark of Mosrite.
MXRР’ is usually a registered trademark of Applied Research and Technology, Inc.
NEUMANNР’ is usually a registered trademark of Georg Neumann GmbH.
PEAVEYР’ can be a registered trademark of Peavey Electronics.
PRO CO RATРІ is usually a trademark of ProCo Sound, Inc.
RANDALLР’ is really a registered trademark of Randall Amplifiers a division of Music Corp.
ROGER MAYERРІ, Classic FuzzР’, Axis FuzzР’, OctaviaР’, are trademarks and registered trademarks of Roger Mayer.
SEARSР’ is really a registered trademark of Sears Brand, LLC.
SENNHEISERР’ is often a trademark of Sennheiser Electronic Corp.
SHUREР’ is really a registered trademark of Shure Incorporated.
SILVERTONEР’ is really a registered trademark of Samick Music Corporation.
SUPROР’ can be a trademark of Zinky Electronics.
SWRР’ and GoliathРІ are trademarks of SWR Sound Corporation.
THDР’ BIVALVE can be a trademark of THD Electronics Ltd.
TUBE SCREAMERР’ is really a registered trademark of Hoshino Gakki Co. Ltd.
UNI-VIBEРІ is often a trademark of Korg USA Corporation.
UNIVOXРІ can be a trademark of Korg USA Corporation.
VHTР’ is often a trademark of VHT Amplification, Inc.
VOXР’ and VOXР’ WAH V846 is often a registered trademark of Korg Europe Ltd.
5150Р’ is really a registered trademark of Edward Van Halen.
IK Multimedia Production srl - Via dellIndustria, 46 - 41122 Modena, Italy - Phone: 39 059 285496 - Fax: 39 059 2861671
IK Multimedia US, LLC - 1153 Sawgrass Corporate Pkwy. - Sunrise, FL 33323 - Phone: 954 846-9101 - Fax: 954 846-9077
iRig Keys MINI 25 key universal mini keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Acoustic Acoustic guitar microphone/interface for iPhone, iPod touch, iPad, Android and Mac
iRig Pro DUO Universal dual channel audio/MIDI interface for iPhone, iPad, Android and Mac/PC
iRig Mic Lav The chainable lavalier mic with internal monitoring for iPhone, iPad, iPod touch and Android
iRig Keys Universal keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Keys PRO The full-sized-key universal mobile keyboard for iPhone, iPad, iPod touch, Android and Mac/PC
iKlip Case Case with multi-position are a symbol of iPhone 6. Also available for iPhone 6 Plus.
iRig Mic Studio Large-diaphragm digital condenser microphone for iPhone, iPod touch, iPad, Android and Mac/PC
iRig UA Universal guitar effects processor and interface for Android, PC and Mac
iRig PowerBridge Universal charging solution for everyone iPhone, iPad and iPod touch digital iRig accessories
iRig 2 Guitar instrument interface adapter for iPhone, iPod touch, iPad, Mac and Android
iRig Mic Field Ultra-compact audio/video stereo field mic for iPhone, iPad and iPod touch
iRig Mic HD-A Digital handheld microphone for Samsung Pro Audio, Android 5.0 and PC devices
iRig HD-A High-quality digital guitar interface for Samsung Pro Audio, Android 5.0 and PC devices
iRig Pads MIDI groove controller for iPhone, iPod touch, iPad and Mac/PC
iRig Mic HD Digital handheld microphone for iPhone, iPod touch, iPad and Mac/PC
SampleTank 3 The ultimate sound and groove workstation - Now with Custom Shop!
iRig BlueBoard Bluetooth MIDI pedalboard for iPhone, iPod touch, iPad and Mac
iRig PRO Universal audio/MIDI interface for iPhone, iPod touch, iPad and Mac/PC
iRig HD High-quality digital guitar interface for iPhone, iPod touch, iPad and Mac/PC
Ampeg SVX recreates the sounds, operation and feel with the worlds most influential brand of bass amplifiers and brings it for a desktop. Youll have the legendary sounds from the SVT-CL, the B-15, the 4Pro and BA500, all within a convenient lightweight and easy-to-use package.
When you believe Ampeg, you imagine huge stadium bass tone the Rolling Stones 69 tour with all the wall of SVT Classic Heads and 810 cabinets. The sound of Rock Roll early Van Halen through AC/DC to Dave Matthews Band. You think the Motown sounds of James Jamerson knowning that fabulous round bass sound merely a B-15 Flip Top offers the sounds that DEFINED, and DEFINE, bass.
So really you would imagine legendary. The sounds of Ampeg amplifiers are definitely the sound of the bass revolution the voice of generations of musical identity and groove definition which are synonymous with all the fabric of the core as musicians. These will be the tools we use expressing our inner groove. These are our
You hear the definition of legendary and legendary tone thrown around a whole lot these days. Everyone is attempting to capture that legendary tone. But if you imagine about it, simply what does it really mean? Whats behind legendary that means it is so?
If you dig deep, principally of everything legendary youll locate one common thread innovation. And at the guts of innovation may be the challenge in the norm, a spirited approach that focuses thinking on not what on earth is but imagine if.
Thats what exactly you get using the Ampeg SVX models. 100% pure Ampeg Bass Tone. Take 175lbs of legendary earth-shaking back-breaking roadie-killing bass gear and compress it right into a mere 3-pound delicate instrument that will equally produce such raw power and emotion and youve got our let's say thinking, and youve got the Ampeg SVX suite of Bass Amps and Bass effects. Innovative? Absolutely. Legendary? Hmmmm
Lets be realistic - We could say anything here. But fact the reality is, Ampeg chose us, IK Multimedia to produce digital kinds of their most prized gear. Frankly, that ought to really say all this. However, when you an Ampeg Fan, why don't we make you all warm and fuzzy inside. With the SVX package, you have the Ampeg Greatest Hits amps the earth-shattering sound of Rock Roll bass on the Grandaddy of all of them the SVT. The smooth groove making rolls in the B-15. The scooped edgy-ness from the 4Pro. All Tube, all legendary, all Ampeg.
These amps and cabinets use a firm devote music history, but most importantly have the foresight and innovation which will drive the way forward for music.
Actually, this can be. Funny story throughout the first phase of testing together with the Engineers at Ampeg, a definite software model was being driven so difficult that it banned. Completely eradicated. Nada, nothing. Oh crap we thought i was in trouble. But the lead engineer at Ampeg approved the model at that moment. You see, there is a slight design flaw within the actual amplifier being modeled that will cause a power fault shutdown if your amp was driven way too hard . for too long. The software model what food was in fact so accurate which it even replicated this design flaw thats how accurate it truly is. If you believe about it, it will be the software engineers equivalent with the no brown M Ms rider clause in the performance contract in order that it looks like were playing tonight. But do not worry. We took took the shutdown feature out of the models to help you rock all night long. Really.
As Bass players, we live within a different, delightful world. Some would it is known as the sub world the basement the underground. We like the Foundation. And Ampeg SVX delivers the foundation in spectacular form. Youll get the bass sound you would like here to hold on to it down the maintain your drummer under control, also to guide the rest from the band with the complex musical journeys as just a true pro bass player can perform.
So were glad youre here. And hear. Welcome to the newest worlds of legendary bass tones Welcome to Ampeg SVX.
If youre informed about our other products, then youre right in your house. Ampeg SVX works the same as AmpliTube 3, AmpliTube Fender, and our other guitar products. If you play bass with an amplifier instead, still, youre right in your house.
Bass Tuner PedalBoard as needed Amp Cab/Mic/Room Post Effects Groovealicious Euphoria.
Ampeg SVX is incredibly intuitive since it works similar to your rig, only lighter. Make no mistake. The sounds from Ampeg SVX are authentic, true-to-the-original bass tones through the worlds most respected distinct bass amplifiers. Whats different would be the packaging.
Ampeg SVX starts with all the ONE effect which enables every player sound great the Tuner. Then your signal runs by having a virtual dual pedal board. You daisy-chain pedals together, combine, drag and drop. Instantly reconfigure the transaction of pedals by simply grabbing one and dragging it to its new position inside the signal chain. Ampeg SVX posseses an automatic unplug and connect feature from the pedalboards.
The B-15 looks, acts and seems like a B-15. The SVT-CL looks, acts and looks like an SVT. The 4Pro looks, acts and appears like a 4Pro. See a pattern here?
Then your signal travels for the Bass Head. Choose from four groove making machines The SVT-CL Classic Head, the SVT-4Pro, The B-15R along with the BA500 combo, though the preamp and power sections are actually digitally surgically separated through the cabinet. Here it is possible to tweak your tone to perfection.
Some people believe that the cabinet may be the single most important tone feature for any bass rig. With that in mind, we completely re-engineered this cabinet section, giving you more realistic bass response than every other bass amp simulation package. The new section enables you to freely position two microphones in front from the speaker, plus add room ambience having a stereo couple of condenser mics that permits you to adjust the spread and depth from the room. The result? Ultra-accurate bass response in addition to the ability to mix from the perfect number of room warmth. Boom.
If you already possess an AmpliTube package, dont worry about it. The Ampeg SVX suite integrates seamlessly in your current architecture. All you have to do is start your version, and Ampeg is automatically there.
If you apply the AmpliTube Custom Shop, as soon as you purchase the Ampeg SVX package or individual amps, they automatically appear. If you use the Ampeg SVX package, wasn't having this conversation. But you are able to add more gear on the Ampeg package using the Custom Shop. Plus, were constantly adding new models on the custom shop
Theres a special set up our history for that Ampeg project. You see, it absolutely was our first probability to actually work and communicate directly while using engineers with a company making the gear we had been simulating. In retrospect, this project became slightly prior to its time. Way back in 2004, companies believed that digital modeling in their gear became a threat for their business, so it would steal the soul with the items they were doing. Ampeg was different. They understood what we had been doing, and ways in which our technologies might help them spread the love and groove of Ampeg. And it worked. Now you may get that Ampeg sound everywhere from the studio, at your house, on stage, inside the street. Everywhere. Thats pretty cool, dont you would imagine?
In order to model an amplifier, you want, well, the amplifier. Ampeg sent us stuff. And lots from it. What came next would delight and simultaneously terrify most players: the dismantling and reconstruction of an legendary bit of gear. Not really were referring to virtual dismantling in the gear. Take it easy.
The original amplifier, cabinet or effect will be accurately measured and also a virtual circuit representation of it really is coded in software, carefully matching each components value and circuit details. Then, a comparison from the electrical signals involving the original as well as the model helps to ensure that the models behavior matches the main circuit behavior inside gear. After this phase we begin a complex audio-engineering comparison while using original amplifier or effect to your modeled version. This is then a series of tweaks and fine-tuning to your circuit as well as the sonic characteristics on the model. The result is an audio indistinguishable in the original when fed with some other guitar signals and dynamics.
The creation of the single style of amp or effect takes duration than it would choose to use build a hardware version of computer. All these technologies and development efforts have helped a lot of users find the best sounds away from their guitars and basses on countless records and productions including legendary bands like AC/DC, Rolling Stones, Coldplay, GunsNRoses, Queen, Level42 plus more. And we are passionately proud than it.
Since 1997 while using release of T-RackS analog modeled mastering suite, IK continues to be one from the pioneers within the digital tone generation and analog gear modeling field unraveling the key DNA and true behavior of analog components and recreating them to the next generation of musicians, engineers and producers. With unique technologies like DSM Dynamic Saturation Modeling, VRM Volumetric Response Modeling IK designs include set that is a standard evidenced by our co-branding recognition on the most influential partners inside industry like duh Ampeg, Fender, Orange, Soldano, T-Rex, Jet City and many other.
You learn how when you hit an email on your guitar when its plugged in to a tube amp and also the gain is determined right for the verge of break-up, and theres kind of your spongy type compressed transient attack you will get from the rectifier tubes drop in voltage and recovery? Its a really smooth and musical thing that takes place - solid state gear doesnt do it, and a good deal of modeling programs available dont obtain it either.
We obtain it, because were first. So, thats only one small aspect products DSM does.
DSM is definitely an exclusive IK Multimedia technology developed to accurately emulate the non-linear interactions between components in the analog circuit. DSM function is to increase the response realism and playability of critical analog circuit models. Musicians always felt digital emulations of high quality analog gear like tube driven guitar amplifiers to become good although not completely satisfying because on the lack of certain playability and musicality qualities that merely the real thing provides.
DSM gives special and unique results when used on circuit emulations the spot that the non-linearity will be the main characteristic on the processor, for example in distortion, fuzz, overdrive stomp boxes, tube guitar preamplifiers and power amps, and analog compressors and limiters. The DSM working principle will depend on a new approach never used on DSP analog modeling so far. Analog circuits, especially Tube and Class-A discrete ones, usually are not dynamically-linear, but are actually modeled that way by todays technology. An analog circuits character isn't constantly shaped but varies according to lots of parameters, first of all the strength, frequency and harmonic content from the incoming signal.
DSM takes the next phase. It continuously adapts the shape in the analog circuit as opposed to applying a static snapshot. By using more difficult mathematical functions, a much more articulated and musical solution is possible, making DSM well suited for modeling tube preamps and tube power amps.
Traditional emulations are required to a tradeoff between, as an example, those type of distortions that appear only if a 2x6L6 tube power amplifier is driven to its limit along with the cleaner sound it offers when its driven normally.
DSM delivers a dynamic response that continuously morphs and follows the incoming signal; to put it differently, that follows the background music.
This brings about an accuracy that can't be found in another modeling hardware or software today, respecting the many signal nuances the same as a real analog circuit would do that has a grade of realism and musicality never achieved before.
AmpliTube, AmpliTube Live, AmpliTube Metal, AmpliTube X-GEAR, SVX, StompIO, StealthPedal, StealthPlug, SpeedTrainer, DSM, are trademarks or registered trademarks property of IK Multimedia Production Srl. All other product names and trademarks would be the property with their respective owners, which might be in no way associated or associated with IK Multimedia. Product names are being used solely to the purpose of identifying the actual products that were studied during IK Multimedia s sound model development along with describing some kinds of tones produced with IK Multimedia s digital modeling technology. Use of these names doesn't imply any cooperation or endorsement. FENDER, STRATOCASTER and also the distinctive headstock designs displayed here, and all sorts of FENDER amplifiers, logos, and trade dress will be the trademarks of FMIC and used herein under license. All rights reserved. AMPEG is usually a registered trademark of LOUD Technologies, Inc. used under license. Jimi Hendrix name used under license of Authentic Hendrix, LLC. TM Authentic Hendrix, LLC. RiffWorks, InstantDrummer, RiffCaster, RiffLink and Sonoma Wire Works are trademarks of Sonoma Wire Works. Mac and also the Mac logo are trademarks of Apple Computer, Inc., registered inside and other countries. Windows Vista and also the Windows logo are trademarks or registered trademarks of Microsoft Corporation within the United States and/or other Audio Units logo is usually a trademark of Apple Computer, Inc. VST is often a trademark of Steinberg Media Technologies GmbH.
AKG is really a registered trademark of AKG Acoustics GmbH.
AMPEG is usually a trademark of LOUD Technologies, Inc.
ARBITER FUZZ FACE is usually a registered trademark of Arbiter Group Plc.
BEYERDYNAMIC is really a registered trademark of Beyerdynamic GmbH Co.
BOSS is usually a trademark of Roland Corporation.
CELESTION is often a trademark of Celestion International Ltd.
DIGITECH WHAMMY can be a registered trademark of Harman International Industries, Incorporated.
ELECTRO-HARMONIX is really a registered trademark of New Sensor Corporation.
ELECTRO-VOICE is usually a trademark of Electro-Voice, Inc.
FENDER, BASSMAN, DELUXE REVERB, SUPER REVERB are registered trademarks of Fender Musical Instruments Corporation.
JBL is usually a registered trademark of JBL Professional.
MAESTRO FUZZTONE is often a registered trademark of Gibson Electronics.
MARSHALL, 1959 JTM100 Super Lead, JMP100 are registered trademarks and trademarks of Marshall Amplification Plc.
MESA/BOOGIE and RECTIFIER are trademarks of Mesa/Boogie Ltd.
MOSRITE FUZZRITE is often a trademark of Mosrite.
MXR is usually a registered trademark of Applied Research and Technology, Inc.
NEUMANN can be a registered trademark of Georg Neumann GmbH.
PEAVEY is usually a registered trademark of Peavey Electronics.
PRO CO RAT is really a trademark of ProCo Sound, Inc.
RANDALL is often a registered trademark of Randall Amplifiers a division of Music Corp.
ROGER MAYER, Classic Fuzz, Axis Fuzz, Octavia, are trademarks and registered trademarks of Roger Mayer.
SEARS is usually a registered trademark of Sears Brand, LLC.
SENNHEISER is usually a trademark of Sennheiser Electronic Corp.
SHURE is usually a registered trademark of Shure Incorporated.
SILVERTONE can be a registered trademark of Samick Music Corporation.
SUPRO is usually a trademark of Zinky Electronics.
SWR and Goliath are trademarks of SWR Sound Corporation.
THD BIVALVE is usually a trademark of THD Electronics Ltd.
TUBE SCREAMER is really a registered trademark of Hoshino Gakki Co. Ltd.
UNI-VIBE is really a trademark of Korg USA Corporation.
UNIVOX is often a trademark of Korg USA Corporation.
VHT is often a trademark of VHT Amplification, Inc.
VOX and VOX WAH V846 is usually a registered trademark of Korg Europe Ltd.
5150 is really a registered trademark of Edward Van Halen.
IK Multimedia Production srl - Via dellIndustria, 46 - 41122 Modena, Italy - Phone: 39 059 285496 - Fax: 39 059 2861671
IK Multimedia US, LLC - 1153 Sawgrass Corporate Pkwy. - Sunrise, FL 33323 - Phone: 954 846-9101 - Fax: 954 846-9077
iRig Keys MINI 25 key universal mini keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Acoustic Acoustic guitar microphone/interface for iPhone, iPod touch, iPad, Android and Mac
iRig Pro DUO Universal dual channel audio/MIDI interface for iPhone, iPad, Android and Mac/PC
iRig Mic Lav The chainable lavalier mic with built-in monitoring for iPhone, iPad, iPod touch and Android
iRig Keys Universal keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Keys PRO The full-sized-key universal mobile keyboard for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Mic Studio Large-diaphragm digital condenser microphone for iPhone, iPod touch, iPad, Android and Mac/PC
iRig UA Universal guitar effects processor and interface for Android, PC and Mac
iRig PowerBridge Universal charging solution for everyone iPhone, iPad and iPod touch digital iRig accessories
iRig 2 Guitar instrument interface adapter for iPhone, iPod touch, iPad, Mac and Android
iRig Mic Field Ultra-compact audio/video stereo field mic for iPhone, iPad and iPod touch
iRig Mic HD-A Digital handheld microphone for Samsung Pro Audio, Android 5.0 and PC devices
iRig HD-A High-quality digital guitar interface for Samsung Pro Audio, Android 5.0 and PC devices
iRig Pads MIDI groove controller for iPhone, iPod touch, iPad and Mac/PC
iRig Mic HD Digital handheld microphone for iPhone, iPod touch, iPad and Mac/PC
SampleTank 3 The ultimate sound and groove workstation - Now with Custom Shop!
iRig BlueBoard Bluetooth MIDI pedalboard for iPhone, iPod touch, iPad and Mac
iRig PRO Universal audio/MIDI interface for iPhone, iPod touch, iPad and Mac/PC
iRig HD High-quality digital guitar interface for iPhone, iPod touch, iPad and Mac/PC
Ampeg SVX will be the only official, authorized and officially authorized software available from the market that gives you with true on the original Ampeg Bass tone. Incidentally, it had been also the FIRST branded computer software that transported the sounds in the hardware for your desktop- no small feat. And IK Multimedia was, and remains, the premier partner provider for that worlds leading manufacturers of guitar and bass gear. But enough about us-
Ampeg SVX is divided into four main parts: Tuner, Pedalboard, Amp Head, and Cabinet/Mic/Room. The signal flow is just like your hardware rig along with the interface is very familiar and intuitive.
Ahh, the indispensable Tuner - one pedal that may make any player sound good. Its the first element inside the signal chain away from interface and USB port, also it not only digital for just a huge penetration of accuracy, but chromatic too.
Next stop may be the stellar variety of stompboxes designed for bass. In this section youll find an incredible selection of bass tone modifiers that add shimmer, tremble and quake in your tones. These bass behemoths range from the SCP-OD Bass Overdrive, the SCP-OCT Bass Octave, an Analog Chorus, Analog Delay, Envelope Filter, Bass Wah, Compressor and Volume Pedal.
The pedalboard can easily be configured and reconfigured with the drag drop feature, and you are able to assign knobs parameters with a controller such as the StealthPedal using a simple right-click from the mouse. Otherwise, the pedalboard functions just lik
Ampeg SVX provides 4 amp head models you may use: the SVT-CL the Classic head, the most used bass exactly the planet, the B-15 PortaFlex Flip Top, the SVT-4Pro as well as the BA500.
These are definitely the core within your bass sound, and provide you with a full, balanced choice of bass tones. Youve heard the majority of in your the latest music because in fact, Ampeg defines bass.
SVT810E - the granddaddy of bass cabinets plus the one most ubiquitous on major tours, arenas, clubs and stages; the SVT410H, the BXT-410H, the B-15 Single 15, the BA500 2x10, plus the PB2x12. Your sound? Its in here!
A bass cab is certainly not without the microphones. The mic section will give you 6 choices: 4 dynamic mics and a couple of studio condensers supplying you with access to some with the best microphones the market has conjured up inside a century.
Bass - Cable - Interface - Computer Ampeg Magic: Tuner - Pedalboard - Amp Head - Cabinet/Mic/Room Ambience - Adoring Fans.
Below are typically the designs of gear contained in Ampeg SVX, plus all the device models it is possible to add in your rig through AmpliTube Custom Shop.
AmpliTube, AmpliTube Live-, AmpliTube Metal-, AmpliTube X-GEAR-, SVX-, StompIO-, StealthPedal-, StealthPlug-, SpeedTrainer-, DSM-, are trademarks or registered trademarks property of IK Multimedia Production Srl. All other product names and trademarks would be the property in their respective owners, that happen to be in no way associated or attached to IK Multimedia. Product names are utilized solely with the purpose of identifying the precise products that were studied during IK Multimedia-s sound model development and then for describing particular sorts of tones produced with IK Multimedia-s digital modeling technology. Use of these names doesn't imply any cooperation or endorsement. FENDER-, STRATOCASTER- along with the distinctive headstock designs displayed here, and all sorts of FENDER amplifiers, logos, and trade dress will be the trademarks of FMIC and used herein under license. All rights reserved. AMPEG is really a registered trademark of LOUD Technologies, Inc. used under license. Jimi Hendrix- name used under license of Authentic Hendrix, LLC. Y TM Authentic Hendrix, LLC. RiffWorks, InstantDrummer, RiffCaster, RiffLink and Sonoma Wire Works are trademarks of Sonoma Wire Works. Mac along with the Mac logo are trademarks of Apple Computer, Inc., registered within the and other countries. Windows Vista as well as the Windows logo are trademarks or registered trademarks of Microsoft Corporation inside United States and/or other Audio Units logo can be a trademark of Apple Computer, Inc. VST is really a trademark of Steinberg Media Technologies GmbH.
AKG can be a registered trademark of AKG Acoustics GmbH.
AMPEG is usually a trademark of LOUD Technologies, Inc.
ARBITER FUZZ FACE is really a registered trademark of Arbiter Group Plc.
BEYERDYNAMIC can be a registered trademark of Beyerdynamic GmbH Co.
BOSS is usually a trademark of Roland Corporation.
CELESTION- is often a trademark of Celestion International Ltd.
DIGITECH WHAMMY- can be a registered trademark of Harman International Industries, Incorporated.
ELECTRO-HARMONIX is usually a registered trademark of New Sensor Corporation.
ELECTRO-VOICE is usually a trademark of Electro-Voice, Inc.
FENDER, BASSMAN, DELUXE REVERB, SUPER REVERB are registered trademarks of Fender Musical Instruments Corporation.
JBL is really a registered trademark of JBL Professional.
MAESTRO FUZZTONE can be a registered trademark of Gibson Electronics.
MARSHALL, 1959 JTM100- Super Lead, JMP100- are registered trademarks and trademarks of Marshall Amplification Plc.
MESA/BOOGIE and RECTIFIER are trademarks of Mesa/Boogie Ltd.
MOSRITE- FUZZRITE is usually a trademark of Mosrite.
MXR is usually a registered trademark of Applied Research and Technology, Inc.
NEUMANN can be a registered trademark of Georg Neumann GmbH.
PEAVEY is often a registered trademark of Peavey Electronics.
PRO CO RAT- can be a trademark of ProCo Sound, Inc.
RANDALL can be a registered trademark of Randall Amplifiers a division of Music Corp.
ROGER MAYER-, Classic Fuzz, Axis Fuzz, Octavia, are trademarks and registered trademarks of Roger Mayer.
SEARS is usually a registered trademark of Sears Brand, LLC.
SENNHEISER is often a trademark of Sennheiser Electronic Corp.
SHURE is usually a registered trademark of Shure Incorporated.
SILVERTONE can be a registered trademark of Samick Music Corporation.
SUPRO is often a trademark of Zinky Electronics.
SWR and Goliath- are trademarks of SWR Sound Corporation.
THD BIVALVE is really a trademark of THD Electronics Ltd.
TUBE SCREAMER can be a registered trademark of Hoshino Gakki Co. Ltd.
UNI-VIBE- is really a trademark of Korg USA Corporation.
UNIVOX- can be a trademark of Korg USA Corporation.
VHT is really a trademark of VHT Amplification, Inc.
VOX and VOX WAH V846 is usually a registered trademark of Korg Europe Ltd.
5150 can be a registered trademark of Edward Van Halen.
IK Multimedia Production srl - Via dellIndustria, 46 - 41122 Modena, Italy - Phone: 39 059 285496 - Fax: 39 059 2861671
IK Multimedia US, LLC - 1153 Sawgrass Corporate Pkwy. - Sunrise, FL 33323 - Phone: 954 846-9101 - Fax: 954 846-9077
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Ampeg SVX recreates the sounds, operation and feel with the worlds most influential brand of bass amplifiers and brings it on your desktop. Youll find the legendary sounds from the SVT-CL, the B-15, the 4Pro and BA500, all within a convenient, lightweight and easy-to-use package.
When you imagine Ampeg, you imagine huge stadium bass tone, and you also think James Jamerson knowning that fabulous round bass sound merely a B-15 Flip Top offers, the sounds comprise great bass tone.
Take 175lb. of earth-shaking, back-breaking, roadie-killing bass gear and compress it in a mere 3-pound delicate instrument which could equally produce such raw power and emotion and youve got the Ampeg SVX suite of Bass Amps and Bass effects. With the SVX package, you receive the Ampeg Greatest Hits amps: the earth-shattering sound of Rock Roll bass with the SVT, the sleek groove making rolls with the B-15, along with the scooped edginess with the 4Pro. All Tube, all legendary, all Ampeg.
Ampeg bass emulation at its best.
Perfect being a plug-in for studio recording and mixing in different Mac/Win DAW, native compatibility with 64-bit applications and operating systems
Rig as much as 12 stomps, 2 Amp heads 2 Cabs 2 x double mics and 8 rack effects may be configured in around 8 serial/parallel configurations
Stereo signal path helps it be suitable for almost any instrument including drums, keyboards, vocals plus much more
Massive database of presets with multiple guitar and bass oriented tags and keywords, advanced search function, rig visualization and much more plus online sharing service for user presets called Preset XChange
Perfect integration with IKs choice of audio interfaces and controllers including StealthPlug, SteathPedal, StealthBoard and StompIO enables instant recording and performing inside the studio or on stage with full programming in the software level
Imports any Wav, Aiff, sd2, Apple Caf, Flac, MP3 audio file Standalone version
Order today and have your bass from sweet and low to thundering and brash.
Minimal: 1.5 GHz Intel processor, 1 GB of RAM, Mac OS X 10.6 or later.
Supported Plug-in formats: Audio Units, VST, : on 64 bit systems, the plug-in also works in 32 bit compatibility mode.
Minimal: Intel Pentium 4 2.4 GHz or Intel Core Duo or AMD Athlon 64, 1 GB of RAM, Windows XP, Windows Vista or Windows Plug-in formats: VST, RTAS.
id: H97209, categoryId:site1YUMC, name:IK Ampeg SVX Software Download, pageUrl:/virtual-guitars-bass-software/ik-multimedia-ik-ampeg-svx-software-download/h97209, , addToCartUrl:/virtual-guitars-bass-software/ik-multimedia-ik-ampeg-svx-software-download/h97209, hasFeatures:0, isAccessory:0, message:Ampeg SVX recreates the sounds, operation and feel with the world 39;s most influential type of bass amplifiers and brings it in your desktop. You 39;ll have the legendary sounds from the SVT-CL, the B-15, the 4Pro and BA500, all within a convenient, lightweight and easy-to-use package. BRBR/When you would imagine Ampeg, you imagine huge stadium bass tone, and you also think James Jamerson understanding that fabulous 34;round 34; bass sound merely a B-15 Flip Top provides, the sounds that comprise great bass tone. BRBR/Take 175lb. of earth-shaking, back-breaking, roadie-killing bass gear and compress it to a mere 3-pound delicate instrument that will equally produce such raw power and emotion and you also 39;ve got the Ampeg SVX suite of Bass Amps and Bass effects. With the SVX package, you receive the Ampeg 34;Greatest Hits 34; amps: the earth-shattering sound of Rock amp; Roll bass on the SVT, the graceful groove making rolls with the B-15, and also the scooped edginess in the 4Pro. All Tube, all legendary, all Ampeg., value:99.99, priceMin:99.99, priceMax:99.99, priceSavingsMaxPrice:0.00, priceSavingsMaxPercent:0, inventory:0, brand:IK Multimedia, reviewStarImageUrl:, reviewStarRating:0.0, reviewStarRatingInteger:0, reviewHowManyReviews:0, usedOrNew:new, discontinued:0, onOrder:0, clearance:0, canBeSold:1, accessoryCategories:, stickerText: Best Seller, priceVisibility: 1
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iRig Keys MINI 25 key universal mini keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Acoustic Acoustic guitar microphone/interface for iPhone, iPod touch, iPad, Android and Mac
iRig Pro DUO Universal dual channel audio/MIDI interface for iPhone, iPad, Android and Mac/PC
iRig Mic Lav The chainable lavalier mic with built-in monitoring for iPhone, iPad, iPod touch and Android
iRig Keys Universal keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Keys PRO The full-sized-key universal mobile keyboard for iPhone, iPad, iPod touch, Android and Mac/PC
iKlip Case Case with multi-position indicate iPhone 6. Also available for iPhone 6 Plus.
iRig Mic Studio Large-diaphragm digital condenser microphone for iPhone, iPod touch, iPad, Android and Mac/PC
iRig UA Universal guitar effects processor and interface for Android, PC and Mac
iRig PowerBridge Universal charging solution for everyone iPhone, iPad and iPod touch digital iRig accessories
iRig 2 Guitar instrument interface adapter for iPhone, iPod touch, iPad, Mac and Android
iRig Mic Field Ultra-compact audio/video stereo field mic for iPhone, iPad and iPod touch
iRig Mic HD-A Digital handheld microphone for Samsung Pro Audio, Android 5.0 and PC devices
iRig HD-A High-quality digital guitar interface for Samsung Pro Audio, Android 5.0 and PC devices
iRig Pads MIDI groove controller for iPhone, iPod touch, iPad and Mac/PC
iRig Mic HD Digital handheld microphone for iPhone, iPod touch, iPad and Mac/PC
SampleTank 3 The ultimate sound and groove workstation - Now with Custom Shop!
iRig BlueBoard Bluetooth MIDI pedalboard for iPhone, iPod touch, iPad and Mac
iRig PRO Universal audio/MIDI interface for iPhone, iPod touch, iPad and Mac/PC
iRig HD High-quality digital guitar interface for iPhone, iPod touch, iPad and Mac/PC
Ampeg SVX will be the only official, authorized and officially authorized software available inside the market that delivers you with true to your original Ampeg Bass tone. Incidentally, it turned out also the FIRST branded application that transported the sounds from the hardware in your desktop no small feat. And IK Multimedia was, and remains, the premier partner provider for your worlds leading manufacturers of guitar and bass gear. But enough about us
Ampeg SVX is divided into four main parts: Tuner, Pedalboard, Amp Head, and Cabinet/Mic/Room. The signal flow is much like your hardware rig as well as the interface is incredibly familiar and intuitive.
Ahh, the indispensable Tuner normally the one pedal that can make any player sound good. Its the first element within the signal chain away from interface and USB port, and it also not only digital for the huge penetration of accuracy, but chromatic at the same time.
Next stop may be the stellar variety of stompboxes designed particularly for bass. In this section youll find an incredible selection of bass tone modifiers that add shimmer, tremble and quake for your tones. These bass behemoths range from the SCP-OD Bass Overdrive, the SCP-OCT Bass Octave, an Analog Chorus, Analog Delay, Envelope Filter, Bass Wah, Compressor and Volume Pedal.
The pedalboard can easily be configured and reconfigured using the drag drop feature, and you may assign knobs parameters into a controller much like the StealthPedal that has a simple right-click on the mouse. Otherwise, the pedalboard functions just lik
Ampeg SVX provides 4 amp head models it is possible to use: the SVT-CL the Classic head, the most used bass go on the planet, the B-15 PortaFlex Flip Top, the SVT-4Pro along with the BA500.
These include the core of one's bass sound, and provide you with a full, balanced variety of bass tones. Youve heard many of these in your the latest music because in the end, Ampeg defines bass.
SVT810E the granddaddy of bass cabinets as well as the one most ubiquitous on major tours, arenas, clubs and stages; the SVT410H, the BXT-410H, the B-15 Single 15, the BA500 2x10, as well as the PB2x12. Your sound? Its in here!
A bass cab is not without the microphones. The mic section offers you 6 choices: 4 dynamic mics and a couple of studio condensers supplying you with access to some in the best microphones that is a has conjured up inside a century.
Bass Cable Interface Computer Ampeg Magic: Tuner Pedalboard Amp Head Cabinet/Mic/Room Ambience Adoring Fans.
Below are typically the designs of gear built into Ampeg SVX, plus all the device models it is possible to add for a rig through AmpliTube Custom Shop.
AmpliTube, AmpliTube Live, AmpliTube Metal, AmpliTube X-GEAR, SVX, StompIO, StealthPedal, StealthPlug, SpeedTrainer, DSM, are trademarks or registered trademarks property of IK Multimedia Production Srl. All other product names and trademarks include the property with their respective owners, which can be in no way associated or connected with IK Multimedia. Product names are widely-used solely to the purpose of identifying the precise products that were studied during IK Multimedia s sound model development and then for describing some types of tones produced with IK Multimedia s digital modeling technology. Use of these names will not imply any cooperation or endorsement. FENDER, STRATOCASTER as well as the distinctive headstock designs displayed here, and FENDER amplifiers, logos, and trade dress will be the trademarks of FMIC and used herein under license. All rights reserved. AMPEG is really a registered trademark of LOUD Technologies, Inc. used under license. Jimi Hendrix name used under license of Authentic Hendrix, LLC. TM Authentic Hendrix, LLC. RiffWorks, InstantDrummer, RiffCaster, RiffLink and Sonoma Wire Works are trademarks of Sonoma Wire Works. Mac along with the Mac logo are trademarks of Apple Computer, Inc., registered within the and other countries. Windows Vista and also the Windows logo are trademarks or registered trademarks of Microsoft Corporation inside United States and/or other Audio Units logo can be a trademark of Apple Computer, Inc. VST is often a trademark of Steinberg Media Technologies GmbH.
AKG is often a registered trademark of AKG Acoustics GmbH.
AMPEG can be a trademark of LOUD Technologies, Inc.
ARBITER FUZZ FACE is really a registered trademark of Arbiter Group Plc.
BEYERDYNAMIC is really a registered trademark of Beyerdynamic GmbH Co.
BOSS is often a trademark of Roland Corporation.
CELESTION is really a trademark of Celestion International Ltd.
DIGITECH WHAMMY can be a registered trademark of Harman International Industries, Incorporated.
ELECTRO-HARMONIX is often a registered trademark of New Sensor Corporation.
ELECTRO-VOICE is usually a trademark of Electro-Voice, Inc.
FENDER, BASSMAN, DELUXE REVERB, SUPER REVERB are registered trademarks of Fender Musical Instruments Corporation.
JBL can be a registered trademark of JBL Professional.
MAESTRO FUZZTONE can be a registered trademark of Gibson Electronics.
MARSHALL, 1959 JTM100 Super Lead, JMP100 are registered trademarks and trademarks of Marshall Amplification Plc.
MESA/BOOGIE and RECTIFIER are trademarks of Mesa/Boogie Ltd.
MOSRITE FUZZRITE is usually a trademark of Mosrite.
MXR is really a registered trademark of Applied Research and Technology, Inc.
NEUMANN is usually a registered trademark of Georg Neumann GmbH.
PEAVEY is usually a registered trademark of Peavey Electronics.
PRO CO RAT is often a trademark of ProCo Sound, Inc.
RANDALL is really a registered trademark of Randall Amplifiers a division of Music Corp.
ROGER MAYER, Classic Fuzz, Axis Fuzz, Octavia, are trademarks and registered trademarks of Roger Mayer.
SEARS is often a registered trademark of Sears Brand, LLC.
SENNHEISER is really a trademark of Sennheiser Electronic Corp.
SHURE is often a registered trademark of Shure Incorporated.
SILVERTONE is usually a registered trademark of Samick Music Corporation.
SUPRO is usually a trademark of Zinky Electronics.
SWR and Goliath are trademarks of SWR Sound Corporation.
THD BIVALVE can be a trademark of THD Electronics Ltd.
TUBE SCREAMER is really a registered trademark of Hoshino Gakki Co. Ltd.
UNI-VIBE is really a trademark of Korg USA Corporation.
UNIVOX is often a trademark of Korg USA Corporation.
VHT can be a trademark of VHT Amplification, Inc.
VOX and VOX WAH V846 can be a registered trademark of Korg Europe Ltd.
5150 is often a registered trademark of Edward Van Halen.
IK Multimedia Production srl - Via dellIndustria, 46 - 41122 Modena, Italy - Phone: 39 059 285496 - Fax: 39 059 2861671
IK Multimedia US, LLC - 1153 Sawgrass Corporate Pkwy. - Sunrise, FL 33323 - Phone: 954 846-9101 - Fax: 954 846-9077
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View All Deals Blowouts, Rebates, Price Drops! Todays News Videos, Reviews, Tech Tips! Knowledge Base 26, 000 Answers to Your Tech Questions! tags, as close as possible towards the opening tag. Creation Date: 06/09/2015 - -
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Bass Amplifier and Effects Plug-In - Mac/PC AAX Native, RTAS, VST, AU
Most software packages are compatible with both Mac and Windows computers, but check to make certain.
If youre using Pro Tools, AAX plug-ins or RTAS for older versions are what you would like. Most other Mac DAWs support AU plug-ins. VST is compatible that has a number of Mac and Windows programs. Be sure you choose plug-ins that work together with your DAW!
This method delivered by download. We use a unique partnership with IK Multimedia that permits you to receive your license code in seconds. Sorry, software can not be returned once registered, so please call if you'll need advice about compatibility or version. Ampeg SVX will be the first product coming from a collaboration between IK Multimedia and Ampeg. Ampeg SVX is often a premiere bass amp plug-in which provides some with the most sought-after bass sounds, powered by AmpliTube technology. 20 bass amps are instantly available. Ampeg SVX allows you to combine between amps and cabinets in the most sought-after Ampeg bass amps including SVT Classic, the SVT 4 PRO, the BA500 as well as the B15R. All in the amps are modeled component by component after the initial by IK, and ear-tuned by Ampeg engineers.
Ampeg SVX can also include a fully configurable 6-stompbox pedalboard with 10 different effects, all designed particularly for bass. Effects include Chorus, Delay, Flanger, Phaser, Octaver, Wah, Auto Filter, Distortion, Graphic EQ and Compressor.
In Ampeg SVX, two parallel signal paths support separate direct bass sounds for being mixed with an alternative processed and amped sound on the other side channel to have an instant high quality studio sound.
The Ampeg SVX software interface resembles an original hardware pieces and gives instant use of any from the controls. Plus, Ampeg SVX ships having a massive collection of presets, allowing fast having access to great bass tones.
Ampeg SVX gives an extremely powerful tool for bass recording as well as the ability to edit the amp settings up towards the very final mix. For the new any musician, songwriter and producer may have an all-in-one affordable solution for bass recording in the newest generation of computer-based studios. Sweetwater recommends it for any person that needs to build great-sounding bass tracks inside a variety of styles with minimum fuss.
Ampeg SVX utilizes this award-winning technology to reproduce the musicality and true-to-live behavior in the real vintage and state-of-the-art hardware counterparts. Bassists will think that they are really playing by way of a high-end amp they are widely-used to hearing only inside the best hardware gear.
4 Modules: Tuner, Stomp, Amp, CabinetMic selection and placement
4 signature Ampeg bass amps modeled SVT Classic, the SVT 5 PRO, the BA500 as well as the B15R PortaFlex
5 signature Ampeg cabinets modeled 1x15, 2x10, 2x12, 4x10, 8x10
20 bass amp combinations!
10 analog-modeled stomps on 6 slots with flexible routing Chorus, Delay, Flanger, Phaser, Octaver, Wah, Auto Filter, Distortion, Graphic EQ and Compressor.
Get truly classic bass tone with Ampeg SVX!
1.5 GHz Intel Processor, 1GB RAM
Intel Pentium 4 2.4 GHz/Intel Core Duo/AMD Athlon 64, 1GB RAM
Sweetwaters friendly Sales Engineers are regarded as essentially the most experienced and knowledgeable professionals inside the music industry, with extensive music backgrounds and intense training for the latest products and technologies. They are available to present you personalized product advice any time you may need it.
Thank you for ones request. A Sweetwater Sales Engineer could possibly get back to you shortly concerning the IK Multimedia Ampeg SVX Software Suite. You can also contact us toll free at 800 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 EST.
You can possess a world of sounds inside your computer.
by Charlie Beans from Ecorse, Michigan
Music Background: Musician, Recording Engineer
I have protools 11 as well as a mbox pro plus a BC rich warlock Bass. My music sounds delicious IK made it happen again.
by Chad Zuchegno from Fort Myers, Florida
Music Background: Recording Engineer/Studio Owner, The Vibe Recording
Not all sessions allow us time to setup our SVT classic head and cab. But while using SVX plug that isn't a problem, just make sure you will get a very nice DI signal in and hang up the SVX plugin on and BAM! Works like no bodies business every time!
And with the price you cant beat it.
This plug-in does, for me personally, what Ive been looking to do for that bass sound inside my studio. I, normally, took the bass in using a direct line as well as an amplifier Fender bassman. This Ampeg plug-in is significantly and away the most effective sounding amplifier for your bass that I be familiar with. I usually send both tracks direct and amped through this and have so much definition that I can lower the bass track, from the mix, instead of have it over bearing while still being right in front, tied using the drums.
After investigating spending money on an actual physical Ampeg amp, as well as a good instrument mic to record with, I decided to consider a chance and spend a certain amount of cash for this VST plug-in first to ascertain if it met my tastes. Im utilizing a Fender Jazz Bass which thing sounds GREAT! I havent had the perfect time to explore every one of the settings and features, I just picked a few on the presets and tried them out. 100% of my work is within the Studio, which means this works perfect to me. I own NIs Komplete with GR5 which can be really good nevertheless it only has one Bass Amp, which sounds good, though the Ampeg SVX augments that VST amp make very well with far more choices than Ill ever use. In fact this is so competent it makes me curious in regards to the other VST amps in IK Multimedias align. This VST plug-in saved me lots of on physical hardware, at the same time as room inside my small studio.
Ampeg SVX is undoubtedly an excellent emulator for virtually every DAW owner. I have already been using an SVT classic amp for countless years and I must point out that I am impressed with how close the virtual instrument sounds compared on the actual hardware. If you may need the Ampeg bite within your mix, then you would like Ampeg SVX.
My very first time dealing with Sweetwater would have been a wonderful experience. You all were very beneficial to me, also it meant lots. Everything I discovered your company was true.
Standalone, AAX, RTAS, VST, AU
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tags, as close as possible to your opening tag. Creation Date: 06/09/2015 - -
Ampeg - the historic brand that invented bass amplification, and IK Multimedia, the first choice in amp-modeling plug-in technology, b
Ampeg SVX provides you having a bass amplification and modeling application and plug-in built to help you transform your mixes and sounds. Its purpose is always to bring you the legendary signature tones or Ampeg, a well-known clarinet amplifier manufacturer.
Ampeg SVX comes having a set of tools that make it suitable for studio recording and mixing, assisting you to generate the first Ampeg bass tone. It features four main parts, namely the tuner, the pedal board, the amp head as well as the cabinet/mic/room, which slowly move the signal flow in the similar way that your particular hardware rig does.
The main interface is intuitive and poses no worries to those whorrrre accustomed to this kind of applications. Users can configure the input and output audio devices, the left along with the right output channels, the sample rate, the buffer size as well as the tempo. WAV, FLAC, MP3, AIFF, SD2 are some with the supported audio formats.
The application has a multiple amps, cabinets, tuners and stomps, at the same time as a variate assortment of presets, which you may use to blend between sounds so as to produce amazing bass amplification combinations. The pedal board features fully-configurable stomp effects plus a collection of bass tone modifiers, which together with all the included rack effects and tuners can enable you to create a complete bass rig.
Ampeg SVX takes advantage with the DSM and VRM technologies so as to generate realistic emulations of audio gear. It provides DAW automation and BPM synchronization, rig visualization plus a 4-track built-in multitrack recorder that it is possible to use to capture soundtrack ideas. Furthermore, the stereo signal path causes it to become compliant with any sort of instrument, including keyboards, drums and much more.
To conclude with, Ampeg SVX is undoubtedly an all-in-one solution for bass amplification, which could enhance audio quality and produce amazing effects during live performances for the stage or within the studio. The variety of tools and effects they come in provides a balanced selection of bass tones, which can make it a must-have tool for just about any producer, musician or songwriter.
New in Ampeg SVX 1.1 build 6k24:
Standalone version, including SpeedTrainer
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AudioDeluxe Discount - 0.00
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Ampeg SVX recreates the sounds, operation and feel with the world s most influential distinct bass amplifiers and brings it on your desktop. You ll obtain the legendary sounds with the SVT-CL, the B-15, the 4Pro and BA500, all in a very convenient lightweight and easy-to-use package.
When you believe Ampeg, you believe huge stadium bass tone the Rolling Stones 69 tour together with the wall of SVT Classic Heads and 810 cabinets. The sound of Rock Roll early Van Halen through AC/DC to Dave Matthews Band. You think the Motown sounds of James Jamerson and this fabulous round bass sound just a B-15 Flip Top can supply the sounds that DEFINED, and DEFINE, bass.
So really you imagine legendary. The sounds of Ampeg amplifiers will be the sound of any bass revolution the voice of generations of musical identity and groove definition which can be synonymous with all the fabric of our own core as musicians. These would be the tools we use to state our inner groove. These are our
Get Legendary Tones. But what s behind a Legend?
You hear the definition of legendary and legendary tone thrown around a great deal these days. Everyone is seeking to capture that legendary tone. But if you believe about it, exactly what does it really mean? What s behind legendary which make it so?
If you dig deep, essentially of everything legendary you ll choose one common thread innovation. And at the center of innovation may be the challenge on the norm, a spirited approach that focuses thinking on not what exactly is but what happens if.
Stadium Bass Tones, no Chiropractors
That s just what you get together with the Ampeg SVX models. 100% pure Ampeg Bass Tone. Take 175lbs of legendary earth-shaking back-breaking roadie-killing bass gear and compress it to a mere 3-pound delicate instrument that will equally produce such raw power and emotion and you also ve got our suppose thinking, therefore you ve got the Ampeg SVX suite of Bass Amps and Bass effects. Innovative? Absolutely. Legendary? Hmmmm
The SVT Classic. The B-15 Flip Top. The SVT-4Pro.
Let s face the facts - We could say anything here. But fact truth be told, Ampeg chose us, IK Multimedia to make digital kinds of their most prized gear. Frankly, that will really say everything. However, in the event you re an Ampeg Fan, allow us to make you all warm and fuzzy inside. With the SVX package, you obtain the Ampeg Greatest Hits amps the earth-shattering sound of Rock Roll bass in the Grandaddy of all of them the SVT. The smooth groove making rolls on the B-15. The scooped edgy-ness with the 4Pro. All Tube, all legendary, all Ampeg.
Actually, this really is. Funny story in the first phase of testing using the Engineers at Ampeg, a definite software model was being driven over-time that it banned. Completely eradicated. Nada, nothing. Oh crap we thought there we were in trouble. But the lead engineer at Ampeg approved the model right then. You see, there were a slight design flaw inside actual amplifier being modeled that may cause a power fault shutdown when the amp was driven way too hard for too long. The software model is at fact so accurate who's even replicated this design flaw that s how accurate it's. If you would imagine about it, it s the program engineer s equivalent on the no yellow M Ms rider clause in the performance contract therefore it looks like we re playing tonight. But don t worry. We took took the shutdown feature out of the models in order to rock forever. Really.
As Bass players, we live within a different, delightful world. Some would refer to it as the sub world the basement the underground. We like the Foundation. And Ampeg SVX delivers the foundation in spectacular form. You ll get the bass sound you'll need here to carry it down the maintain drummer under control, and also to guide the rest from the band over the complex musical journeys as a true pro bass player can perform.
So we re glad you re here. And hear. Welcome to the modern worlds of legendary bass tones Welcome to Ampeg SVX.
Perfect being a plug-in for studio recording and mixing in every Mac/Win DAW, native compatibility with 64-bit applications and operating systems
Rig as much as 12 stomps, 2 Amp heads 2 Cabs 2 x double mics and 8 rack effects might be configured in as much as 8 serial/parallel configurations
Stereo signal path causes it to be suitable for any sort of instrument including drums, keyboards, vocals plus more
Massive database of presets with multiple guitar and bass oriented tags and keywords, advanced search function, rig visualization and even more plus online with free streaming sharing service for user presets called Preset XChange
Perfect integration with IK s choice of audio interfaces and controllers for example StealthPlug, SteathPedal, StealthBoard and StompIO enables instant recording and performing within the studio or on stage with full programming for the software level
Imports any Wav, Aiff, sd2, Apple Caf, Flac, MP3 audio file Standalone version
Minimal: 1.5 GHz Intel processor, 1 GB of RAM, Mac OS X 10.6 or later.
Supported Plug-in formats: Audio Units, VST, RTAS, AAX 32 and 64-bit.
Note: on 64 bit systems, the plug-in also works in 32 bit compatibility mode.
1 GB of RAM, Windows XP, Windows Vista, Windows 7, or Windows 8.
Supported Plug-in formats: VST, RTAS, AAX 32 and 64-bit.
You should be connected for the Internet as all on the Custom Shop operations are net based.
PLEASE NOTE: Although the processing of electronically delivered orders is usually lightning fast it's not a mechanical process. Please know that if purchasing away from regular business hours there could possibly be some delay hey, we'd like our sleep too!.
Before purchasing electronically delivered products confirm your web provider can do handling the download dimensions of this product.
Copyright 2011 AudioDeluxe. All rights reserved.
AudioDeluxe Discount - 0.00
Electronic Delivery Free!
Ampeg SVX recreates the sounds, operation and feel on the world s most influential distinct bass amplifiers and brings it for a desktop. You ll find the legendary sounds with the SVT-CL, the B-15, the 4Pro and BA500, all in a very convenient lightweight and easy-to-use package.
When you would imagine Ampeg, you imagine huge stadium bass tone the Rolling Stones 69 tour while using wall of SVT Classic Heads and 810 cabinets. The sound of Rock Roll early Van Halen through AC/DC to Dave Matthews Band. You think the Motown sounds of James Jamerson and this fabulous round bass sound just a B-15 Flip Top can offer the sounds that DEFINED, and DEFINE, bass.
So really you think that legendary. The sounds of Ampeg amplifiers would be the sound of any bass revolution the voice of generations of musical identity and groove definition which might be synonymous together with the fabric in our core as musicians. These are definitely the tools we use to convey our inner groove. These are our
Get Legendary Tones. But what s behind a Legend?
You hear the word legendary and legendary tone thrown around lots these days. Everyone is seeking to capture that legendary tone. But if you believe about it, just what does it really mean? What s behind legendary which make it so?
If you dig deep, fundamentally of everything legendary you ll choose one common thread innovation. And at the center of innovation would be the challenge in the norm, a spirited approach that focuses thinking on not what exactly is but suppose.
Stadium Bass Tones, no Chiropractors
That s just what you get using the Ampeg SVX models. 100% pure Ampeg Bass Tone. Take 175lbs of legendary earth-shaking back-breaking roadie-killing bass gear and compress it to a mere 3-pound delicate instrument that may equally produce such raw power and emotion and you also ve got our what happens if thinking, and you also ve got the Ampeg SVX suite of Bass Amps and Bass effects. Innovative? Absolutely. Legendary? Hmmmm
The SVT Classic. The B-15 Flip Top. The SVT-4Pro.
Let s be realistic - We could say anything here. But fact truth be told, Ampeg chose us, IK Multimedia to build digital types of their most prized gear. Frankly, which should really say everthing. However, in case you re an Ampeg Fan, we will make you all warm and fuzzy inside. With the SVX package, you receive the Ampeg Greatest Hits amps the earth-shattering sound of Rock Roll bass in the Grandaddy for all time the SVT. The smooth groove making rolls from the B-15. The scooped edgy-ness on the 4Pro. All Tube, all legendary, all Ampeg.
Actually, this really is. Funny story over the first phase of testing using the Engineers at Ampeg, a definite software model was being driven so faithfully that it banned. Completely eradicated. Nada, nothing. Oh crap we thought we had been in trouble. But the lead engineer at Ampeg approved the model right then. You see, there is a slight design flaw inside actual amplifier being modeled that will cause a power fault shutdown when the amp was driven too difficult for too long. The software model is at fact so accurate it even replicated this design flaw that s how accurate it truly is. If you think that about it, it s the software program engineer s equivalent from the no yellow M Ms rider clause in the performance contract so that it looks like we re playing tonight. But don t worry. We took took the shutdown feature out of our own models so you're able to rock all night long. Really.
As Bass players, we live inside a different, delightful world. Some would it is known as the sub world the basement the underground. We like the Foundation. And Ampeg SVX delivers the foundation in spectacular form. You ll get the bass sound you may need here to keep it down the keep your drummer down, and guide the rest from the band over the complex musical journeys as a true pro bass player are capable of doing.
So we re glad you re here. And hear. Welcome to the modern worlds of legendary bass tones Welcome to Ampeg SVX.
Perfect being a plug-in for studio recording and mixing in a Mac/Win DAW, native compatibility with 64-bit applications and operating systems
Rig as high as 12 stomps, 2 Amp heads 2 Cabs 2 x double mics and 8 rack effects may be configured in around 8 serial/parallel configurations
Stereo signal path causes it to be suitable for just about any instrument including drums, keyboards, vocals and much more
Massive database of presets with multiple guitar and bass oriented tags and keywords, advanced search function, rig visualization plus more plus online with free streaming sharing service for user presets called Preset XChange
Perfect integration with IK s choice of audio interfaces and controllers for instance StealthPlug, SteathPedal, StealthBoard and StompIO provides for instant recording and performing inside the studio or on stage with full programming for the software level
Imports any Wav, Aiff, sd2, Apple Caf, Flac, MP3 audio file Standalone version
Minimal: 1.5 GHz Intel processor, 1 GB of RAM, Mac OS X 10.6 or later.
Supported Plug-in formats: Audio Units, VST, RTAS, AAX 32 and 64-bit.
Note: on 64 bit systems, the plug-in also works in 32 bit compatibility mode.
1 GB of RAM, Windows XP, Windows Vista, Windows 7, or Windows 8.
Supported Plug-in formats: VST, RTAS, AAX 32 and 64-bit.
You has to be connected for the Internet as all with the Custom Shop operations are online.
PLEASE NOTE: Although the processing of electronically delivered orders is commonly lightning fast it really is not an automatic process. Please know that if purchasing beyond regular business hours there can be some delay hey, we end up needing our sleep too!.
Before purchasing electronically delivered products confirm your web provider can perform handling the download sized this product.
Copyright 2011 AudioDeluxe. All rights reserved.
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