microsoft windows xp service pack 2 sound driver downloadmerriam webster dictionary free download for windows xpmicrosoft windows 7 home premium upgrade 32 bit downloadkaspersky 2009 crack free download
iRig Keys MINI 25 key universal mini keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Acoustic Acoustic guitar microphone/interface for iPhone, iPod touch, iPad, Android and Mac
iRig Pro DUO Universal dual channel audio/MIDI interface for iPhone, iPad, Android and Mac/PC
iRig Mic Lav The chainable lavalier mic with built-in monitoring for iPhone, iPad, iPod touch and Android
iRig Keys Universal keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Keys PRO The full-sized-key universal mobile keyboard for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Mic Studio Large-diaphragm digital condenser microphone for iPhone, iPod touch, iPad, Android and Mac/PC
iRig UA Universal guitar effects processor and interface for Android, PC and Mac
iRig PowerBridge Universal charging solution for those iPhone, iPad and iPod touch digital iRig accessories
iRig 2 Guitar instrument interface adapter for iPhone, iPod touch, iPad, Mac and Android
iRig Mic Field Ultra-compact audio/video stereo field mic for iPhone, iPad and iPod touch
iRig Mic HD-A Digital handheld microphone for Samsung Pro Audio, Android 5.0 and PC devices
iRig HD-A High-quality digital guitar interface for Samsung Pro Audio, Android 5.0 and PC devices
iRig Pads MIDI groove controller for iPhone, iPod touch, iPad and Mac/PC
iRig Mic HD Digital handheld microphone for iPhone, iPod touch, iPad and Mac/PC
SampleTank 3 The ultimate sound and groove workstation - Now with Custom Shop!
iRig BlueBoard Bluetooth MIDI pedalboard for iPhone, iPod touch, iPad and Mac
iRig PRO Universal audio/MIDI interface for iPhone, iPod touch, iPad and Mac/PC
iRig HD High-quality digital guitar interface for iPhone, iPod touch, iPad and Mac/PC
Ampeg SVX recreates the sounds, operation and feel in the worlds most influential distinct bass amplifiers and brings it in your desktop. Youll receive the legendary sounds in the SVT-CL, the B-15, the 4Pro and BA500, all within a convenient lightweight and easy-to-use package.
When you imagine Ampeg, you think that huge stadium bass toneРІ the Rolling Stones 69 tour together with the wall of SVT Classic Heads and 810 cabinets. The sound of Rock Roll РІ early Van Halen through AC/DC to Dave Matthews Band. You think the Motown sounds of James Jamerson understanding that fabulous round bass sound just a B-15 Flip Top provides РІ the sounds that DEFINED, and DEFINE, bass.
So really you believe legendary. The sounds of Ampeg amplifiers will be the sound of any bass revolution РІ the voice of generations of musical identity and groove definition which might be synonymous while using fabric of the core as musicians. These are definitely the tools we use to show our inner groove. These are ourРІ
You hear the definition of legendary and legendary tone thrown around a good deal these days. Everyone is attempting to capture that legendary tone. But if you believe about it, simply what does it really mean? Whats behind legendary that means it is so?
If you dig deep, principally of everything legendary youll pick one up common thread РІ innovation. And at the guts of innovation may be the challenge on the norm, a spirited approach that focuses thinking on not what exactly is but what happens if.
Thats what exactly you get using the Ampeg SVX models. 100% pure Ampeg Bass Tone. Take 175lbs of legendary earth-shaking back-breaking roadie-killing bass gear and compress it in a mere 3-pound delicate instrument that could equally produce such raw power and emotion and youve got our what happens if thinking, and youve got the Ampeg SVX suite of Bass Amps and Bass effects. Innovative? Absolutely. Legendary? HmmmmРІ
Lets be realistic - We could say anything here. But fact truth be told, Ampeg chose us, IK Multimedia to build digital types of their most prized gear. Frankly, which should really say all of it. However, when you are an Ampeg Fan, we will make you all warm and fuzzy inside. With the SVX package, you have the Ampeg Greatest Hits amps РІ the earth-shattering sound of Rock Roll bass on the Grandaddy for all time РІ the SVT. The smooth groove making rolls in the B-15. The scooped edgy-ness on the 4Pro. All Tube, all legendary, all Ampeg.
These amps and cabinets employ a firm set up music history, but more to the point have the foresight and innovation that may drive not able to music.
Actually, this is. Funny storyРІ through the first phase of testing together with the Engineers at Ampeg, a particular software model was being driven so difficult that it banned. Completely eradicated. Nada, nothing. Oh crap РІ we thought we had arrived in trouble. But the lead engineer at Ampeg approved the model right then. You see, there is a slight design flaw inside the actual amplifier being modeled that could cause a power fault shutdown in the event the amp was driven way too hard for too long. The software model is at fact so accurate so it even replicated this design flawРІ thats how accurate it's. If you believe about it, it is the software engineers equivalent in the no brown M Ms rider clause in the performance contract РІ in order that it looks like were playing tonight. But do not. We took took the shutdown feature out individuals models to help you rock all night long. Really.
As Bass players, we live in a very different, delightful world. Some would refer to it as the sub worldРІ the basementРІ the underground. We choose the Foundation. And Ampeg SVX delivers the foundation in spectacular form. Youll discover the bass sound you will need here to hold on to it downРІ the keep your drummer under control, also to guide the rest with the band throughout the complex musical journeys as simply a true pro bass player are able to do.
So were glad youre here. And hear. Welcome to the revolutionary worlds of legendary bass tonesРІ Welcome to Ampeg SVX.
If youre acquainted with our other products, then youre right in the home. Ampeg SVX works similar to AmpliTube 3, AmpliTube FenderРІ, and our other guitar products. If you play bass using an amplifier instead, still, youre right in the home.
Bass РІ Tuner РІ PedalBoard if required РІ Amp РІ Cab/Mic/Room РІ Post Effects РІ Groovealicious Euphoria.
Ampeg SVX is quite intuitive because doing so works the same as your rig, only lighter. Make no mistake. The sounds from Ampeg SVX are authentic, true-to-the-original bass tones in the worlds most respected distinctive line of bass amplifiers. Whats different would be the packaging.
Ampeg SVX starts together with the ONE effect which enables every player sound great РІ the Tuner. Then your signal runs by having a virtual dual pedal board. You daisy-chain pedals together, combination, drag and drop. Instantly reconfigure the transaction of pedals by simply grabbing one and dragging it to its new position within the signal chain. Ampeg SVX posseses an automatic unplug and connect feature from the pedalboards.
The B-15 looks, acts and appears like a B-15. The SVT-CL looks, acts and feels like an SVT. The 4Pro looks, acts and looks like a 4Pro. See a pattern here?
Then your signal travels on the Bass Head. Choose from four groove making machinesРІ The SVT-CL Classic Head, the SVT-4Pro, The B-15R along with the BA500 combo, nevertheless the preamp and power sections have already been digitally surgically separated on the cabinet. Here you may tweak your tone to perfection.
Some people believe that the cabinet could be the single most important tone feature for any bass rig. With that in mind, we completely re-engineered the cupboard section, providing you more realistic bass response than any bass amp simulation package. The new section permits you to freely position two microphones in front with the speaker, plus add room ambience using a stereo set of condenser mics that means that you can adjust the spread and depth in the room. The result? Ultra-accurate bass response as well as the ability to mix inside the perfect volume of room warmth. Boom.
If you have now an AmpliTube package, do not worry. The Ampeg SVX suite integrates seamlessly into the current architecture. All you have to do is start your version, and Ampeg is automatically there.
If you employ the AmpliTube Custom Shop, as soon as you purchase the Ampeg SVX package or individual amps, they automatically turn up. If you use exactly the Ampeg SVX package, are not having this conversation. But you may add more gear for the Ampeg package through the Custom Shop. Plus, were constantly adding new models for the custom shop
Theres a special set up our history to the Ampeg project. You see, it had been our first possibility to actually work and communicate directly together with the engineers at the company making the gear we had been simulating. In retrospect, this project became slightly in front of its time. Way back in 2004, companies belief that digital modeling of these gear would have been a threat on their business, which it would steal the soul with the items they were doing. Ampeg was different. They understood what we had arrived doing, and just how our technologies can help you them spread the love and groove of Ampeg. And it worked. Now you are able to get that Ampeg sound everywhereРІ within the studio, within your house, on stage, within the street. Everywhere. Thats pretty cool, dont you would imagine?
In order to model an amplifier, you 'must' have, well, the amplifier. Ampeg sent us stuff. And lots of computer. What came next would delight and simultaneously terrify most players: the dismantling and reconstruction of the legendary part of gear. Not reallyРІ were referring to virtual dismantling from the gear. Take it easy.
The original amplifier, cabinet or effect will be accurately measured plus a virtual circuit representation of it's coded in software, carefully matching each components value and circuit details. Then, a comparison on the electrical signals involving the original plus the model means that the models behavior matches the first circuit behavior from the gear. After this phase we start up a complex audio-engineering comparison using the original amplifier or effect to your modeled version. This is as well as a series of tweaks and fine-tuning for the circuit and also the sonic characteristics on the model. The result is an audio indistinguishable in the original when fed with assorted guitar signals and dynamics.
The creation of any single kind of amp or effect takes once than it would decide to use build a hardware version from it. All these technologies and development efforts have helped a lot of users obtain the best sounds beyond their guitars and basses on countless records and productions РІ including legendary bands like AC/DC, Rolling Stones, Coldplay, GunsNRoses, Queen, Level42 and even more. And we are passionately proud of computer.
Since 1997 while using release of T-RackS analog modeled mastering suite, IK is one from the pioneers inside the digital tone generation and analog gear modeling field РІ unraveling the actual key DNA and true behavior of analog components and recreating them for that next generation of musicians, engineers and producers. With unique technologies like DSMРІ Dynamic Saturation Modeling, VRMРІ Volumetric Response Modeling IK designs include set the standard evidenced by our co-branding recognition through the most influential partners within the industry including duh Ampeg, Fender, Orange, Soldano, T-Rex, Jet City and much more.
You understand how when you hit an email on your guitar when its plugged in to a tube amp plus the gain is defined right on the verge of break-up, and theres kind of an spongy type compressed transient attack you have from the rectifier tubes drop in voltage and recovery? Its an incredibly smooth and musical thing that takes place - solid state gear doesnt go about doing it, and lots of modeling programs on the market dont have it either.
We have it, because were first. So, thats only 1 small aspect with the items DSM does.
DSM is undoubtedly an exclusive IK Multimedia technology developed to accurately emulate the non-linear interactions between components within an analog circuit. DSM was made to increase the response realism and playability of critical analog circuit models. Musicians always felt digital emulations of high quality analog gear including tube driven guitar amplifiers for being good and not completely satisfying because with the lack of certain playability and musicality qualities that just the real thing provides.
DSM gives special and unique results when put on circuit emulations the place that the non-linearity would be the main characteristic with the processor, for instance in distortion, fuzz, overdrive stomp boxes, tube guitar preamplifiers and power amps, and analog compressors and limiters. The DSM working principle will depend on a new approach never used on DSP analog modeling up to now. Analog circuits, especially Tube and Class-A discrete ones, are certainly not dynamically-linear, but have already been modeled using this method by todays technology. An analog circuits character isn't constantly shaped but varies based on lots of parameters, above all the strength, frequency and harmonic content in the incoming signal.
DSM takes step 2. It continuously adapts the shape in the analog circuit rather than applying a static snapshot. By using more complicated mathematical functions, a articulated and musical solution is possible, making DSM suitable for modeling tube preamps and tube power amps.
Traditional emulations have to a tradeoff between, by way of example, those type of distortions that appear only once a 2x6L6 tube power amplifier is driven to its limit and also the cleaner sound it's got when its driven normally.
DSM delivers a dynamic response that continuously morphs and follows the incoming signal; basically, that follows the background music.
This results in an accuracy that can't be found in any modeling hardware or software today, respecting every one of the signal nuances very much like a real analog circuit would do which has a grade of realism and musicality never achieved before.
AmpliTubeР’, AmpliTubeР’ LiveРІ, AmpliTubeР’ MetalРІ, AmpliTubeР’ X-GEARРІ, SVXРІ, StompIOРІ, StealthPedalРІ, StealthPlugРІ, SpeedTrainerРІ, DSMРІ, are trademarks or registered trademarks property of IK Multimedia Production Srl. All other product names and trademarks are definitely the property of these respective owners, that happen to be in no way associated or attached to IK Multimedia. Product names are utilized solely for that purpose of identifying the unique products that were studied during IK MultimediaРІs sound model development as well as for describing some types of tones produced with IK MultimediaРІs digital modeling technology. Use of these names isn't going to imply any cooperation or endorsement. FENDERРІ, STRATOCASTERРІ plus the distinctive headstock designs displayed here, and FENDER amplifiers, logos, and trade dress include the trademarks of FMIC and used herein under license. All rights reserved. AMPEGР’ is often a registered trademark of LOUD Technologies, Inc. used under license. Jimi HendrixРІ name used under license of Authentic Hendrix, LLC. Р’ TM Authentic Hendrix, LLC. RiffWorks, InstantDrummer, RiffCaster, RiffLink and Sonoma Wire Works are trademarks of Sonoma Wire Works. Mac along with the Mac logo are trademarks of Apple Computer, Inc., registered inside and other countries. Windows Vista along with the Windows logo are trademarks or registered trademarks of Microsoft Corporation inside the United States and/or other Audio Units logo is really a trademark of Apple Computer, Inc. VST can be a trademark of Steinberg Media Technologies GmbH.
AKGР’ can be a registered trademark of AKG Acoustics GmbH.
AMPEGР’ is really a trademark of LOUD Technologies, Inc.
ARBITERР’ FUZZ FACEР’ can be a registered trademark of Arbiter Group Plc.
BEYERDYNAMICР’ is often a registered trademark of Beyerdynamic GmbH Co.
BOSSР’ can be a trademark of Roland Corporation.
CELESTIONРІ is really a trademark of Celestion International Ltd.
DIGITECH WHAMMYРІ is usually a registered trademark of Harman International Industries, Incorporated.
ELECTRO-HARMONIXР’ is often a registered trademark of New Sensor Corporation.
ELECTRO-VOICEР’ is often a trademark of Electro-Voice, Inc.
FENDERР’, BASSMANР’, DELUXE REVERBР’, SUPER REVERBР’ are registered trademarks of Fender Musical Instruments Corporation.
JBLР’ is really a registered trademark of JBL Professional.
MAESTROР’ FUZZTONE can be a registered trademark of Gibson Electronics.
MARSHALLР’, 1959 JTM100РІ Super Lead, JMP100РІ are registered trademarks and trademarks of Marshall Amplification Plc.
MESA/BOOGIEР’ and RECTIFIERР’ are trademarks of Mesa/Boogie Ltd.
MOSRITEРІ FUZZRITEР’ is often a trademark of Mosrite.
MXRР’ can be a registered trademark of Applied Research and Technology, Inc.
NEUMANNР’ is usually a registered trademark of Georg Neumann GmbH.
PEAVEYР’ is usually a registered trademark of Peavey Electronics.
PRO CO RATРІ is really a trademark of ProCo Sound, Inc.
RANDALLР’ can be a registered trademark of Randall Amplifiers a division of Music Corp.
ROGER MAYERРІ, Classic FuzzР’, Axis FuzzР’, OctaviaР’, are trademarks and registered trademarks of Roger Mayer.
SEARSР’ is really a registered trademark of Sears Brand, LLC.
SENNHEISERР’ is usually a trademark of Sennheiser Electronic Corp.
SHUREР’ is usually a registered trademark of Shure Incorporated.
SILVERTONEР’ is usually a registered trademark of Samick Music Corporation.
SUPROР’ is really a trademark of Zinky Electronics.
SWRР’ and GoliathРІ are trademarks of SWR Sound Corporation.
THDР’ BIVALVE is really a trademark of THD Electronics Ltd.
TUBE SCREAMERР’ is really a registered trademark of Hoshino Gakki Co. Ltd.
UNI-VIBEРІ can be a trademark of Korg USA Corporation.
UNIVOXРІ can be a trademark of Korg USA Corporation.
VHTР’ is usually a trademark of VHT Amplification, Inc.
VOXР’ and VOXР’ WAH V846 is really a registered trademark of Korg Europe Ltd.
5150Р’ can be a registered trademark of Edward Van Halen.
IK Multimedia Production srl - Via dellIndustria, 46 - 41122 Modena, Italy - Phone: 39 059 285496 - Fax: 39 059 2861671
IK Multimedia US, LLC - 1153 Sawgrass Corporate Pkwy. - Sunrise, FL 33323 - Phone: 954 846-9101 - Fax: 954 846-9077
iRig Keys MINI 25 key universal mini keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Acoustic Acoustic guitar microphone/interface for iPhone, iPod touch, iPad, Android and Mac
iRig Pro DUO Universal dual channel audio/MIDI interface for iPhone, iPad, Android and Mac/PC
iRig Mic Lav The chainable lavalier mic with integrated monitoring for iPhone, iPad, iPod touch and Android
iRig Keys Universal keyboard controller for iPhone, iPad, iPod touch, Android and Mac/PC
iRig Keys PRO The full-sized-key universal mobile keyboard for iPhone, iPad, iPod touch, Android and Mac/PC
iKlip Case Case with multi-position symbolize iPhone 6. Also available for iPhone 6 Plus.
iRig Mic Studio Large-diaphragm digital condenser microphone for iPhone, iPod touch, iPad, Android and Mac/PC
iRig UA Universal guitar effects processor and interface for Android, PC and Mac
iRig PowerBridge Universal charging solution for many iPhone, iPad and iPod touch digital iRig accessories
iRig 2 Guitar instrument interface adapter for iPhone, iPod touch, iPad, Mac and Android
iRig Mic Field Ultra-compact audio/video stereo field mic for iPhone, iPad and iPod touch
iRig Mic HD-A Digital handheld microphone for Samsung Pro Audio, Android 5.0 and PC devices
iRig HD-A High-quality digital guitar interface for Samsung Pro Audio, Android 5.0 and PC devices
iRig Pads MIDI groove controller for iPhone, iPod touch, iPad and Mac/PC
iRig Mic HD Digital handheld microphone for iPhone, iPod touch, iPad and Mac/PC
SampleTank 3 The ultimate sound and groove workstation - Now with Custom Shop!
iRig BlueBoard Bluetooth MIDI pedalboard for iPhone, iPod touch, iPad and Mac
iRig PRO Universal audio/MIDI interface for iPhone, iPod touch, iPad and Mac/PC
iRig HD High-quality digital guitar interface for iPhone, iPod touch, iPad and Mac/PC
Ampeg SVX recreates the sounds, operation and feel from the worlds most influential distinctive line of bass amplifiers and brings it for your desktop. Youll receive the legendary sounds from the SVT-CL, the B-15, the 4Pro and BA500, all inside a convenient lightweight and easy-to-use package.
When you think that Ampeg, you believe huge stadium bass tone the Rolling Stones 69 tour using the wall of SVT Classic Heads and 810 cabinets. The sound of Rock Roll early Van Halen through AC/DC to Dave Matthews Band. You think the Motown sounds of James Jamerson which fabulous round bass sound just a B-15 Flip Top provides the sounds that DEFINED, and DEFINE, bass.
So really you think that legendary. The sounds of Ampeg amplifiers will be the sound of your bass revolution the voice of generations of musical identity and groove definition which might be synonymous together with the fabric of our own core as musicians. These would be the tools we use expressing our inner groove. These are our
You hear the definition of legendary and legendary tone thrown around a whole lot these days. Everyone is looking to capture that legendary tone. But if you imagine about it, exactly what does it really mean? Whats behind legendary which makes it so?
If you dig deep, essentially of everything legendary youll select one common thread innovation. And at the center of innovation would be the challenge with the norm, a spirited approach that focuses thinking on not what's but imagine if.
Thats just what exactly you get while using Ampeg SVX models. 100% pure Ampeg Bass Tone. Take 175lbs of legendary earth-shaking back-breaking roadie-killing bass gear and compress it to a mere 3-pound delicate instrument which could equally produce such raw power and emotion and youve got our let's say thinking, and youve got the Ampeg SVX suite of Bass Amps and Bass effects. Innovative? Absolutely. Legendary? Hmmmm
Lets face the facts - We could say anything here. But fact the reality is, Ampeg chose us, IK Multimedia to make digital styles of their most prized gear. Frankly, which will really say all this. However, if you're an Ampeg Fan, we will make you all warm and fuzzy inside. With the SVX package, you receive the Ampeg Greatest Hits amps the earth-shattering sound of Rock Roll bass in the Grandaddy of all of them the SVT. The smooth groove making rolls from the B-15. The scooped edgy-ness with the 4Pro. All Tube, all legendary, all Ampeg.
These amps and cabinets possess a firm invest music history, but more to the point have the foresight and innovation that could drive not able to music.
Actually, this can be. Funny story over the first phase of testing with all the Engineers at Ampeg, a particular software model was being driven so faithfully that it power down. Completely eradicated. Nada, nothing. Oh crap we thought we had been in trouble. But the lead engineer at Ampeg approved the model then and there. You see, there is a slight design flaw from the actual amplifier being modeled that could cause a power fault shutdown should the amp was driven too difficult for too long. The software model was a student in fact so accurate who's even replicated this design flaw thats how accurate it really is. If you would imagine about it, it is the software engineers equivalent on the no brown M Ms rider clause in a very performance contract therefore it looks like were playing tonight. But take it easy. We took took the shutdown feature out of our own models so that you can rock for hours. Really.
As Bass players, we live within a different, delightful world. Some would refer to it as the sub world the basement the underground. We choose the Foundation. And Ampeg SVX delivers the foundation in spectacular form. Youll discover the bass sound you would like here to carry it down the keep your drummer in order, as well as guide the rest on the band throughout the complex musical journeys as a true pro bass player are able to do.
So were glad youre here. And hear. Welcome to the revolutionary worlds of legendary bass tones Welcome to Ampeg SVX.
If youre acquainted with our other products, then youre right in the home. Ampeg SVX works exactly like AmpliTube 3, AmpliTube Fender, and our other guitar products. If you play bass using an amplifier instead, still, youre right at your home.
Bass Tuner PedalBoard when necessary Amp Cab/Mic/Room Post Effects Groovealicious Euphoria.
Ampeg SVX is incredibly intuitive as it works the same as your rig, only lighter. Make no mistake. The sounds from Ampeg SVX are authentic, true-to-the-original bass tones through the worlds most respected distinctive line of bass amplifiers. Whats different could be the packaging.
Ampeg SVX starts using the ONE effect which enables every player sound great the Tuner. Then your signal runs via a virtual dual pedal board. You daisy-chain pedals together, combination, drag and drop. Instantly reconfigure an order of pedals by simply grabbing one and dragging it to its new position from the signal chain. Ampeg SVX posseses an automatic unplug and fire up feature inside pedalboards.
The B-15 looks, acts and looks like a B-15. The SVT-CL looks, acts and feels like an SVT. The 4Pro looks, acts and appears like a 4Pro. See a pattern here?
Then your signal travels on the Bass Head. Choose from four groove making machines The SVT-CL Classic Head, the SVT-4Pro, The B-15R along with the BA500 combo, even so the preamp and power sections are actually digitally surgically separated on the cabinet. Here you may tweak your tone to perfection.
Some people believe that the cabinet may be the single most important tone feature for any bass rig. With that in mind, we completely re-engineered this cabinet section, supplying you with more realistic bass response than some other bass amp simulation package. The new section enables you to freely position two microphones in front with the speaker, plus add room ambience using a stereo set of condenser mics that lets you adjust the spread and depth on the room. The result? Ultra-accurate bass response along with the ability to mix inside perfect level of room warmth. Boom.
If you have an AmpliTube package, do not worry. The Ampeg SVX suite integrates seamlessly for your current architecture. All you have to do is start your version, and Ampeg is automatically there.
If you apply the AmpliTube Custom Shop, when you finally purchase the Ampeg SVX package or individual amps, they automatically make an appearance. If you use just the Ampeg SVX package, are not having this conversation. But it is possible to add more gear for the Ampeg package through Custom Shop. Plus, were constantly adding new models towards the custom shop
Theres a special invest our history for your Ampeg project. You see, it absolutely was our first possibility to actually work and communicate directly while using engineers with a company making the gear we had arrived simulating. In retrospect, this project really was slightly in advance of its time. Way back in 2004, companies believed digital modeling in their gear would have been a threat on their business, it would steal the soul products they were doing. Ampeg was different. They understood what we had been doing, and the way our technologies may help them spread the love and groove of Ampeg. And it worked. Now you'll be able to get that Ampeg sound everywhere within the studio, within your house, on stage, from the street. Everywhere. Thats pretty cool, dont you imagine?
In order to model an amplifier, you 'must' have, well, the amplifier. Ampeg sent us stuff. And lots from it. What came next would delight and simultaneously terrify most players: the dismantling and reconstruction of an legendary bit of gear. Not really were referring to virtual dismantling with the gear. Take it easy.
The original amplifier, cabinet or effect might be accurately measured and also a virtual circuit representation of it really is coded in software, carefully matching each components value and circuit details. Then, a comparison on the electrical signals between your original plus the model helps to ensure that the models behavior matches an original circuit behavior inside gear. After this phase we start up a complex audio-engineering comparison with all the original amplifier or effect towards the modeled version. This is accompanied by a series of tweaks and fine-tuning to your circuit and also the sonic characteristics with the model. The result is an audio indistinguishable from your original when fed with some other guitar signals and dynamics.
The creation of any single label of amp or effect takes duration than it would decide to try build a hardware version of the usb ports. All these technologies and development efforts have helped countless users find the best sounds away from their guitars and basses on countless records and productions including legendary bands like AC/DC, Rolling Stones, Coldplay, GunsNRoses, Queen, Level42 and even more. And we are passionately proud of the usb ports.
Since 1997 using the release of T-RackS analog modeled mastering suite, IK is one with the pioneers inside the digital tone generation and analog gear modeling field unraveling the secrets DNA and true behavior of analog components and recreating them with the next generation of musicians, engineers and producers. With unique technologies like DSM Dynamic Saturation Modeling, VRM Volumetric Response Modeling IK designs include set a standard evidenced by our co-branding recognition through the most influential partners inside the industry including duh Ampeg, Fender, Orange, Soldano, T-Rex, Jet City and others.
You discover how when you hit some text on your guitar when its plugged in to a tube amp as well as the gain is determined right on the verge of break-up, and theres kind of any spongy type compressed transient attack you have from the rectifier tubes drop in voltage and recovery? Its a really smooth and musical thing that occurs - solid state gear doesnt do it, and a whole lot of modeling programs on the market dont have it either.
We understand, because were first. So, thats only 1 small aspect with the items DSM does.
DSM can be an exclusive IK Multimedia technology developed to accurately emulate the non-linear interactions between components in the analog circuit. DSM was made to increase the response realism and playability of critical analog circuit models. Musicians always felt digital emulations of high quality analog gear including tube driven guitar amplifiers to become good although not completely satisfying because in the lack of certain playability and musicality qualities that the real thing provides.
DSM gives special and unique results when put on circuit emulations the place that the non-linearity could be the main characteristic from the processor, for example in distortion, fuzz, overdrive stomp boxes, tube guitar preamplifiers and power amps, and analog compressors and limiters. The DSM working principle will be based upon a new approach never placed on DSP analog modeling so far. Analog circuits, especially Tube and Class-A discrete ones, usually are not dynamically-linear, but are already modeled by doing this by todays technology. An analog circuits character isn't constantly shaped but varies determined by lots of parameters, above all the strength, frequency and harmonic content with the incoming signal.
DSM takes the next phase. It continuously adapts the shape with the analog circuit as an alternative to applying a static snapshot. By using more difficult mathematical functions, a articulated and musical solution is possible, making DSM great for modeling tube preamps and tube power amps.
Traditional emulations have to a tradeoff between, by way of example, those style of distortions that appear only once a 2x6L6 tube power amplifier is driven to its limit plus the cleaner sound it's when its driven normally.
DSM delivers a dynamic response that continuously morphs and follows the incoming signal; basically, that follows the tunes.
This brings about an accuracy that can't be found in every other modeling hardware or software today, respecting each of the signal nuances the same as a real analog circuit would do having a grade of realism and musicality never achieved before.
AmpliTube, AmpliTube Live, AmpliTube Metal, AmpliTube X-GEAR, SVX, StompIO, StealthPedal, StealthPlug, SpeedTrainer, DSM, are trademarks or registered trademarks property of IK Multimedia Production Srl. All other product names and trademarks would be the property in their respective owners, that are in no way associated or connected to IK Multimedia. Product names are widely-used solely for your purpose of identifying the particular products that were studied during IK Multimedia s sound model development along with describing particular sorts of tones produced with IK Multimedia s digital modeling technology. Use of these names won't imply any cooperation or endorsement. FENDER, STRATOCASTER and also the distinctive headstock designs displayed here, and all sorts of FENDER amplifiers, logos, and trade dress would be the trademarks of FMIC and used herein under license. All rights reserved. AMPEG can be a registered trademark of LOUD Technologies, Inc. used under license. Jimi Hendrix name used under license of Authentic Hendrix, LLC. TM Authentic Hendrix, LLC. RiffWorks, InstantDrummer, RiffCaster, RiffLink and Sonoma Wire Works are trademarks of Sonoma Wire Works. Mac plus the Mac logo are trademarks of Apple Computer, Inc., registered inside the and other countries. Windows Vista and also the Windows logo are trademarks or registered trademarks of Microsoft Corporation inside United States and/or other Audio Units logo is really a trademark of Apple Computer, Inc. VST is really a trademark of Steinberg Media Technologies GmbH.