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HALion String Edition 2 1.0 - Free download
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HALion String Edition 2 1.0 Description:
HALion String Edition 2 is really a breathtakingly realistic replication of the string orchestra, shoehorned into a fairly easy-to-use VST instrument featuring state-of-the-art HALion 3 technology.
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Steinberg and Wizoos latest collaboration aims to supply high-quality string sounds cheaply, having a software interface to create string arranging really easy that even drummers can manage it. Have they succeeded?
Ever ever since the release of orchestral sample libraries for Gigastudio including Garritan Orchestral Strings GOS and Dan Deans solo instrument libraries, a few in 2001, the interest on high-quality orchestral sample libraries, and string ensembles particularly, is growing stronger than ever. Additionally, the expectation inside the scope and excellence of such orchestral libraries in addition has grown, as developers for example Gary Garritan, Dan Dean, Sonic Implants, and after this the Vienna Symphonic Library VSL and East West with Quantum Leap EWQL, keep push the boundaries into their products.
However, while these aforementioned libraries try and be as simple to use as possible, they're still unashamedly aimed towards professionals with experience of orchestration as well as a reasonable budget. For musicians who simply wish the same simplicity their sound modules string patch affords them, but using the sound quality supplied by the high-end libraries, maybe it's said that theres a gap inside the market; which is precisely the gap Wizoo and Steinberg aspire to fill making use of their latest collaboration: Halion String Edition Volume One.
Halion String Edition HSE Volume One is essentially a 5GB ensemble string library supplied on eight CD-ROMs, by having an extra CD-ROM containing the installer application and also a tailor-made version of Halion thats forced to load and participate in the Instruments. This special version of Halion is referred to as the Halion String Player HSP and runs as both a VST Instrument on Windows, OS 9 and OS X, as well as a DirectX Instrument in Sonar, a well known fact that should earn Steinberg several brownie points amongst users.
Highly playable and to use.
The awareness of detail from the programming is unparalleled.
As with any sample library, several of the artistic decisions arent about to suit every musician.
Instrument selection with Halion String Player may be more seamless.
Halion String Edition offers high-quality, easy-to-play samples which are more common string articulations inside a VST or DirectX Instrument, offering many clever features for just half the price tag on the larger libraries.
Installation is usually a relatively painless affair, excluding the fact it might take around 45 minutes; and you cant, because they nearly say, have your high-quality, multi-disk sample library and eat it. As a side note, however, with an increase of users owning computers equipped to handle DVD-ROM media, we could hopefully anticipate day once this kind of method is available on one particular DVD.
Steinberg suggest a 400MHz Pentium II or compatible AMD processor for Windows users as well as a 500MHz G3 which has a 100MHz system buss for Mac users as being the minimum processor requirements for running HSE. However, I think a quick Pentium III, Athlon or G4 is highly recommended the practical minimum. Obviously youll likewise require 5GB of free disk drive space, ideally on a quick 7200rpm drive thats specialized in streaming samples, and Steinberg state 256MB since the minimum quantity of memory required, whilst they recommend 768MB or maybe more for the best performance.
In relation to section sizes, HSE utilises a good 16 violins, 12 violas, 10 cellos and eight double basses, and although separate third and fourth violin programs are included for a lot of articulations, both include 16 players, which can be perhaps a waste as providing a lesser second-violin section can have provided more variety. By means of comparison, GOS has 22 violins made available as 12 and 10 third and fourth sections and 10/8/7 violas/cellos/basses, Sonic Implants use 14/6/5/4, VSL has 14/10/8/6, and EWQLs Symphonic Orchestra Strings uses 18 and 10 violins with 10/10/9.
The strings were recorded across 16 tracks in Nuendo with a 24-bit resolution along with a 48kHz sampling rate, using Br el Kj r, Schoeps, Neumann, Sanken and Sennheiser microphones, a StageTec TruMatch 28-bit mic preamp and A-D converter. The fact HSE also plays back at 24-bit causes it to become the first high-end string library for this until EXS24 MkII versions of other libraries and also the EWQL Symphony Orchestra appear Gigastudio 2.5 is bound to 16-bit playback.
The so-called Vienna orchestral placement was adopted violins left, violas off to the right, cellos mid-right, along with the basses in the full width about the back row to record the string orchestra, which means that you lack to pan the instruments yourself
they will automatically sound correct and natural.
The manual forwarded to HSE is commendable, being easily readable and offering real advice about the aims and employ of the library. Musical suggestions are shown for most features, along with a short string-arranging tutorial should give some thoughts for beginners in order to best utilize library. Yes, the manual could probably do which has a little editing, buyers ., the string-arranging tutorial isnt likely to replace a great orchestration guide, but for the whole, it fulfils its task without intimidating anyone.
The very first time that you use HSP, you discover prompted to seek out the folder containing the sounds, when you load HSP subsequently, it'll automatically load the file inside the root from the Halion String Edition folder. This contains an individual low-memory full strings legato Instrument automagically, and you'll overwrite this Bank with your own personal configurations, so it's not necessary to load your most frequent or favourite programs manually whenever you want to work with HSP.
For Mac users wanting to work with HSE with Logic on OS 9, theres a problem together with the first release that prevents the Instrument files being correctly recognised. Fortunately, this issue can be rectified by downloading replacement Instrument files from: /show/updatesvstipromacen.
The Halion String Player provides simple usage of all aspects of Halion String Edition, and additional features for controlling dynamics and bowing.
To load Instruments into HSP, similar to Halion, you have for making sure the correct Channel is selected, and employ the generic File commands provided about the plug-ins toolbar because of the host application. While I are able to see the sense on this approach which comes in particularly useful when you would like to save Banks coming from all 16 Instruments, I would have preferred so that you can select Instruments by using an intelligently organised pop-up menu from your plug-in itself, as on Spectrasonics Stylus, Atmosphere and Trilogy. An internal pop-up menu does permit the selection of loaded Instuments, but this isnt quite the identical. However, minor quips aside, after taking several moments to familiarise yourself together with the layout of Instrument files within the Halion String Edition folder, choosing the Instruments you will need shouldnt be much of an problem.
Many from the Instruments are supplied in XXL and ECO versions, the naming terminology ones should be familiar to those who have used a previous Wizoo/Steinberg product: XXL Instruments include the full, memory-hungry versions, as the ECO Instruments offer reduced-memory versions designed to use fewer samples. Again, the icing within the cake here could well be if HSP, like Virtual Guitarist, contained a worldwide or channel-specific ECO/XXL switch where theres a choice, instead of leaving it to your account to manually load the desired program.
The basic layout from the library includes separate violin with a few further first- and second-section divisions, viola, cello and double bass ensembles, along with many full string patches generally known as 4-in-1 Instruments which include samples of all the ensembles spread through the entire keyboard. As along with other libraries, these are typically great for checking out ideas and writing with, before polishing off your arrangements with sounds in the individual Instruments afterwards, or keyboard players who dont want the hassle of multi-channel setups and desire an easy replacement their workstation sounds. As an added bonus, HSE also provides a variety of pads with slow, pad-like attack and releases reminiscent on the Enya-esque string pads youd find on sound modules, but which has a substantially better depth of sound.
So why not consider the Instruments themselves? The legato Instruments are obtainable in A and B versions across all ensembles except the 4-in-1 and pad Instruments, while using attack for the A Instruments being more firm and also the overall sound being fairly bold, whilst the B instruments employ a marginally softer attack and feel more desirable for expressive lines. Wizoo recommend doubling the A and B Instruments when you need a really big sound, or along with them for adding variation to divisi writing if you want counterpoint within one ensemble, one example is.
My only slight issue with all the legato samples, that's purely dependent on taste, would be that the overall sound can be quite balanced and uniform across all velocity layers. This is well suited for expressive and realistic crescendos, however it would are already a nice bonus to own some legato samples which were soft and grainy, using the bow just barely touching the strings, or some harsh fortissimo varitations having an aggressive attack, as with most of greater string libraries.
Another examine consider is the fact that the number of vibrato inside legato Instruments is determined in stone, in what the manual describes as being a medium amount that gradually gets stronger for the stronger velocity layers. In fairness, this is often a reasonable artistic decision to produce, but I think its inevitable that many will find themselves wishing for additional or less vibrato in numerous situations. In my case, Ill confess that being a fan of indulgent Romantic orchestration, I would have liked much more, but a lot of people would disagree beside me and find whats provided totally befitting their musical needs.
In addition for the straight legato Instruments, you'll find additional legato Instruments featuring slides for building portamento into the melodic phrases. The usage of portamento is cleverly controlled via some switch keys located in the very bottom of the 88-note keyboard, meaning aside from transposing with smaller keyboards, youll require an 88-note keyboard for making the most of the Instruments. Holding down one with the three key-switches while playing an email within that Instruments range will trigger sometimes a slide up, a slide down, or perhaps an octave-slide up.
The tremolo Instruments provided will add suitable colour for a arrangements, whether for mysterious suspense within the lower registers, or Nino Rota-style melody lines. And the added tremolo with accents Instruments are certainly welcome; they trigger a tremolo sample that starts having an accent after you play a note which has a MIDI velocity for at least 100.
Rounding off of the long bows are half- and whole-note trills, which are for sale in separate Instruments, or combined within a single Instrument and switchable via key-switches. And much like the tremolos, they're beautifully controlled that has a clear and defined sound.
The long bow Instruments are accessible in four categories Xfade, Xswitch, Velocity and Velocity with Pitch-bend, that provide a choice of expression controls. The Velocity Instruments provide the traditional technique of controlling dynamics a small velocity would trigger the piano samples, by way of example. But, more interestingly, as you move the Xfade Instruments arent velocity sensitive, they certainly allow you to smoothly crossfade between your velocity layers while using continuous Crescendo Controller assigned with HSP, and that is mapped on the mod wheel automatically.
The Xfade instruments certainly are a tremendous benefit specially when it comes to making tremolos breathe just a little, but since have read before, they may be also the sampling equivalent of any black hole when it comes in your computers resources. Every note you play with the Xfade Instrument requires approximately four voices of polyphony, meaning that using Xfade Instruments on all Channels simultaneously is going to utilize up your systems resources pretty quickly.
To atone for this and offer more economical alternatives when writing, the Xswitch Instruments also make use on the Crescendo Controller, however the switch between velocity layers may also be obvious, although a variety of Xfade and Xswitch instruments can mask this. The good thing about Xswitch Instruments is because only require one voice for every single note played, as well as the fact theyre competent to preserve the Crescendo Controller data means they are useful as economical substitutes.
I found the Crescendo Control itself very sensitive, but using a bit of practice, it is possible to achieve some incredibly expressive and realistic results with all the Xfade instruments. However, I noticed the Violin I A Legato Instrument had an audible changeover point, which I suspect is because a faulty Instrument, since the Violin I A Legato with Portamento Instrument crossfaded perfectly.
The last control category is referred to as Velocity with Pitch-bend VelPB, which is usually a neat technique of combining the Xswitch and standard Velocity Instruments by taking selling point of the fact the pitch-bend wheel carries a default central position. With a VelPB Instrument, velocity determines your initial volume and layer, and you can make use of the pitch wheel to enhance or reduce the volume and layer whilst the note sustains.
An important examine mention together with the legato Instruments is the fact, unlike on almost every other high-end sample library, they may be all looped use the champagne! Sample-library developers often hotly debate perhaps the tremendously involved task of performing all this looping is worthwhile, but there isnt any doubt that at a players mindset, looped legato samples are perfect for trying out ideas.
One feature that includes a great deal of realism to HSE mainly because it does along with other recent sample libraries like Sonic Impants Symphonic Strings may be the use of release samples, which capture the sound you hear following the physical action of playing the note has ceased. And, naturally, the production samples also capture the character on the space utilized to record the samples. With HSE, I found this vigorous than, say, the Vienna Symphonic Librarys Silent Stage, but it really wasnt quite Air Lyndhurst either!
Im sure theres a basis for this, however, if performing while using release samples, I found that they can didnt sound if I held some notes, pressed the sustain pedal, released the notes and after that released the sustain pedal.
A standout programming highlight is usually found inside Combi Instruments, which are accessible in each section, and bundle among each articulation within 1 Instrument. However, as an alternative to just utilizing the standard strategy to key-switching for switching relating to the articulations, Wizoo and Steinberg have been more cunning. When you load a Combi Instrument, the default articulation is legato, and pressing a keyswitch permits you to change the articulation thats played sounds normal until now. However, the non-legato articulation is simply used as the keyswitch key's held down releasing it'll resume the legato articulation once more. Genius!
In addition on the Instruments that could be loaded into HSP, HSE also provides a group of Instruments for loading into Halion, for anyone users who also own a replica of that program. Part with the reason for creating HSP is Halion doesnt keep the advanced crossfade modulation features or give you the necessary facilities for automatic bow-alternating, for instance, in order that it goes without saying these particular features are missing when while using the Halion Instruments. For this reason, its recommended that you make use of HSP for string arranging and Halion for much more brutal sonic manipulation, although apparently a potential version of Halion will in the end be capable to fully load and include the HSP Instruments.
When you are looking at short bows, simply a spiccato articulation is provided, even though this is somewhat compensated for from the large volume of variations provided. Firstly, as while using legato Instruments, you can find A and B variation sets, now supplemented by top to bottom bow sets at the same time, using the A variation creating a lighter sound having a firm attack, and B offering a thicker woody sound, that's particularly fierce around the cellos. The bass spiccato samples are only accessible in one down-bow flavour, which can be suitably aggressive and may move a fair quantity of air inside your subwoofer!
However, HSE goes a measure further using its spiccato articulation and supplies an Instrument featuring automatic around bow alternations. Admittedly, HSE isnt the 1st library to supply this, but it really is the very first library that doesnt require additional programs for being set up and used alongside your sampler, a truth that highlights the benefit of self-contained libraries running as virtual instruments. The automatic Instruments present you with a number of key-switches to customize the bowing only to up or down bows, in order to begin alternating again starting on either an up or down bow, that's very, very beneficial indeed.
The manual claims that as much as nine velocity layers bring each bow direction, although I have to declare that I certainly couldnt discern that numerous individually. However, what you are able to hear is often a brilliantly varied and realistic spiccato texture that avoids, as being the manual puts it, the machine-gunning affect often related to short-bow string samples.
The pizzicato Instruments are obtainable in loose and tight variants for your upper strings, tight and incredibly tight that may be painful! for your cellos, and no matter what happens to come out from your basses! Seriously, though, it is just not that easy to get a group of bass players to manipulate a tight pizzicato sound, which isnt surprising should you consider the length and thickness on the strings you may probably get yourself a tighter pizzicato sound having an ensemble of upright Hoovers! Overall, the pizzicato Instruments were nicely rounded that has a musical character that simply cried out being played.
Claudius Bruese standing consults with all the conductor at one with the recording sessions for your strings in The Claudius Bruese Orchestra library, some ones are heard in Halion String Edition.
The samples utilized in Halion String Edition Volume One are taken coming from a three-year sampling project started by Wizoo with the beginning of 2002 to sample a whole symphony orchestra, which can be to become The Claudius Bruese Orchestra. The primary purpose of this gradually developing sample library, as demonstrated by Halion String Edition, is to offer high-quality sounds that happen to be easy make use of for any musician who requires usage of an orchestral palette.
Claudius Bruese worked on many Wizoo products in the past, but is in all likelihood best known as being the man behind Wizoo/Steinbergs The Grand VST Instrument, one in the finest sampled pianos available today. In addition to his help Wizoo, Claudius is trained composer and sound designer who works in the Cologne and LA, composing for film and TV, and specialises in producing realistic-sounding orchestral mock-ups for himself and also other high-profile Hollywood composers.
If you already own a software sampler and would like to make use of the sounds from The Claudius Bruese Orchestra without purchasing the full Halion String Edition Volume One, a number of the programs are for sale to download at in EXS24, Giga and Halion formats. At the time of writing, the legato, pizzicato and tremolo programs can be purchased, with marcato, spiccato, trills and senza vibrato programs out soon. However, its worth stressing that these are generally just ordinary multisampled instruments; they actually not include all the extra functionality of Halion String Edition Volume One.
As a footnote, should you buy your copy of Halion String Edition Volume One from Wizoo via and youve already purchased several of the Claudius Bruese strings from, theyll refund that you simply voucher to pay there for precisely the same amount youve already spent about the strings.
The HSP software provided does indeed make HSE easy and simple orchestral library to make use of in an integrated MIDI Audio sequencer environment, and, as being the name and interface suggests, will be based upon Steinbergs Halion software sampler. In fact, the HSP interface is essentially a stripped-down version of Halion s macro view, that can take away every one of the complication sometimes associated when you use higher-end libraries with generic sampling software.
HSP retains Halion s four pairs of stereo outputs, losing any additional four mono outputs that happen to be obviously redundant within this context. Initally I thought it was a waste not to get five pairs of outputs one for every section plus full strings and you can certainly run several copies of HSP when your host supports to get the quantity of individual outputs required. The overhead of running a supplementary instance of HSP, compared to your overhead of just playing the Instruments, can be negligible.
The user is left with a small number of decisions for making in the operation of HSP, along with the only settings you are able to make are the type affecting the coffee quality and performance. As with Halion, you are able to select from a variety of quality and resampling options, where better means more processor intensive. Halion s Preload To RAM slider for managing the balance between disk streaming and RAM-based playback has become simplified into five presets from the identical settings menu as Quality and Resampling.
Halion s Keyzone page isnt found in HSP, therefore you cant see which samples are allotted to which notes. To get with this, theres a nice touch in HSP s piano-style keyboard; the range in the current Instrument for your selected Channel is highlighted by small horizontal brown lines down the top in the keyboard.
In relation to its computer resources, Halion String Player is pretty efficient. To give some idea in the performance it is possible to expect, I loaded in the XXL 4-in-1 legato patch in my Windows-based test system, set Voices to 64, placed my foot within the master keyboards damper pedal, and played an ascending 64-note chromatic scale starting from your C three octaves below middle C. Disk streaming was set to your default Mid setting, and during quality there were no audible glitches, while using CPU Performance meter in Cubase registering about sixty percent.
Given that almost all musicians are unlikely to play 64-note chords having a legato program, I think its safe to state that if you purchased your laptop within the last couple of years, it ought to have no problem dealing with even essentially the most intensive string arrangements. And when looking at polyphony, your personal machine is likely is always to give up some time before HSP, which includes an upper 64-voice limit for each in the 16 Channels, giving a theoretical maximum polyphony of the staggering 1024 voices!
An part of Halion String Player that did become annoying was the Voices parameter always resets itself to 16 Voices each and every time you load an Instrument, regardless with the previous setting. This cause of this turned out for being that the Voices setting is saved inside the Instrument files themselves, so resaving the Instruments together with your required polyphony neatly solves what initially appears to become a problem.
The around buttons for the Channel, Output and Voices controls only answer single keys to press, and I thought to start with that this was likely to significantly increase my odds of developing RSI setting Voices from 16 to 64 requires 48 clicks! However, I later found a neat and undocumented feature, which, like Halion itself, enables you to vary these parameters by hovering the mouse over the down and up buttons and utilizing your mouses scroll wheel instead should your mouse has one. This method also works for virtually every of Halion String Player s other controls, such as the piano keyboard, which is usually scrolled through wheel when the mouse is hovering inside keyboard display.
The only other minor point is the fact that a used voices indicator to show the present polyphony with the selected channel will be useful for knowing when you would like to adjust the Voices parameter with the given channel, just as Gigastudio and EXS24 MkII theres certainly space correctly.
All things considered, there happens to be very little criticism I can level at Halion String Edition : aside from some minor interface issues plus a question of taste around the room and safe legato choices, this really is, in simple terms, a terrific product that delivers on its promises. The only question remaining is these promises are sufficient and ideal for your needs.
Tremolo, tremolo with accents, trills half and whole tone, pizzicato loose and tight, spiccato.
Legato, legato with portamento control.
Legato, tremolo, tremolo with accents, trills half and whole tone, pizzicato loose and tight, spiccato.
Legato, legato with portamento control, tremolo, tremolo with accents, trills half and whole tone, pizzicato tight and extremely tight!, spiccato.
Legato, tremolo, tremolo with accents, pizzicato, spiccato down bow only.
Legato, legato pad, tremolo, pizzicato tight, spiccato down bows only.
First and second violin, viola, cello and double bass legato.
I think Steinberg and Wizoo are actually clever with Halion String Edition Volume One, aiming it squarely at musicians who require the high quality of the more expensive sample libraries, but without precisely the same number of articulations. Although both GOS and Sonic Implants Symphonic Strings SISS are for sale in smaller, less expensive versions, they represent the scope with the full library using fewer samples, rather than providing full-quality versions on the most common articulations, as Wizoo did.
However, this isnt to criticise either GOS Lite or SISS Mini, since they clearly appeal to rather different musical demands. If you need a greater assortment of articulations eg. con sordino, or maybe more types of short bows both these represent great value for money at 199 and 449 around 300 respectively, putting them in approximately exactly the same price bracket as HSE assuming you already own a software sampler, needless to say.
On additional hand, Wizoo acknowledge that this Volume One appendage shows that therell become a Volume Two to protect more articulations, therefore you could buy Volume One now and Volume Two later since your needs grow. However, if the turns out for being the case, and Volume Two carries precisely the same price tag, youre drawing near comparisons while using larger 700 libraries that Volume One otherwise neatly side-steps. With this in mind, choosing whether or not to purchase HSE boils down to taste a straightforward question ones librarys sound you like and simplicity of use a category that Halion String Edition Volume One wins every time for me.
Putting my dreamers hat on for example paragraph, considered one of HSE s most enjoyable aspects is whats ahead when precisely the same approach is applied for some other sections with the orchestra I cant wait to find out what Halion Brass, Woodwind and Percussion Editions offer! But it would be also good if Steinberg took fractional laser treatments to its logical conclusion in Cubase and integrated it more tightly using the Score editor to supply Sibelius - style playback features. Imagine intelligent arco/pizz switching and active bowing symbols, one example is what more might you ask for?
Overall, the programming of HSE s Instruments is meticulous and musical, demonstrating the degree of expertise youd expect from Wizoo and Steinberg. I have outright admiration for the people who have the patience to make these instruments and edit the sheer volume of data into something so deceptively simple and easy and playable.
In conclusion, I really liked HSE. If you want high-quality, easy-to-play string sounds within a VST or DirectX Instrument for just half the price tag on the larger libraries, and don't have any desire for your more intricate articulations required for further detailed orchestration, Halion String Edition is totally what youve been anticipating.
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Updates a currently installed HALion String Edition 1.x version to a single.13.
This installer is usually used for installing the product or service on Mac OS X systems should your original CD only has the Mac OS 9 version.
You need your original installation CD available, it is going to be requested from the installer.
Requires a currently installed HALion String Edition 1.x Version on your laptop!
Mac OS X 10.3.x Panther compatible.
Contains performance optimizations.
In case you see setting up a new system or upgrading a preexisting one, weve gathered many useful tips and recommendations in order to configure your Digital Audio Workstation DAW.
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HALion String Edition by Steinberg is usually a Virtual Instrument Audio Plugin for Windows and Mac OS X. It functions as being a VST Plugin, an Audio Units Plugin and also a DirectX Plugin.
Plug-in, App Soundware Formats
HALion String Edition from Steinberg/Wizoo features elements of 8 double basses, 10 cellos, 12 violas and 16 violins, and provides fantastic playing feel and also a sound character worthy of any musical style from classical to contemporary. The top-notch recording techniques used provides the HALion String Edition a warm character, an outstanding quality of sound and an unobtrusive, natural ambience. Each section is provided in 2 versions it is possible to combine freely with sections. A multitude of presets make arranging and combining sections very simple.
HALion Player allows full control of articulations including crescendo, bowing or portamento. The additional HALion programs allow creative editing and limitless combination to sounds in HALion.
Complete orchestral strings - Double Basses, Cellos, Violas, Violins.
Suits all musical styles from classical to contemporary.
Unrivalled expressiveness, full dynamic range, along bows.
HALion String Player included for PC and Mac OS.
Articulations including legato, tremolo, pizzicato or spiccato.
Warm and defined sound, perfectly balanced bow noise.
Natural concert hall ambience, true key release action.
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